Dancing in Place 2018

Dancing in Place 2018

Dancing up a tree. On a sculpture. Underwater. Underground. Dancing in Place is back!

A fun excursion for the family, Dancing in Place features 10 short dance works performed outdoors in the tranquil tropical garden at Rimbun Dahan.

3-5:30pm
Saturday & Sunday, 13-14 January 2018 (same program both days)
Rimbun Dahan, Km 27 Jalan Kuang, Daerah Kuang, Selangor, 48050.
Google Maps location: https://goo.gl/maps/Xu1UxnfH2g72
FREE ENTRY, donations welcome.

Featuring works by local dance artists:
++ Alla Azura Abal Abas, a veteran of site-specific dance, returns with her team, taking birds from classical Malay dance and putting them in trees.
++ Sharm Noh presents his captivating spider work, last seen in the Gala Night of Short+Sweet Dance 2017 at Kuala Lumpur Performing Arts Centre.
++ Balletbase dancers present “Reflets Sur l’Eau”, a lyrical modern dance work by French/American choreographer Patrick Suzeau.
++ JS Wong restages his meditative but physically challenging solo with bamboo pole, performed by Tau Chun Wai.

This year, we welcome a special program of new collaborative creations by teams of Southeast Asian choreographers, working together for the first time:

++ Chai Vivan (Malaysia) and Otniel Tasman (Indonesia)
++ Colleen Coy (USA/East Timor), Eng Kai Er (Singapore), Lee Ren Xin (Malaysia) and Ong Nitipat Pholchai (Thailand)
++ Fadilla Oziana (Indonesia), Citra Pratiwi (Indonesia) and Sonoko Prow (Thailand)
++ Fauzi Amirudin (Malaysia) and Sarah Maria Samaniego (Philippines)
++ Al Bernard Garcia (Philippines) and Siko Setyanto (Indonesia)

Plus Joelle Jacinto (Philippines) returns to Malaysia with her sister Jacqui, to perform a duet choreographed by her father, Eli Jacinto.

The event will continue, rain or shine! Please wear shoes that can get wet/muddy, and bring umbrellas and mosquito repellent. Refreshments will be available for purchase, but feel free to bring your own picnic.

Sorry, Rimbun Dahan is not a wheelchair-accessible venue, and Dancing in Place is not open to pets.

Dancing in Place is a production of MyDance Alliance, World Dance Alliance Asia-Pacific, and Rimbun Dahan.
Producer: Bilqis Hijjas
Production assistance: Stephanie Ho, Joelle Jacinto, Susan Chee
SM: Keilly Lim
Graphic designer: Grey Yeoh

Job Opportunity: Part-Time Arts Manager

Job Vacancy for P/T Arts Manager at Rimbun Dahan

Rimbun Dahan offers various residencies (fully or partially sponsored or paid) to visual and performing artists, writers, researchers, and curators, with a special focus on those from Malaysia and Southeast Asia. The residencies vary in length depending on the artists’ needs. Rimbun Dahan also hosts short-term workshops, open day events, performances, and student visits, and is available to rent as a venue for events. Our focuses are arts, performance, architecture, and nature, in a Southeast Asian context.
For more information about Rimbun Dahan, see http://rimbundahan.org/.

Overall Role

We are looking for a part time Arts Manager to coordinate the residency, arts, performance and outreach programs at Rimbun Dahan to ensure a lively and active series of residencies and events throughout the year. They will be in charge of handling internal and external communications and finances for all activities in Rimbun Dahan, as well as supervising an Assistant Arts Manager. Applicants must have strong interpersonal, management, and communication skills and the ability to juggle different responsibilities to maintain a vibrant, consistent, and active program and schedule throughout the year. We are looking for highly motivated and proactive applicants with a keen interest and/or familiarity with the local arts scene.

This position is based in Selangor Malaysia. We are looking for Malaysian applicants only.

