Kelvin Atmadibrata

Kelvin Atmadibrata

Kelvin Atmadibrata (b.1988, Jakarta, Indonesia) recruits superpowers awakened by puberty and adolescent fantasy to assemble formidable armies of outlaws. Equipped by shōnen characters and macho ero-kawaii, his antiheroes contest the masculine and erotic in Southeast Asia. He works primarily through performances, often accompanied by and translated into drawings, mixed media collages and objects compiled as installations.

During his residency in Rimbun Dahan, he plans to expand a narrative that is triggered by a Malayan historical figure, Laksamana Cheng Ho. He seeks to learn the Admiral’s influence in today’s society, in particular in regards to his masculine identity and how it has potentially structured the perception of power, race and religion in modern politics. This will also be motivated by cultural findings during his stay in Malaysia, discussions and exchanges with locals as well as his constant interest in virtual RPG elements.

He will be updating his progress in weekly blog-like entries on his website.

Sabine Reindel

Sabine Reindel

Sabine Reindel is a German-born fine art painter, whose work concentrates on cityscapes. During her six-weeks residency at Rimbun Dahan she will continue her series of cityscapes she has started to create while she was practicing law as an attorney in the United Arab Emirates. Thereafter she continued working on cityscapes in San Francisco where she earned her master of fine art at the Academy of Art University, in New York where she studied at the New York Academy and the Artist Students League of New York, and in artist residencies in Thailand, Singapore and France.

My art is about journeys, exploring new places and making them my own. My work concentrates on cityscapes of the United Arab Emirates, where I practiced law for the last eighteen years, San Francisco, where I received my education in art, New York, where I took classes at the New York Academy of Art and the Arts Students League of New York, Thailand, Singapore and France where I had artist residencies over the last two years.

My first calling has not been art. I went to law school in Germany and then worked as an attorney in the Emirates of Dubai and Abu Dhabi. Over the last two decades I moved a lot and I lived in thriving places that changed and still change a lot. With my paintings I try to explore the similarities of these places, but mostly concentrate on the differences. Each place has its unique architecture, which reflects its own unique location on the globe, its special light, its one of a kind flora and fauna. Seeing what make each place so unique makes painting for me so exciting.

Elise Luong

Elise Luong

Elise Luong is an Australian-born artists’ manager who has spent the last ten years working extensively within a diverse number of contemporary art platforms. Bilingual in English and French, her work includes the project management, development and curation of wildly unique exhibition spaces in Brussels, Berlin and Hanoi, showcasing visual arts, performing arts, and new media. A recent co-author of the internationally distributed book Street Art Today, Elise is dedicated to working alongside and within an international network of artists, designers and creative thinkers.

During her residency at Rimbun Dahan she will be continuing her research concerning artist-in-resident programs following on from her recent residency at Bamboo Curtain Studio in Taipei which saw her produce the podcast What’s up with Taiwan?

Using Rimbun Dahan as a starting point for her research in effective residency management, she will explore the surrounds interviewing a range of residency managers, artists and creative activists in order to gauge the attributes and problematics facing creative hubs based in Asia. During her time in Malaysia she will be focusing on a new topic: that of the artists’ experience in residency settings. She will also be developing her own residency project which shall see the light in Hanoi during the course of 2017.

Elise is co-founder of Undecided Productions to see more of her previous event work click HERE.

Laura Skocek

Laura Skocek

Laura Skocek is an artist with a focus on sculpture, installation art, smart materials, and video & animation. She is based in Vienna, and will be in residence at Rimbun Dahan for the month of February. For more information on her work, visit her website.

Physiological rhythms and non-tangible states of consciousness are the basis for my sculptures. Digital scan works revolve around the transformation of movement – fleeting moments caught on camera that are expanded into an infinite rhythmic composition. I am also interested in the interplay of art and societal processes.

citizens, Video, duration: 1 min. 40 sec. resp. 20 seconds, 2015. In citizens temporal and spatial structures around arriving people and playing children dissolve. The scene is situated in a non-defined ‘city haven’. The look of the city can be guessed during a brief moment when the temporal axis is shifting and one catches a brief glimpse of one of the buildings. It is hinted at the ambiguity that these people have to deal with. Winner of the ’20 seconds for art’ competition issued by KÖR and Infoscreen, 2015. The work can be viewed here.

