Carlos Carvalho

Carlos Carvalho

Originally from Brazil, in the last three years Carlos Carvalho has been living in Asia, first India, now in Indonesia. Using crafts techniques and everyday materials, like textiles (mostly felt), paper, cardboard and paint, he builds topographies. Those topographies are found through the combination and juxtaposition of shapes cast from his body. His process is time consuming and repetitive, almost meditative.

My body is the center of my work, my body is queer and I’m gay. Thinking queerness in places where it’s not welcome or allowed is what is going through my mind. Especially because Brazil is also facing a conservative wave right now that is pressing against women, LGBTIs and the African-Brazilian population.

At Rimbun Dahan, being in the middle of all this green I wonder about things that hide in the vegetation, in the bushes. Being mostly by myself, this also brings about the idea that things that we fear hide in the dark, among the plants. I decided to play with the idea of camouflage as a starting point, as we can think of animals that hide. I mock the hunter animal print over the casts taken from my own body – I fear they are part of each of us, that they are constituents of our minds. This is supposed to be a turning point of the dynamics of fear. The body parts originating from the queer-gay body to become the element that hides and hunts, I put the body in a position of power and control, which is what the queer body needs to have in today’s reality.

Find more of Carlos’s work at his website, and his instagram accounts: @carhencarvalho and @carloscarvalhoart

Call for Applications: SEA Choreolab 2018

Call for Applications: SEA Choreolab 2018

Rimbun Dahan invites emerging contemporary dance choreographers (or performance artists or physical theatre creators) to apply for the Southeast Asian Choreolab 2018.

This international facilitated choreographic laboratory will take place at Rimbun Dahan, outside Kuala Lumpur, Malaysia, from 23 June to 1 July 2018.

Due date for applications:
30 November 2017.

Skip to application details >>
Download this page as PDF: SEA Choreolab 2018 Call for Applications [PDF 1MB]

Project Format

14 chosen choreographers will live, work and explore together in the arts community of Rimbun Dahan for 9 days, with guidance from our international facilitator, German choreographer Isabelle Schad.

The program will consist of 7 work days with 2 days of study-tour. Work days will take place in the dance studio at Rimbun Dahan and will consist of sessions exploring choreographic methods, analysis and movement techniques led by Isabelle Schad and the participants themselves.

Other activities include artists talks by invited guest artists, live performance viewing, and informal socialising and discussions.

The first study tour day will explore the main arts institutions in and around Kuala Lumpur. The second study tour day will give your bodies and minds a break, with a half-day trip to a nearby seaside town.

The exact program may evolve during the choreolab, to remain flexible, organic and response to the specific profiles of the participants.

Project Aims

To support and enable emerging Southeast Asian contemporary dance choreographers to

  1. Adopt new choreographic tools and physical, thematic and conceptual approaches to enrich their artistic practice;
  2. Develop regional networks among their peers and with regional dance institutions, for knowledge sharing, future artistic collaboration and touring;
  3. Experience works of art, cultures, places and histories beyond their home, to increase international understanding and to help contextualize their artistic practice.
  4. Work closely with an established choreographer (Isabelle Schad), to participate in her particular artistic approach, and to benefit from her insights, advice and experience.

We hope you will have a positive and enjoyable experience at the SEA Choreolab, which will reenergize you and help you reaffirm your commitment to your artistic practice. We would like the choreolab and the networks you establish here to be an ongoing resource to which you may return for inspiration, refreshment, respite and a sense of continual community.

Who we’re looking for

  • Emerging contemporary dance choreographers, aged 35 or under, or who began creating contemporary work within the last five years. Artists who create performance art or physical theatre works are also eligible.
  • You should have established a professional or semi-professional practice, and have created at least 3 short works or 1 full-length work.
  • Citizen of and resident in an ASEAN country (Indonesia, Malaysia, the Philippines, Singapore, Thailand, Brunei, Burma/Myanmar, Cambodia, Laos, Vietnam) or Papua New Guinea or East Timor.
  • Able to communicate functionally in English.
  • Excited to increase your knowledge base, share your practice and establish networks with your international peers.

What the project will provide

  • Twin-share accommodation at Rimbun Dahan.
  • Entry to all the project activities, including classes, study trips, facilitated sessions, and performances.
  • 3 meals per day during the project.
  • Transfer to/from airport or bus terminal (subject to conditions).