Key Responsibilities

  • Selection of resident artists with the owners’ involvement, and communicating with artists from the application process through to undergoing the residency;
  • Scheduling and organizing social and arts events such as exhibitions, open day events, performances, showcases, and talks;
  • Hiring, training, and supervising a full-time Assistant Arts Manager, who will provide administrative and logistical support and work with the Arts Manager to ensure the arts, performance, and outreach programs run smoothly;
  • Marketing Rimbun Dahan as a venue for events rental;
  • Coordinating with the Dance Program Director and assisting where necessary;
  • Maintaining communications and relationships with external parties for collaborations, outreach and press;
  • Managing and recording finances for all Rimbun Dahan related activities;
  • Attending local arts events on behalf of Rimbun Dahan and accompanying RD resident artists to introduce them to galleries and people they may wish to meet;
  • Liaising with press and media as a representative of Rimbun Dahan;
  • Monitoring the underground gallery of visual arts works, and periodically changing the hang;
  • Maintaining the website, newsletter and Facebook page and keeping them up to date.

Qualification and Skill Set

  • Tertiary degree in arts or a related field is preferred
  • 2 – 3 years work/relevant experience preferred
  • Fluency in spoken and written English and Bahasa Malaysia
  • Strong interpersonal and writing skills for handling communications
  • Highly organized, detail oriented, and able to work with minimal supervision
  • Competent with computers and social media
  • Must be able and licensed to drive
  • Comfortable with dogs, as Rimbun Dahan has guard dogs on-site.

What We Offer

  • Salary depends on qualifications and experience, but starts from RM3,000
  • An additional car allowance is negotiable
  • Flexible work hours. The manager is required to be on site at Rimbun Dahan three days a week and timing is flexible – ideally 10AM to 6PM
  • A chance to engage more deeply with and make connections within the Malaysian arts scene

Interested applicants should send a cover letter and CV to (Ms) Bilqis Hijjas at bhijjas@gmail.com. Position starts 1 February 2018.

Download this job vacancy notice as PDF here: Rimbun Dahan PT Arts Manager Job Description

Call for Applications: SEA Choreolab 2018

Call for Applications: SEA Choreolab 2018

Rimbun Dahan invites emerging contemporary dance choreographers (or performance artists or physical theatre creators) to apply for the Southeast Asian Choreolab 2018.

This international facilitated choreographic laboratory will take place at Rimbun Dahan, outside Kuala Lumpur, Malaysia, from 23 June to 1 July 2018.

Due date for applications:
30 November 2017.

Skip to application details >>
Download this page as PDF: SEA Choreolab 2018 Call for Applications [PDF 1MB]

Project Format

14 chosen choreographers will live, work and explore together in the arts community of Rimbun Dahan for 9 days, with guidance from our international facilitator, German choreographer Isabelle Schad.

The program will consist of 7 work days with 2 days of study-tour. Work days will take place in the dance studio at Rimbun Dahan and will consist of sessions exploring choreographic methods, analysis and movement techniques led by Isabelle Schad and the participants themselves.

Other activities include artists talks by invited guest artists, live performance viewing, and informal socialising and discussions.

The first study tour day will explore the main arts institutions in and around Kuala Lumpur. The second study tour day will give your bodies and minds a break, with a half-day trip to a nearby seaside town.

The exact program may evolve during the choreolab, to remain flexible, organic and response to the specific profiles of the participants.

Project Aims

To support and enable emerging Southeast Asian contemporary dance choreographers to

  1. Adopt new choreographic tools and physical, thematic and conceptual approaches to enrich their artistic practice;
  2. Develop regional networks among their peers and with regional dance institutions, for knowledge sharing, future artistic collaboration and touring;
  3. Experience works of art, cultures, places and histories beyond their home, to increase international understanding and to help contextualize their artistic practice.
  4. Work closely with an established choreographer (Isabelle Schad), to participate in her particular artistic approach, and to benefit from her insights, advice and experience.

We hope you will have a positive and enjoyable experience at the SEA Choreolab, which will reenergize you and help you reaffirm your commitment to your artistic practice. We would like the choreolab and the networks you establish here to be an ongoing resource to which you may return for inspiration, refreshment, respite and a sense of continual community.

Who we’re looking for

  • Emerging contemporary dance choreographers, aged 35 or under, or who began creating contemporary work within the last five years. Artists who create performance art or physical theatre works are also eligible.
  • You should have established a professional or semi-professional practice, and have created at least 3 short works or 1 full-length work.
  • Citizen of and resident in an ASEAN country (Indonesia, Malaysia, the Philippines, Singapore, Thailand, Brunei, Burma/Myanmar, Cambodia, Laos, Vietnam) or Papua New Guinea or East Timor.
  • Able to communicate functionally in English.
  • Excited to increase your knowledge base, share your practice and establish networks with your international peers.

