Southeast Asian Choreolab 2018

From 23 June to 1 July 2018, 13 selected choreographers from Southeast Asia lived together at Rimbun Dahan, exploring choreographic practice with guidance from our international facilitator, German choreographer Isabelle Schad, with assistance from Claudia Tomasi.

The program consisted of 7 work days with 2 days of study tour. During the Choreolab, each participant presented their own participant session, sharing their own choreographic methods, repertoire or movement techniques with the rest of the group.

Half of every work day was spent with Isabelle Schad, as she shared her artistic approaches and ways of looking at dance with the participants.

The program concluded with an open showing of movement tasks from the Choreolab. The open showing was attended by the general public and members of the local arts community, outside in the gardens at Rimbun Dahan.

Participants

  • Lau Beh Chin, Malaysia
  • Nurulakmal Abdul Wahid, Malaysia
  • Jereh Leung, Singapore
  • Josh Marcy, Indonesia
  • Fitri Anggraini, Indonesia
  • Sherli Novalinda, Indonesia
  • Mee Soydala, Laos
  • Noutnapha Soundala, Laos
  • Vidura Amranand, Thailand
  • Nguyen Thanh Chung, Vietnam
  • Gebbvelle Ray ‘Dingdong’ Selga, Philippines
  • Nicole Primero, Philippines
  • Eva Wegener, Sri Lanka/Germany

Project Aims

To support and enable emerging Southeast Asian contemporary dance choreographers to

  1. Adopt new choreographic tools and physical, thematic and conceptual approaches to enrich their artistic practice;
  2. Develop regional networks among their peers and with regional dance institutions, for knowledge sharing, future artistic collaboration and touring;
  3. Experience works of art, cultures, places and histories beyond their home, to increase international understanding and to help contextualize their artistic practice.
  4. Work closely with an established choreographer (Isabelle Schad), to participate in her particular artistic approach, and to benefit from her insights, advice and experience.

About Isabelle Schad, facilitator

Isabelle Schad studied classical dance from 1981-90 in Stuttgart, and from 1990 to 1996 she danced in various classical companies. She began creating her own choreography and extending her dance education through diverse workshops and scholarships, was a member of Ultima Vez / Wim Vandekeybus in Brussels, and worked with / danced for Olga Mesa, Angela Guerreiro, Felix Ruckert, and Eszter Salamon.

Since 1999, she has developed numerous projects and dance performances of her own, in close collaboration with choreographers, performers, musicians and visual artists, which have been presented internationally in theatres, alternative places, galleries or festivals such as Tanzplattform, Tanz im August Berlin, Internationale Tanzwochen Wien or Dashanzi International Arts Festival Beijing.

The pieces California Roll and Still Lives – a community project that has been realised in more than 12 European cities – have been presented at Tanzplattform Germany 2006 and 2008. The community project TÜDDELDÜDDEL-LÜD has been presented at Tanzkongress 2009 in Hamburg.

Isabelle Schad regularly shows her work at Hebbel-Am-Ufer in Berlin. Since 2008, she has developed an ongoing project in collaboration with visual artist Laurent Goldring, followed by the solo Der Bau (2012) and the group work Collective Jumps (2014), which were both invited to Tanzplattform.

She is teaching in Berlin at the Inter-University Centre of Dance Berlin, and internationally in the frame of workshops or short period projects mostly supported by local Goethe-Institutes. She is actively engaged in the free dance scenes of many Balkan cities / countries, including Zagreb, Sofia, Skopje, Bucharest, and Belgrade.

In her work, Isabelle Schad explores relationships between the body, its languages and representations. She focuses on working methods that privilege exchange, the sharing of ideas, practices and knowledge as a tool for circulation, for continuity in learning and cooperation with other artists.

Isabelle is co-organizer of the working space Wiesenburg-Halle in Berlin, and a Zen-Shiatsu practitioner who practices Aikido on a daily basis.

More information: http://www.isabelle-schad.net/

About Claudia Tomasi, assistant facilitator

Claudia Tomasi first studied dance and choreography at PEPCC in Forum Dança, Lisbon. In 2013 she concluded her Bachelor of Dance, Context, Choreography at HZT / Berlin. She has been studying visionary craniosacral work at the Milne Institute in Berlin since 2017.

Great influence and inspiration on her work as a dancer and/or choreographer have been Deborah Hay, Shannon Cooney, Francesca Pedulla, Frey Faust (Axis Syllabus), Elisa Ricci, Philipp Gehmacher and Isabelle Schad. Since 2007 she has been working on her own pieces as well as in various collaborations as an interpreter and artistic assistant for other choreographers and artists, including Shannon Cooney, Isabelle Schad, Ingrid Hora, Claire Waffel and Julian Weber.

She is currently working with her brother, the audiovisual artist Benjamin Tomasi, in cooperation at the interface between contemporary dance, sound art and fine art.

 

The Southeast Asian Choreolab 2018 is a joint project by

In partnership with