What you need to provide

  • Return airfare to Kuala Lumpur (the city is well-connected by low-cost airlines).
  • Travel insurance (and visa for Myanmar, East Timor & PNG only)
  • One session during the project (maximum 1 hour) in which you will lead the other participants through a choreographic method, thematic exploration, dance technique or artistic question. This session will be discussed and developed with the choreolab organisers.

To apply

Download the application form here [Word Doc 310kb].

Return the completed form to: contact@mydancealliance.org
by the end of Thursday 30 November 2017.

For questions or more information

Contact Bilqis Hijjas, MyDance Alliance, Malaysia
contact@mydancealliance.org, +6017 310 3769

About Rimbun Dahan

Rimbun Dahan, the home of renowned Malaysian architect Hijjas Kasturi and his wife Angela, is set on fourteen acres of land outside Kuala Lumpur, Malaysia. The compound is a centre for developing traditional and contemporary art forms. Its facilities include a dance studio, underground gallery, visual arts studios and artists’ accommodation, as well as two Malaysian heritage houses, in a Southeast Asian indigenous garden environment.

Since 1994, Rimbun Dahan has hosted hundreds of artists in various disciplines. The residency program at Rimbun Dahan aims to give international artists an opportunity to experience Malaysian culture, and to help Malaysian and other Southeast Asian artists engage with artists from the region and beyond.

About Isabelle Schad, facilitator

Isabelle Schad studied classical dance from 1981-90 in Stuttgart, and from 1990 to 1996 she danced in various classical companies. She began creating her own choreography and extending her dance education through diverse workshops and scholarships, was a member of Ultima Vez / Wim Vandekeybus in Brussels, and worked with / danced for Olga Mesa, Angela Guerreiro, Felix Ruckert, and Eszter Salamon.

Since 1999, she has developed numerous projects and dance performances of her own, in close collaboration with choreographers, performers, musicians and visual artists, which have been presented internationally in theatres, alternative places, galleries or festivals such as Tanzplattform, Tanz im August Berlin, Internationale Tanzwochen Wien or Dashanzi International Arts Festival Beijing.

The pieces California Roll and Still Lives – a community project that has been realised in more than 12 European cities – have been presented at Tanzplattform Germany 2006 and 2008. The community project TÜDDELDÜDDEL-LÜD has been presented at Tanzkongress 2009 in Hamburg.

Isabelle Schad regularly shows her work at Hebbel-Am-Ufer in Berlin. Since 2008, she has developed an ongoing project in collaboration with visual artist Laurent Goldring, followed by the solo Der Bau (2012) and the group work Collective Jumps (2014), which were both invited to Tanzplattform.

She is teaching in Berlin at the Inter-University Centre of Dance Berlin, and internationally in the frame of workshops or short period projects mostly supported by local Goethe-Institutes. She is actively engaged in the free dance scenes of many Balkan cities / countries, including Zagreb, Sofia, Skopje, Bucharest, and Belgrade.

In her work, Isabelle Schad explores relationships between the body, its languages and representations. She focuses on working methods that privilege exchange, the sharing of ideas, practices and knowledge as a tool for circulation, for continuity in learning and cooperation with other artists.

Isabelle is co-organizer of the working space Wiesenburg-Halle in Berlin, and a Zen-Shiatsu practitioner who practices Aikido on a daily basis.

More information: http://www.isabelle-schad.net/

Teaser for Pieces & Elements by Isabelle Schad: https://vimeo.com/196280271 [01:42] Camera & Editing by Nadja Krüger

Trailer for Collective Jumps by Isabelle Schad: https://vimeo.com/125661023 [03:32] Trailer by Laurent Goldring_Aufführungen at HAU Berlin, 2014

Collective Jumps. Photo © L. Goldring

The Southeast Asian Choreolab 2018 is a joint project by

In partnership with

Morganne Mazeika and Zach Khoo

Morganne Mazeika and Zach Khoo

apparatus dance collective, consisting of dancer-choreographers Morganne Mazeika and Zach Khoo are currently at Rimbun Dahan developing a new work called “discussions with”. The intention with the residency is to explore human interaction through a physical means of communication. Their method of movement invention is extrapolated into a thematic focus of the work: how does one communicate.

As the founders of apparatus they attended The University of Texas at Austin. During their time there they danced in the projects and residencies of established international choreographers. Their research that led to the creation of the company began in the studio that gave way to their current process; incorporating multidisciplinary approaches into dance and the method of dialoguing movement.