What the project will provide

  • Twin-share accommodation at Rimbun Dahan.
  • Entry to all the project activities, including classes, study trips, facilitated sessions, and performances.
  • 3 meals per day during the project.
  • Transfer to/from airport or bus terminal (subject to conditions).

What you need to provide

  • Return airfare to Kuala Lumpur (the city is well-connected by low-cost airlines).
  • Travel insurance (and visa for Myanmar, East Timor & PNG only)
  • One session during the project (maximum 1 hour) in which you will lead the other participants through a choreographic method, thematic exploration, dance technique or artistic question. This session will be discussed and developed with the choreolab organisers.

To apply

Download the application form here [Word Doc 310kb].

Return the completed form to: contact@mydancealliance.org
by the end of Thursday 30 November 2017.

For questions or more information

Contact Bilqis Hijjas, MyDance Alliance, Malaysia
contact@mydancealliance.org, +6017 310 3769

About Rimbun Dahan

Rimbun Dahan, the home of renowned Malaysian architect Hijjas Kasturi and his wife Angela, is set on fourteen acres of land outside Kuala Lumpur, Malaysia. The compound is a centre for developing traditional and contemporary art forms. Its facilities include a dance studio, underground gallery, visual arts studios and artists’ accommodation, as well as two Malaysian heritage houses, in a Southeast Asian indigenous garden environment.

Since 1994, Rimbun Dahan has hosted hundreds of artists in various disciplines. The residency program at Rimbun Dahan aims to give international artists an opportunity to experience Malaysian culture, and to help Malaysian and other Southeast Asian artists engage with artists from the region and beyond.

About Isabelle Schad, facilitator

Isabelle Schad studied classical dance from 1981-90 in Stuttgart, and from 1990 to 1996 she danced in various classical companies. She began creating her own choreography and extending her dance education through diverse workshops and scholarships, was a member of Ultima Vez / Wim Vandekeybus in Brussels, and worked with / danced for Olga Mesa, Angela Guerreiro, Felix Ruckert, and Eszter Salamon.

Since 1999, she has developed numerous projects and dance performances of her own, in close collaboration with choreographers, performers, musicians and visual artists, which have been presented internationally in theatres, alternative places, galleries or festivals such as Tanzplattform, Tanz im August Berlin, Internationale Tanzwochen Wien or Dashanzi International Arts Festival Beijing.

The pieces California Roll and Still Lives – a community project that has been realised in more than 12 European cities – have been presented at Tanzplattform Germany 2006 and 2008. The community project TÜDDELDÜDDEL-LÜD has been presented at Tanzkongress 2009 in Hamburg.

Isabelle Schad regularly shows her work at Hebbel-Am-Ufer in Berlin. Since 2008, she has developed an ongoing project in collaboration with visual artist Laurent Goldring, followed by the solo Der Bau (2012) and the group work Collective Jumps (2014), which were both invited to Tanzplattform.

She is teaching in Berlin at the Inter-University Centre of Dance Berlin, and internationally in the frame of workshops or short period projects mostly supported by local Goethe-Institutes. She is actively engaged in the free dance scenes of many Balkan cities / countries, including Zagreb, Sofia, Skopje, Bucharest, and Belgrade.

In her work, Isabelle Schad explores relationships between the body, its languages and representations. She focuses on working methods that privilege exchange, the sharing of ideas, practices and knowledge as a tool for circulation, for continuity in learning and cooperation with other artists.

Isabelle is co-organizer of the working space Wiesenburg-Halle in Berlin, and a Zen-Shiatsu practitioner who practices Aikido on a daily basis.

More information: http://www.isabelle-schad.net/

Teaser for Pieces & Elements by Isabelle Schad: https://vimeo.com/196280271 [01:42] Camera & Editing by Nadja Krüger

Trailer for Collective Jumps by Isabelle Schad: https://vimeo.com/125661023 [03:32] Trailer by Laurent Goldring_Aufführungen at HAU Berlin, 2014

Collective Jumps. Photo © L. Goldring

The Southeast Asian Choreolab 2018 is a joint project by

In partnership with

Dancing in Place 2017

Dancing in Place 2017

A weekend of short contemporary dance works performed in the gardens at Rimbun Dahan, open for free to the general public.

