Carlos Carvalho

Carlos Carvalho

Originally from Brazil, in the last three years Carlos Carvalho has been living in Asia, first India, now in Indonesia. Using crafts techniques and everyday materials, like textiles (mostly felt), paper, cardboard and paint, he builds topographies. Those topographies are found through the combination and juxtaposition of shapes cast from his body. His process is time consuming and repetitive, almost meditative.

My body is the center of my work, my body is queer and I’m gay. Thinking queerness in places where it’s not welcome or allowed is what is going through my mind. Especially because Brazil is also facing a conservative wave right now that is pressing against women, LGBTIs and the African-Brazilian population.

At Rimbun Dahan, being in the middle of all this green I wonder about things that hide in the vegetation, in the bushes. Being mostly by myself, this also brings about the idea that things that we fear hide in the dark, among the plants. I decided to play with the idea of camouflage as a starting point, as we can think of animals that hide. I mock the hunter animal print over the casts taken from my own body – I fear they are part of each of us, that they are constituents of our minds. This is supposed to be a turning point of the dynamics of fear. The body parts originating from the queer-gay body to become the element that hides and hunts, I put the body in a position of power and control, which is what the queer body needs to have in today’s reality.

Find more of Carlos’s work at his website, and his instagram accounts: @carhencarvalho and @carloscarvalhoart

Material, Order & Chance by Zulkifli Lee, Rimbun Dahan Residency Exhibition 2017

Material, Order & Chance by Zulkifli Lee, Rimbun Dahan Residency Exhibition 2017

Rimbun Dahan presents Material, Order & Chance, a solo exhibition by Rimbun Dahan Yearlong Resident Artist 2017, Zulkifli Lee. In the well-trod tradition of past resident artists, Zulkifli has taken inspiration from the natural and built environments of Rimbun Dahan and the results are textured, detailed large canvases and surfaces with geometric designs and compositions influenced by the repetitions and colours that occur in the landscapes he has been immersed in for a year.

DATES: Sunday 26 November to Sunday 10 December

OPENING HOURS: Weekends (26 Nov, 2 & 3 Dec, 9 & 10 Dec) 10am – 6pm; Mon to Fri by appointment only (email Syar at syar@rimbundahan.org)

Admission is FREE. For the event page on Facebook please click here.

There will also be a free guided tour of Rimbun Dahan’s grounds and traditional village houses at 9am on 10 December, conducted by Angela Hijjas.

Rimbun Dahan is also a part of Gallery Weekend Kuala Lumpur (GWKL), December 8 – 10 2017, a novel, annual 3-day celebration of aesthetic and cultural diversity in Malaysia’s capital city.

Southeast Asian Choreolab 2018

Southeast Asian Choreolab 2018

From 23 June to 1 July 2018, 13 selected choreographers from Southeast Asia lived together at Rimbun Dahan, exploring choreographic practice with guidance from our international facilitator, German choreographer Isabelle Schad, with assistance from Claudia Tomasi.

The program consisted of 7 work days with 2 days of study tour. During the Choreolab, each participant presented their own participant session, sharing their own choreographic methods, repertoire or movement techniques with the rest of the group.

Half of every work day was spent with Isabelle Schad, as she shared her artistic approaches and ways of looking at dance with the participants.

The program concluded with an open showing of movement tasks from the Choreolab. The open showing was attended by the general public and members of the local arts community, outside in the gardens at Rimbun Dahan.

Participants

  • Lau Beh Chin, Malaysia
  • Nurulakmal Abdul Wahid, Malaysia
  • Jereh Leung, Singapore
  • Josh Marcy, Indonesia
  • Fitri Anggraini, Indonesia
  • Sherli Novalinda, Indonesia
  • Mee Soydala, Laos
  • Noutnapha Soundala, Laos
  • Vidura Amranand, Thailand
  • Nguyen Thanh Chung, Vietnam
  • Gebbvelle Ray ‘Dingdong’ Selga, Philippines
  • Nicole Primero, Philippines
  • Eva Wegener, Sri Lanka/Germany

Project Aims

To support and enable emerging Southeast Asian contemporary dance choreographers to

  1. Adopt new choreographic tools and physical, thematic and conceptual approaches to enrich their artistic practice;
  2. Develop regional networks among their peers and with regional dance institutions, for knowledge sharing, future artistic collaboration and touring;
  3. Experience works of art, cultures, places and histories beyond their home, to increase international understanding and to help contextualize their artistic practice.
  4. Work closely with an established choreographer (Isabelle Schad), to participate in her particular artistic approach, and to benefit from her insights, advice and experience.