At their recent open studio, they spoke about collaborating long distance by sending each other videos of themselves dancing, and how to now translate that exchange through verbal and nonverbal communication when in the same physical space.

 

Dancing in Place 2017

Dancing in Place 2017

A weekend of short contemporary dance works performed in the gardens at Rimbun Dahan, open for free to the general public.

18-19 March 2017
Produced by Joelle Jacinto and Leng Poh Gee for MyDance Alliance.

Photos featured on this page by Nazir Azhari, Tony Tan, Mohd Nor Azmil Abdul Rahman and Huneid Tyeb. Many thanks to the photographers.

Program

I March

Location: Brick fence / Reflective pond
Choreographed and performed by JS Wong
Music composed by Thong Yoong How

I march forward or backward, in or out and here or there.

He Simply Disappears

Location: Front porch of Penang House
Choreographed by Nurulakmal Abdul Wahid
Performed by Nurhanis binti Yahya and Jazali bin Mohamad of UPSI

“It’s hard being left behind… It’s hard to be the one that stays…”  – Audrey Niffenegger 

Dis-location Series

Location: Rumah Uda Manap
Choreographed and performed by Chantal Primero and Nicole Primero of Airdance Philippines

“Achieving the end of the exercise was never the point of the exercise to begin with, was it.” -Adam Savage

Pinwheel

Location: Playhouse and the path where it leads
Choreographed by Kathyn Tan Chai Chen
Performed by Kathyn Tan, Eden Lim, Lee Ren Xin, Leo Yap, Lim Hwang King.

The unseen energy that causes movement. They spin and stop and start again, as if without permission. The wind is like a child that wants to play.

Special thanks to Now Theatre, Mr & Mrs Choo

Faux

Location: Sakinah sculpture / Bulatan Plong
Choreographed by Chai Vivan and Fione Chia
Performed by Chai Vivan, Fione Chia and Kyson Teo of Kwang Tung Dance Company

We are currently living in a world where the Artificial is becoming Natural, and Nature is becoming more and more Artificial. There are times where our eyes are unable to identify true and false. There are things that stand in between the real and the fake. Does that matter anymore?

Rebab

Location: In the forest beside the dance studio
Choreographed by Rathimalar Govindarajoo
Performed by Rathimalar Govindarajoo and Wei Jun, with Amirul Said, Yap Chiw Yi, Gwen Ng, Wong Yi Juan and Karthini Chandran of UMa Dance Company

Rebab – inspired by the Main Putri and the Makyong. The concept dwells around the word “Gerhana” as the churning of the ocean where immortality is obtained, and Gods dance where the Moon is eaten by the snake, and a dragon is split to two as Rahu and Kethu…

Female. Solo Dance Series

Location: Underground Gallery
Director / Choreographer: Loke Soh Kim
Photography Director: Kim Teoh
Soundscape Designer: Goh Lee Kwang
Dancers: Rachel Chew, Hoi Cheng Sim , Lee Ren Xin, Loke Soh Kim, Wong Man Chui

To capture the beauty and the feminine qualities of dancers, choreographer Loke Soh Kim decided to make a video series for five different dancers. Restrictions of video shooting have been set between the choreographer and the photography director to minimize the interruption to the pure dance improvisation that based on environmental stimulus; long-take in the film making, no pre-context communication with the dancers, and no disturbance from the camera. Female. Solo Dance Series is a dance video that depicted the interaction of sites, dancers, photographer and soundscape designer. The series consisted of five female solo dance with different ages and backgrounds, who wish to share their stories.                       

Supported by:  PCP Publications, Little Planet Lab, Sekeping Kong Heng, Damansara Performing Arts Centre, Oriental Art & Cultural Association, and EPSON Malaysia.

Fulfillment Needs

Location: Main plaza driveway
Choreographed by Fairul Zahid
Performed by Syafiq Kamarul, Zaidyansjah, Nur Syafiqah Najwa and Fatin Nadhirah

Naesting

Location: Red sculpture under the trees
Collaboration by Tan Bee Hung, Mamad Samsuddin and Al Bernard Garcia, alumni of the Southeast Asian Choreolab.

Search. Fit. Build. Settle. Trap.

My Alay

Location: Reflective pond
Choreographed and performed by Rithaudin Abdul Kadir

Based on the traditional Pangalay dance of the Suluk (Tausug) from Sabah, this piece is reconstructed with a contemporary vocabulary to accommodate the site. By experimenting and exploring the use of the Gong and the Turung, it is a journey of self-discovery. The use of the gong symbolises the wealth and of late, the burden of the Suluk people.