18-19 March 2017
Produced by Joelle Jacinto and Leng Poh Gee for MyDance Alliance.

Photos featured on this page by Nazir Azhari, Tony Tan, Mohd Nor Azmil Abdul Rahman and Huneid Tyeb. Many thanks to the photographers.

Program

I March

Location: Brick fence / Reflective pond
Choreographed and performed by JS Wong
Music composed by Thong Yoong How

I march forward or backward, in or out and here or there.

He Simply Disappears

Location: Front porch of Penang House
Choreographed by Nurulakmal Abdul Wahid
Performed by Nurhanis binti Yahya and Jazali bin Mohamad of UPSI

“It’s hard being left behind… It’s hard to be the one that stays…”  – Audrey Niffenegger 

Dis-location Series

Location: Rumah Uda Manap
Choreographed and performed by Chantal Primero and Nicole Primero of Airdance Philippines

“Achieving the end of the exercise was never the point of the exercise to begin with, was it.” -Adam Savage

Pinwheel

Location: Playhouse and the path where it leads
Choreographed by Kathyn Tan Chai Chen
Performed by Kathyn Tan, Eden Lim, Lee Ren Xin, Leo Yap, Lim Hwang King.

The unseen energy that causes movement. They spin and stop and start again, as if without permission. The wind is like a child that wants to play.

Special thanks to Now Theatre, Mr & Mrs Choo

Faux

Location: Sakinah sculpture / Bulatan Plong
Choreographed by Chai Vivan and Fione Chia
Performed by Chai Vivan, Fione Chia and Kyson Teo of Kwang Tung Dance Company

We are currently living in a world where the Artificial is becoming Natural, and Nature is becoming more and more Artificial. There are times where our eyes are unable to identify true and false. There are things that stand in between the real and the fake. Does that matter anymore?

Rebab

Location: In the forest beside the dance studio
Choreographed by Rathimalar Govindarajoo
Performed by Rathimalar Govindarajoo and Wei Jun, with Amirul Said, Yap Chiw Yi, Gwen Ng, Wong Yi Juan and Karthini Chandran of UMa Dance Company

Rebab – inspired by the Main Putri and the Makyong. The concept dwells around the word “Gerhana” as the churning of the ocean where immortality is obtained, and Gods dance where the Moon is eaten by the snake, and a dragon is split to two as Rahu and Kethu…

Female. Solo Dance Series

Location: Underground Gallery
Director / Choreographer: Loke Soh Kim
Photography Director: Kim Teoh
Soundscape Designer: Goh Lee Kwang
Dancers: Rachel Chew, Hoi Cheng Sim , Lee Ren Xin, Loke Soh Kim, Wong Man Chui

To capture the beauty and the feminine qualities of dancers, choreographer Loke Soh Kim decided to make a video series for five different dancers. Restrictions of video shooting have been set between the choreographer and the photography director to minimize the interruption to the pure dance improvisation that based on environmental stimulus; long-take in the film making, no pre-context communication with the dancers, and no disturbance from the camera. Female. Solo Dance Series is a dance video that depicted the interaction of sites, dancers, photographer and soundscape designer. The series consisted of five female solo dance with different ages and backgrounds, who wish to share their stories.                       

Supported by:  PCP Publications, Little Planet Lab, Sekeping Kong Heng, Damansara Performing Arts Centre, Oriental Art & Cultural Association, and EPSON Malaysia.

Fulfillment Needs

Location: Main plaza driveway
Choreographed by Fairul Zahid
Performed by Syafiq Kamarul, Zaidyansjah, Nur Syafiqah Najwa and Fatin Nadhirah

Naesting

Location: Red sculpture under the trees
Collaboration by Tan Bee Hung, Mamad Samsuddin and Al Bernard Garcia, alumni of the Southeast Asian Choreolab.

Search. Fit. Build. Settle. Trap.

My Alay

Location: Reflective pond
Choreographed and performed by Rithaudin Abdul Kadir

Based on the traditional Pangalay dance of the Suluk (Tausug) from Sabah, this piece is reconstructed with a contemporary vocabulary to accommodate the site. By experimenting and exploring the use of the Gong and the Turung, it is a journey of self-discovery. The use of the gong symbolises the wealth and of late, the burden of the Suluk people.

The LEF

Location: 60 Turns Lawn
Choreographed by Kyo Hong
Performed by Kate Soon and Jazz Ter

As time flew away, as the leaf scattered away so do our pathways.