About Isabelle Schad, facilitator

Isabelle Schad studied classical dance from 1981-90 in Stuttgart, and from 1990 to 1996 she danced in various classical companies. She began creating her own choreography and extending her dance education through diverse workshops and scholarships, was a member of Ultima Vez / Wim Vandekeybus in Brussels, and worked with / danced for Olga Mesa, Angela Guerreiro, Felix Ruckert, and Eszter Salamon.

Since 1999, she has developed numerous projects and dance performances of her own, in close collaboration with choreographers, performers, musicians and visual artists, which have been presented internationally in theatres, alternative places, galleries or festivals such as Tanzplattform, Tanz im August Berlin, Internationale Tanzwochen Wien or Dashanzi International Arts Festival Beijing.

The pieces California Roll and Still Lives – a community project that has been realised in more than 12 European cities – have been presented at Tanzplattform Germany 2006 and 2008. The community project TÜDDELDÜDDEL-LÜD has been presented at Tanzkongress 2009 in Hamburg.

Isabelle Schad regularly shows her work at Hebbel-Am-Ufer in Berlin. Since 2008, she has developed an ongoing project in collaboration with visual artist Laurent Goldring, followed by the solo Der Bau (2012) and the group work Collective Jumps (2014), which were both invited to Tanzplattform.

She is teaching in Berlin at the Inter-University Centre of Dance Berlin, and internationally in the frame of workshops or short period projects mostly supported by local Goethe-Institutes. She is actively engaged in the free dance scenes of many Balkan cities / countries, including Zagreb, Sofia, Skopje, Bucharest, and Belgrade.

In her work, Isabelle Schad explores relationships between the body, its languages and representations. She focuses on working methods that privilege exchange, the sharing of ideas, practices and knowledge as a tool for circulation, for continuity in learning and cooperation with other artists.

Isabelle is co-organizer of the working space Wiesenburg-Halle in Berlin, and a Zen-Shiatsu practitioner who practices Aikido on a daily basis.

More information: http://www.isabelle-schad.net/

About Claudia Tomasi, assistant facilitator

Claudia Tomasi first studied dance and choreography at PEPCC in Forum Dança, Lisbon. In 2013 she concluded her Bachelor of Dance, Context, Choreography at HZT / Berlin. She has been studying visionary craniosacral work at the Milne Institute in Berlin since 2017.

Great influence and inspiration on her work as a dancer and/or choreographer have been Deborah Hay, Shannon Cooney, Francesca Pedulla, Frey Faust (Axis Syllabus), Elisa Ricci, Philipp Gehmacher and Isabelle Schad. Since 2007 she has been working on her own pieces as well as in various collaborations as an interpreter and artistic assistant for other choreographers and artists, including Shannon Cooney, Isabelle Schad, Ingrid Hora, Claire Waffel and Julian Weber.

She is currently working with her brother, the audiovisual artist Benjamin Tomasi, in cooperation at the interface between contemporary dance, sound art and fine art.

 

The Southeast Asian Choreolab 2018 is a joint project by

In partnership with

Morganne Mazeika and Zach Khoo

Morganne Mazeika and Zach Khoo

apparatus dance collective, consisting of dancer-choreographers Morganne Mazeika and Zach Khoo are currently at Rimbun Dahan developing a new work called “discussions with”. The intention with the residency is to explore human interaction through a physical means of communication. Their method of movement invention is extrapolated into a thematic focus of the work: how does one communicate.

As the founders of apparatus they attended The University of Texas at Austin. During their time there they danced in the projects and residencies of established international choreographers. Their research that led to the creation of the company began in the studio that gave way to their current process; incorporating multidisciplinary approaches into dance and the method of dialoguing movement.

At their recent open studio, they spoke about collaborating long distance by sending each other videos of themselves dancing, and how to now translate that exchange through verbal and nonverbal communication when in the same physical space.

 

Open Studio: Dhiyanah Hassan, Flor Alba, Morganne Mazeika, Zachary Khoo and Zulkifli Lee

Open Studio: Dhiyanah Hassan, Flor Alba, Morganne Mazeika, Zachary Khoo and Zulkifli Lee

On 3 September 2017, Rimbun Dahan opened our grounds and the studios of our current resident artists to the general public. The artists featured were Dhiyanah Hassan (Malaysia), Flor Alba (Switzerland) and Zulkifli Lee (Malaysia), Zachary Khoo (Msia/USA) and Morganne Mazeika (USA). The artists opened their workspaces to showcase their works in progress and answered any questions and discussed their work and process. Below are photos of the event:

 

 

Open Call: Southeast Asian Arts Residency 2018 [CLOSED]

Open Call: Southeast Asian Arts Residency 2018 [CLOSED]

Applications are CLOSED for Rimbun Dahan’s Southeast Asian Arts Residency for 2018. We are currently reviewing the applications and will endeavor to be in touch with all applicants by mid-October.