Forced Leisure, Interactive hammock, 100x400x100cm, techniques used: sewn conductive thread, Arduino + vvvv, 2015. By Cristoph Gruber & Laura Skocek. For more information and video of the work, please click here.

reconfigure(d) – object 1 + 2. The works reconfigure(d) – object 1 + 2 are the result of ongoing artistic research in the field of consciousness, subjective experience and states between sleep and wakefulness. During the phase of falling asleep, the hypnagogue phase, we slowly drift into the world of associatively combining images and word chains. The thalamus makes it possible for us to follow logical thoughts. According to new research this structure of the brain falls asleep before the Cortex, that is why thoughts coming up during this phase are not regulated.

  • Kinetic Object, 100x200x40cm, spring steel wire and knitted wire, hidden Nitinol-mechanism, Raschendorfer Shift Shield, Ultrasonic Sensor, Arduino-microcontroller, 2013.
  • Installation, 300x200x300cm, spring steel wire and knitted wire, hidden Nitinol-mechanism, circuit board, Arduino, 2013

Richard Orjis

Richard Orjis

Richard Orjis is a multimedia artist based in New Zealand, as well as a PhD student from the Auckland University of Technology. He will be at Rimbun Dahan for a three month residency from February to April thanks to a grant from Asia New Zealand Foundation. To find out more about him and his work, you can visit his website.

My artistic research is driven by an interest in the garden and how I might understand place through these green spaces. I see gardens as exciting and complex intersections of art, nature and culture. They can offer insight into how a culture views the natural world, aesthetics, politics, religion, gender and class.

The proposed project for my time at Rimbun Dahan will be the production of publication containing photographs, text and drawings which be created in response to the green spaces of area. The project will encompass the breadth of the local environment, from the manicured to the accidental, from the civic to the domestic. It takes the premise that a city like Kuala Lumpur could be perceived as a vast garden with a functioning ecology of people, animals, plants and elements.

Grass Circle, a concrete edged circle of grass permitted to grow for one year at Te Tuhi Centre for the Arts addressed the perception of suburb and notions of control.

The Apron, a temporary art project “exploring the history of meadows and wildflowers and how they can change the way we think about urban green spaces.” Commissioned by Tauranga Art Gallery for the Bay of Plenty Garden and Art Festival.

Walking In Trees, a two-storey scaffolding bridge and staircase erected between a pair of historic Moreton Bay Figs in Albert Park examined notions of perception.

Veronika Neukirch

Veronika Neukirch

Veronika Neukirch is a German artist born in 1986 in Duesseldorf. She completed her Art & Design Foundation in 2010 and graduated with a BA (Honours) Fine Art from Central Saint Martins in 2013. She has been based in Kuala Lumpur since 2014 and has been exhibiting across Malaysia as well as abroad.

As an object-based artist concerned with developing new roles for pre-designed objects, Veronika creates compositions that strive to represent and utilise the pluralistic nature of contemporary art and contemporary life. The combining and finding of a new balance between various selected and handmade components run through her entire practice, consisting predominantly of sculpture, assemblage, collage, installation. The tension between artificial, functional, and ready-made elements and the organic shapes of intuitive material experimentation offers wide haptic diversity.

The rich local flora and fauna will be the starting point of her collaborative residency with local artist Haffendi Anuar. Veronika will be in residency at Rimbun Dahan for four months starting in February.

Sterile Jungle (2014) – published in Make8elieve #8, Horror Plants, USA/Switzerland

Granny Smith’s Table (2015)  and Apples & Pineapples (2015) – exhibited at:

  • 2015: ‘RIPEN AT HOME’ (solo), Minut Init, Petaling Jaya, Malaysia
  • 2016: ‘Extending Ideas’ (group show kindly supported by Goethe Institute Malaysia), Feeka, Kuala Lumpur & Museum Negeri Pulau Pinang, USM, Penang, Malaysia

 

 

Carol Brown

Carol Brown

I am an inter-disciplinary choreographer working in sustained collaborations with artists and experts from other fields. My research-led practice attends to the creative potentials in working between the cracks; between histories, temporalities and disciplines. Nourished by creative collaborations that explore diverse spaces, places and body memories, my choreographies take multiple forms, as dance installations, inter-media events, site specific performance and theatre dance, and have been presented internationally.

My current research, which I will pursue at Rimbun Dahan involves choreographic writing that negotiates the page, the stage and the ‘outside’. This will lead to a book I am developing on how performance remains rather than disappears through the transmission of body archives and the staging of performance cycles connected to the rhythms and ecologies of place.