When They Ate The Apple

Location: 60 Turns Lawn
Choreographed by Yunus Ismail
Performed by Maria Devonne Escobia

For the good that they were promised, they chose to disobey.

Clockwork

Location: 60 Turns Lawn
Choreographed by Fauzi Amirudin
Performed by Denise Tan, I-Lyn Tan, Joelle Jacinto, Joyce Chan, Lee Jia Xi, Regina Toyad, Ving Yee of Balletbase

We negotiate between tradition and the modern; we try to find a balance between the two, until they are harmonious – “like clockwork”. Yet there is also an effort to stop time, and we try to make that universal pause before coming into a hopeful, uncertain, inevitable future.

Bumper Egg-Laying Season Calls for More Buying

Bumper Egg-Laying Season Calls for More Buying
A newly-hatched green turtle, set to swim.

A newly-hatched green turtle, set to swim.

We need money to keep saving turtles!

This month has seen massive green turtle landings on the East Coast, and we don’t have enough money to save all the eggs. Unsaved eggs go to the local markets and are eaten.

The market rate is RM2.50 an egg — and every egg has a chance to become a turtle. Please contribute to the Rimbun Dahan Turtle Hatchery at Sungai Chendor, Pahang, where we buy freshly-laid turtle eggs from the boys who scour the beaches. These eggs are reburied in our hatchery until they hatch, and the hatchlings released into the sea.

Last year we bought just 5,000 for the whole season from April to September. This year we have already purchased 2,177 eggs in the first 3 weeks of April…. , so the season has started really well!

Please send contributions to CIMB account Angela Jane binti Abdullah 8000553551, marked Hatchery and with your name. Or email Angela Hijjas at angelahijjas@gmail.com. Donors are welcome to visit our hatchery and release baby turtles during hatching season.

 

Daniel Bear Davis

Daniel Bear Davis

 

 

DANIEL BEAR DAVIS has taught composition, contact improvisation, and Axis Syllabus internationally in Estonia, Finland, Greece, Spain, Germany, Denmark and Mexico. His work prioritizes content over genre, weaving text, dance, video, music and new media without hesitation. He considers all work to be site and context-specific and is interested in mobilizing audience agency through interaction and unconventional use of space. His work has been presented at the Imagining Bodies Symposium in Tallin, Estonia, the San Francisco International Arts Festial, SoWat Now Contemporary Performance Festival, and Looking Left Festival in California, and at the SEEDS Festival and E|MERGE Residency at Earthdance Center, MA. He has performed in theaters, on submarines, desert rocks, construction scaffolding, and art galleries. He’s made pieces about dementia, gender, war, heritage, identity. He cares about image, awe, and beauty. In creating a wide and rich acceptance of what it is to be human in a more-than-human world.

Daniel has been blessed with opportunities to perform with Nita Little, Nancy Stark Smith, Live Art Installations, Felix Ruckert, Kira Kirsch, Erika Tsimbrovsky, Scott Wells, Krista DeNio and many other inspiring body/minds.

(Time)(Place)(Body): a site-specific dance workshop

Join us for a week long excavation of image and movement in time, place and body. We will engage various approaches to body-based performance in relation to site and context. We will compose, de-compose, and re-compose an ever shifting relation to self, other, and environment.

This interdisciplinary performance workshop will combine movement training based in Axis-Syllabus, contact improvisation, butoh and other somatic awareness approaches with compositional tools from Viewpoints, Moment Work, and Performance Collage to create original choreographed and improvised performances in relation to site. The beautiful artist residency center, Rimbun Dahan, offers countless natural and cultivated environments to frame, support, complicate, and shape our work.

The workshop will end with an informal public showing of solo and group material we would have created over the course of the week.

All levels are welcomed – contact dancers, contemporary dancers, performance artists or dancers interested in site-specific, interdisciplinary or installation work.

******************

DATES: 19 January to 24 January 2016
TIMES: 10 am to 6 pm daily (witth a day off on the 22nd)
VENUE: Rimbun Dahan, Kuang, Malaysia

FEES
Malaysian* participants (with accommodation): RM550
Malaysian* participants (without accommodation): RM450
Non-Malaysian participants (includes accommodation): RM850

SPECIAL OFFER FOR MYDANCE MEMBERS
The first five MyDance members who register get an RM100 discount!