Open call poster for Rimbun Dahan Southeast Asian Residency 2018

One of our leading commitments is investing in emerging/developing artistic talents in the region and furthering artistic exchange with our neighbours. We invite visual artists (of all disciplines), writers, arts managers, and researchers/curators from and based in Southeast Asian countries to submit applications for residencies in 2018. Residencies can be minimum 1 month and maximum 3 months*. We have a set budget set aside for these residencies so spots will be limited.

All applications must be received by Friday, 15 September 2017.

*ASEAN nationals are given 30 days stay in Malaysia per visit – 30 days does not always equal one month, so be mindful of days and dates when booking flights. In our experience, Malaysian immigration prefers that ASEAN nationals have at least a week between their most recent departure date from Malaysia and their next re-entry date.

You can apply for an additional 30 day extension to your visa while in Malaysia before your initial visa ends by visiting an immigration office. Approval of extension is not always guaranteed. Processing can take anywhere from 2 days to a week, and it may require you to change the date of your original return ticket. So if you are planning to extend your stay, do be ready and make arrangements during your residency to go to the immigration office and go through the necessary processes OR to book multiple flights to renew your visa every 30 days during your residency. 


Eligibility criteria

  • Artists must be from and based in the listed countries only: Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Philippines, Singapore, Thailand, and Vietnam
  • Former Rimbun Dahan and Hotel Penaga resident artists are not eligible to apply

Expectations of the residency

  • Resident artists must stay and work on-site full time in the accommodation and workspace provided and engage with the other resident artists
  • Resident artists must make themselves available (to the best of their ability) for student groups visits, general visitors, and other outreach events (artist talks, showcases, etc) organized by Rimbun Dahan throughout the year
  • At the end of a residency, a visual work may be requested from the resident artist for the Rimbun Dahan permanent collection, to be discussed between the artist and the Directors of Rimbun Dahan.

What’s provided by the residency

  • Accommodation and workspace is provided for all residents, including utilities
  • Monthly allowance of RM1000
  • Access to washing machine, exercise equipment, swimming pool, and our library and artist lounge (WiFi equipped)
  • Weekly grocery shopping trips
  • Basic administrative support

Please note that the following is not provided: travel funds, airport pickup and dropoff, meals, or materials.

How to apply

Please submit an application containing:

  • Biodata/CV
  • A selection of images/samples of recent work (Please provide a curated selection and context for the works where applicable/necessary)
  • A statement of why a stay at Rimbun Dahan would benefit your art practice and/or a project proposal for your time in residency
  • Dates for which you are seeking accommodation and the proposed duration of your residency. Please provide multiple options, if possible

Please send in COMPLETE applications only. You can choose to send either an electronic application OR a hard copy application, please do not send both. All applications are due by Friday, September 15 2017.

Send electronic applications to:

Ms Syar S. Alia, Arts Manager
syar@rimbundahan.org

Send hard copy applications to:

Ms Syar S. Alia, Arts Manager
Rimbun Dahan
c/ Hijjas Kasturi Associates Sdn.,
23rd floor Menara Promet,
Jalan Sultan Ismail,
50250 Kuala Lumpur
Malaysia

Please indicate if you’d like hard copy application material to be returned after selections are made.

Open Call: Yearlong Residency for Malaysian Visual Artists 2018 [CLOSED]

Open Call: Yearlong Residency for Malaysian Visual Artists 2018 [CLOSED]

Applications for this residency are now CLOSED. We are currently reviewing the applications and will endeavor to be in touch with all applicants by mid-October.

Poster for yearlong visual arts residency 2018

Rimbun Dahan has hosted year-long residencies for more than 20 years, and have seen Malaysian artists use their time with us to further their practice and become illustrious names in the local art scene. Our most recent yearlong resident artists are Zulkifli Lee (2017) and Azliza Ayob (2016).

We’re looking for artists interested in expanding their art practice, exploring new ideas/themes in their work, producing a new body of work, establishing themselves even further in the field of art, or all of the above. We’re looking for engaged and motivated artists who are looking to commit themselves to investing the time and resources provided by this residency into pushing themselves somewhere they couldn’t otherwise go. The year-long residency will culminate in an exhibition held at Rimbun Dahan’s underground gallery in November/December 2018.