I visited Rimbun Dahan in 2015 as part of an Asia New Zealand Performing Arts Tour and am very pleased to be returning with my partner Russell Scoones (musician / sound designer) and children, Rafe and Cass. This visit is part of a period of research leave from the University of Auckland, Creative Arts Industries Faculty where I am an Associate Professor in Dance Studies.

Find out more about Carol’s work at her website.

Laura Wills

Laura Wills

Laura Wills is an Adelaide based visual artist. She has a multidisciplinary practice and a strong interest in using found materials, collaboration and basing projects on social/ environmental themes. She is represented by Hill Smith Gallery Adelaide. She will be in residency at Rimbun Dahan for 5 weeks until mid-February.

At Rimbun Dahan I will be developing a new series of works on maps. My research will be drawing and painting based and also involve exploring the local environment to inform the development of new works, particularly the Taman Sari, vegetable and spice garden. I am interested in the social relationship and connection people have to it. I would like to continue in this line of thinking about intimate relationships, memories and habits we have towards culinary plants and nature.

For more information on Laura’s work, visit her website, Instagram, or Hill Smith Gallery’s website.

 

Zulkifli Lee

Zulkifli Lee

Zulkifli Lee’s creative practice explores the relationship of personalised and impersonalised forms as well as the language of materials. His motifs usually involve very systematic and rhythmic geometric patterns, but rather than striving for total control, he embraces change and chances. Playing with the phenomenological aspect of his materials’ natural properties and using various substances, chemical treatments and exposure to natural forces, he submits part of the image making to the law of nature, to the disposition of art elements outside his personal control. The marks created by chance, deforms or transforms the images created by the artist and vice versa. Zulkifli is invested in creating works that juxtapose the beauty of the relationship and paradox between humans and nature.

With the residency at Rimbun Dahan, he wishes to focus on experimenting with new processes and materials apart from his trademark iron oxide or corrosion medium. He is keen to introduce more natural media and experiment with new chemical processes for his new series of work and find new ways to play with chances. He is interested to explore natural mediums such as mineral pigments, fungus, heat marks, etc. To work and experiment with these new methods is to further his interest in working directly with the forces of nature. With this experiment he hopes to innovate new potential methods to his creative process and discover new artistic value.

Zulkifli Lee was born in Raub, Pahang & currently works and is based in Kuala Lumpur, Malaysia. He completed his M.A. in Fine Art & Technology at Universiti Teknologi MARA in 2013 and received the Master Excellent Award. Prior to that he graduated from the same university with a B.A in fine art, majoring in sculpture. A versatile visual artist, he also endeavours as a graphic designer, concept artist and illustrator. Zul Lee’s work can be found online at his website. He is Rimbun Dahan’s Yearlong Resident Artist for 2017, and will be exhibiting his works in our gallery in November 2017.

Audrey Tan

Audrey Tan

Now that I have begun my one-month residency at Rimbun Dahan, the quietness, seclusion and
darkness at night is a complete contrast to living in the hustle and bustle of Singapore. Being a
distance away from the city and its conveniences in getting my photographic work made is a new
challenge for me, in making work and would involve working out of my comfort zone. On a
positive note, Rimbun Dahan’s living environment surrounded by nature is the ideal residency
space for me to work therapeutically without the noise and daily stresses whilst engaging with
the emotional themes of death and loss.

Ever since I adopted my second senior dog, Milo, in August 2013 from an animal shelter, I had
been his caretaker till his sudden and painful passing from Cancer in December 2015. Going
abroad or even for a day out was no longer an option due to his separation anxiety and other
existing medical issues. Looking after Milo was the priority. Making work took second place.

This residency is my first proper trip out of Singapore since I returned from London in 2012. I
am now able to dedicate the time and focus in making this new work – a personal book as a form
of catharsis, documentation and in memory of “man’s best friend” – my best friend – which will
involve confronting my fears and coming to terms with the traumatic experience of Milo’s
passing. Travelling across to Malaysia is symbolic for Milo and myself; it’s like going on a road
trip together.

________

Audrey Tan is an international award-winning Singaporean photographic artist who received
her MFA from the Slade School of Fine Art, University College London in 2008. Her work has
been exhibited in the United Kingdom, Ukraine, Switzerland, Israel, Japan and Singapore.

She has a self-published book titled, ‘You see me, I see you’, which is a chronological visual record
of work made in London over a seven-year period showcasing the artist and various muses in
making the ‘Artist and Model’ series using conceptually experimental and technically playful
processes involving sight/intuition in the photographic process, analogue/digital mediums, and
progressing to 2D/3D modes of representation.