* “Malaysian” refers to Malaysian citizens based in Malaysia.

To register, send an email to david.lim@mydancealliance.org.

 

(Time)(Place)(Body): a site-specific dance workshop is organized by David Lim and supported by MyDance Alliance and Rimbun Dahan.

Check the Facebook event page for updated info…

Dancing in Place 2016

Dancing in Place 2016

A fun and informal excursion for the whole family, Dancing in Place features 12 short dance works performed outdoors in the lush tropical garden at Rimbun Dahan.

3-6:30pm
Saturday & Sunday
16-17 January 2016 [same program on both days]
FREE ENTRY

Featuring works by:

  • Alla Azura Abal Abas
  • Lim Hooi Meng
  • Rithaudin Abdul Kadir
  • Lee Ren Xin
  • Rathimalar Govindarajoo
  • Ming Low, for Balletbase
  • Syed Haziq Afiq
  • Nadhirah Razid

And special international guests:

  • Daniel ‘Bear’ Davis (USA)
  • Li Yong Wei & Seow Yi Qing (Singapore)
  • Jed Amihan and Airdance (Philippines)
  • Ong Pholchir and Spine Party Movement (Thailand)

The event will continue, rain or shine! Please bring your own picnic, as well as shoes that can get wet/muddy, umbrellas, and mosquito repellent. Refreshments will be provided.

Sorry, Rimbun Dahan is not a wheelchair-accessible venue.

For map and directions to Rimbun Dahan, see http://rimbundahan.org/?page_id=32

Facebook event: https://www.facebook.com/events/708357295930507/

Southeast Asian Choreolab 2016

Southeast Asian Choreolab 2016

choreolab_lift

Emerging contemporary dance choreographers from Southeast Asia are invited to apply for this international choreographic laboratory, facilitated by Japanese choreographer Akiko Kitamura, at Rimbun Dahan, from 28 May to 5 June 2016.

Download the Call for Applications. [PDF 518kb]

Download the Application Form.  [Word doc 37kb]

 

Applications are due by the end of Monday 15 February 2016.

Project Format

14 chosen choreographers will live, work and explore together in the arts community of Rimbun Dahan for 9 days, with guidance from our international facilitator, Japanese choreographer Akiko Kitamura.

The program will consist of 7 work days with 2 days of study-tour. Work days will take place in the dance studio at Rimbun Dahan and will consist of sessions exploring choreographic methods, analysis and movement techniques led by Akiko Kitamura and the participants themselves.

Other activities include artists talks by invited guest artists, live performance viewing, and informal socialising and discussions.

The first study tour day will explore the main arts institutions in and around Kuala Lumpur. The second study tour day will give your bodies and minds a break, with a trip to the coastal town of Kuala Selangor, its nature park, monkey-feeding at a historic site, seafood dinner and a river trip to see fireflies.

The exact program may evolve during the choreolab, to remain flexible, organic and response to the specific profiles of the participants.

Project Aims

To support and enable emerging Southeast Asian contemporary dance choreographers to

  1. Adopt new choreographic tools and physical, thematic and conceptual approaches to enrich their artistic practice;
  2. Develop regional networks among their peers and with regional dance institutions, for knowledge sharing, future artistic collaboration and touring;
  3. Experience works of art, cultures, places and histories beyond their home, to increase international understanding and to help contextualize their artistic practice.

We hope you will have a positive and enjoyable experience at the SEA Choreolab, which will reenergize you and help you reaffirm your commitment to your artistic practice. We would like the choreolab and the networks you establish here to be an ongoing resource to which you may return for inspiration, refreshment, respite and a sense of continual community.

Who we’re looking for

  • Emerging contemporary dance choreographers, aged 35 or under, or who began creating contemporary work within the last five years. Artists who create performance art or physical theatre works are also eligible.
  • You should have established a professional or semi-professional practice, and have created at least 3 short works or 1 full-length work.
  • Citizen of and resident in an ASEAN country (Indonesia, Malaysia, the Philippines, Singapore, Thailand, Brunei, Burma/Myanmar, Cambodia, Laos, Vietnam) or Papua New Guinea or East Timor.
  • Able to communicate functionally in English.
  • Excited to increase your knowledge base, share your practice and establish networks with your international peers.