All applications are due by Friday, September 15 2017

Eligibility criteria

  • Artists must be from and based in Malaysia
  • It is preferred for applicants to have education in art from a certified institution and some exhibition experience
  • Former Rimbun Dahan resident artists are not eligible to apply
  • Applications from former Hotel Penaga resident artists will be reviewed on a case by case basis

Expectations of the residency

  • The resident artist must stay and work on-site full time in the accommodation and workspace provided and engage with the other resident artists
  • The resident artist must make themselves available (to the best of their ability) for student groups visits, general visitors, and other outreach events (artist talks, showcases, etc) organized by Rimbun Dahan throughout the year
  • The resident artist must produce work for the exhibition and work together with Rimbun Dahan’s administrative and groundskeeping staff in putting together the show
  • The resident artist must leave behind 1-2 works at the end of their residency for the Rimbun Dahan permanent collection

What’s provided by the residency

  • Private accommodation with access to a kitchen and private bathroom
  • A private studio
  • Monthly living and materials allowance of RM1000
  • Access to washing machine, exercise equipment, and our library and artist lounge (WiFi equipped)
  • Weekly grocery shopping trips
  • Administrative support

How to apply

Please submit an application containing:

  • Biodata/CV
  • A selection of images/samples of recent work (Please provide a curated selection and context for the works where applicable/necessary)
  • A residency proposal (maximum 3 pages) telling us:
    • Who you are as an artist
    • How a year-long residency at Rimbun Dahan will benefit your art practice
    • Why we should consider you as a resident artist

Please send in COMPLETE applications only. You can choose to send either an electronic application OR a hard copy application, please do not send both. All applications are due by Friday, September 15 2017

Send electronic applications via email to Ms Syar S. Alia, Arts Manager at syar@rimbundahan.org

Send hard copy applications to:

Ms Syar S. Alia, Arts Manager
Rimbun Dahan
c/ Hijjas Kasturi Associates Sdn.,
23rd floor Menara Promet,
Jalan Sultan Ismail,
50250 Kuala Lumpur
Malaysia

Please indicate if you’d like hard copy application material to be returned after selections are made.

Christopher Strong

Christopher Strong

During my residency I will continue my recent practice of finding small instances of beauty in every day life and magnifying it. By limiting my focus to a tiny space, I can find shapes, forms and colours that always around me but not often the focus of me attention. Usually my subject is nature thriving within an urban environment, but sometimes I focus on food or industry.

During my residency I want a new artistic experience by letting the environment change my work, both in the subject matters that will capture my attention as I live at Rimbun Dahan and travel in Kuala Lumpur, and how the physical environment that is very different to Melbourne.

I am a self-taught visual artist, painting with oils and watercolour. See more information about me and my work at my website.

One Day Installation of Works by Haffendi Anuar and Veronika Neukirch

One Day Installation of Works by Haffendi Anuar and Veronika Neukirch

At the end of their four month residency in May 2017, Haffendi Anuar and Veronika Neukirch briefly displayed their individual works and collaborative work in the airwell of our underground gallery. The play of different materials, dimensions, and angles made for a very interesting, short-lived installation. Photos courtesy of the artists.

Flor Alba

Flor Alba

Mirage catcher, graduate of Geneva School of Art and Design/Haute Ecole d’Art et de Design (HEAD) in 2012, Flor Alba draws and paints according to her aesthetic inclinations and contemplative imagination. Zig-zag wanderings. Surveying the contradictions of beauty, she feels the surface of humans, then dissects them. She works with oil paints, water colours, embroidery, pencil, and greasy chalk.

Neo-fauvistic chromatic surgery. Engulfed in pure and violent colors, forms sometimes blend into a cluster of graphic ornaments and unexpected scenography. Yet beings remain in the foreground, stripped of their earthly envelopes, letting go of the memories of past gestures: fragments of ancestral stories. The culture of ethnic rituals is the heart of her creative quest. She seeks to own pieces of life, objects and rites of no fixed origins, reinterpreting her own story in that mirror. She questions others, expanding civilizations, what is foreign to us and seems strange to us, as a way to question her own origins.

Flor’s artistic references are:

  • Matisse for his colours and repetitions
  • Gauguin for his freedom in colour
  • Lynette Yadom-Boakye for her portaits
  • Satsuki Shibuya for her abstract lightness
  • Marta Riniker-Radich for her acid colours in her original compositions
  • Karine Rougier for her stunning scenes

Flor will be in residency at Rimbun Dahan from mid-July to mid-September 2017. Check out more of her work on her website and Instagram.