What the project will provide

  • Twin-share accommodation at Rimbun Dahan.
  • Entry to all the project activities, including classes, study trips, facilitated sessions, and performances.
  • 3 meals per day during the project.
  • Transfer to/from airport or bus terminal (subject to conditions).

What you need to provide

  • Return airfare to Kuala Lumpur (the city is well-connected by low-cost airlines).
  • Travel insurance (and visa for Myanmar, East Timor & PNG only)
  • One session during the project (maximum 1 hour) in which you will lead the other participants through a choreographic method, thematic exploration, dance technique or artistic question. This session will be discussed and developed with the choreolab organisers.

To apply

Download the Application Form from here and return it to contact@mydancealliance.org

by the end of Monday 15 February 2016.

For questions or more information

Contact Bilqis Hijjas, MyDance Alliance, Malaysia
contact@mydancealliance.org, +6017 310 3769.

Akiko Kitamura profile imageAbout Akiko Kitamura, facilitator

Akiko Kitamura was born in 1970 in Tokyo. She learned ballet dance and street dance in her youth, studied dance theory at Waseda University and began to build a professional career as a choreographer in show business while still in her teens. She choreographed many pieces for commercial films, fashion shows and plays. In 1994, she founded her own company Leni-Basso. In 1995-1996, she stayed in Germany for a year as a resident artist.

In 2001 she was invited to the Bates Dance Festival and created Finks, one of her best known works, performed more than 60 times worldwide. Ghostly Round (2005), choreographed for In Transit organised by Haus der Kulturen der Welt (Berlin), is another of her signature works which has toured internationally. Akiko Kitamura has made many works for international companies, commissions and collaborations such as for American Dance Festival, Group Motion Dance Company in Philadelphia, ACE Dance and Music of Birmingham, and avant-garde rock group Art Zoyd in France.

Akiko started to learn pencak silat in 2004 according to a strong interest in the body techniques of South East Asia, and in 2010 she came to Indonesia to research dance, music and martial arts more deeply. In 2011, she started to collaborate with Indonesian artists including choreographer/dancer Martinus Miroto, Yudi Ahmad Tajudin (Teater Garasi), dancer Rianto, musicians Kill the DJ (Jogja Hip Hop Foundation), Slamet Gundono, and Endah Laras, and a team of Japanese artists to create the To Belong Series, such as To Belong-cyclonicdream- (2013) and To Belong/Suwung (2014). The work explores how two cultures meet, and connects the old world to the contemporary using video, music and dance. It also aims to discover the new generation of the Asian Body: the repository of the traditional and the contemporary worlds.

In 2015, Akiko was an Asian Cultural Council Fellow and a Saison Foundation Fellow. Since 2001 Akiko Kitamura has taught at Shinshu University, Nagano, as associate professor of the Faculty of Arts.

http://www.akikokitamura.com/
http://www.akikokitamura.com/tobelong/english/


The Southeast Asian Choreolab 2016 is a joint project by

rd_text_green wda logo

Supported by

JFKL-Logo_KL_smallerMyDance Alliance Logo Smallaswara_logo

Genus Anisoptera

Genus Anisoptera

A genus in the family Dipterocarpaceae.

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Anisoptera laevis
mersawa durian
Malaya, Sumatra & Borneo. Most common of genera widely distributed between 300 & 900 m. Vulnerable, due to logging & habitat loss; small smooth leaf, sparse reddish scales on lower surface. Planted 6/07.
Anisoptera-leavis
Anisoptera marginata
mersawa paya
E Sumatra, Malaya, Borneo. In Malaya near
coastal peat swamp forest of S Perak, Selangor,
Pahang, and Johor. Critically endangered by land
conversion. Smooth leaves, bright yellow under.
1 fr TH 11/09
Anisoptera-marginata Anisoptera-marginata-leaf
Anisoptera scaphula
mersawa gajah
South from Chittagong; most common in north of Malaya but found as far south as NS. Favours low altitudes and deep gorges, now endangered through range. Large thin glabrous leaf. Very large trees, up to 9m girth. Planted 6/07.
Anisoptera-scaphula
Anisoptera sp.
mersawa
Small genus of about 14 species, 7 in Malay peninsula. Most have distinctive leaf: prominent looped marginal vein. High silica content of wood
makes sawing difficult. Large buttresses were frequently cut to make pans for tin washing.
Anisoptera-sp

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