The LEF

Location: 60 Turns Lawn
Choreographed by Kyo Hong
Performed by Kate Soon and Jazz Ter

As time flew away, as the leaf scattered away so do our pathways.

When They Ate The Apple

Location: 60 Turns Lawn
Choreographed by Yunus Ismail
Performed by Maria Devonne Escobia

For the good that they were promised, they chose to disobey.

Clockwork

Location: 60 Turns Lawn
Choreographed by Fauzi Amirudin
Performed by Denise Tan, I-Lyn Tan, Joelle Jacinto, Joyce Chan, Lee Jia Xi, Regina Toyad, Ving Yee of Balletbase

We negotiate between tradition and the modern; we try to find a balance between the two, until they are harmonious – “like clockwork”. Yet there is also an effort to stop time, and we try to make that universal pause before coming into a hopeful, uncertain, inevitable future.

Everlasting Love by Azliza Ayob, Rimbun Dahan Residency Exhibition 2016

Everlasting Love by Azliza Ayob, Rimbun Dahan Residency Exhibition 2016

everlasting-love-azliza-ayob-website-image

Rimbun Dahan presents Everlasting Love, a showcase of recent works made by Malaysian artist Azliza Ayob who, in her 16 year career, has worked in many mediums such as collage, painting, sculpture, and installation. She has spent her year in residency exploring the possibilities of creating art from discarded and unwanted daily items to sustain and survive in the field that she loves most, which is making art. The exhibition also ties together the themes of labour, community, tradition, and sustainability.

DATES: 27 November – 4 December 2016

OPENING HOURS: Weekends 10am – 6pm, Monday to Friday by appointment

Admission is FREE. For the event page on Facebook please click here.

There will also be a free guided tour of Rimbun Dahan’s grounds and traditional village houses at 9am on 27 November, conducted by Angela Hijjas. Our other current resident artist, Si Jie Loo, will also be having an open studio 10am to 6pm on Sunday, 27 November.


Nature plays a strong part in her work and like many previous Rimbun Dahan resident artists, Azliza took inspiration from the surrounding grounds and the various types of flora and fauna growing in the gardens, using her time cleaning the lawns in front of her cottage to understand different types of leaves. In that process, she also got acquainted with the inorganic things accumulating (and “growing”) within the grounds as well as in the surrounding village. Azliza started out with one studio and a small collection of plastic bottles made of polyethylene terephthalate (PET). One year on, the scale of her work has required her to utilize two studios to house pieces made from an estimated 2000 PET bottles and other materials. The bottles were either handpicked from the roadside and the trash or donated by fellow artists, friends, family, and eateries and shops from Kuang all the way to Kuantan.

“I am fascinated with the transparency of PET bottles,” says Azliza. “I’m fascinated by its longevity and how it’s so easily accumulated to the point where it is ‘haunting’. [Through working with the material], I became more sculptural. The process is so tedious, but the result is satisfying.”

Azliza learned various traditional crafting techniques from a young age and put this knowledge to use to both figuratively and literally weave together her unconventional and modern materials into softer forms, organic shapes, and detailed sculptures and collages. She has used plastic bottles in an interactive site-specific installation titled For Our Daughters (2011), glitter to fill thousands of mushroom forms and pink rain drops for her residency exhibition at Fukuoka Art Museum in 2012, and paper collages in her 2014 solo at Wei-ling Gallery, All That Glitters. New materials joined her repertoire in making work for Everlasting Love.

“I made weavings by substituting plastic strips, wires and wire mesh for traditional mengkuang, I incorporated glass and plastic beads, rhinestones, oil paints mixed with spray paints, recycled printed items, glitters, stuff from local hardware stores and all-in-one convenience shops. The materials [I use] must be considered trash, unwanted, or too ordinary and unimaginable to create art, it must show the laborious process of art.” She supplements these with the inclusion of a more sentimental material – batik cloths from her own personal collection, mostly wedding presents from her mother-in-law’s Kelantanese family. Ordinary perhaps, but certainly not trash or unwanted. “These batik cloths have gone through and withstood the vigorous activity of a mother, wife, artist, and best preserved in art.”

The use of everyday materials was both a matter of principle and necessity. Azliza says, “I find being creative is somehow connected with being frugal. Working with limited finances is possible with good interpersonal skills and when you work together in a supportive community. In this way, I think of creating art as a way to empower our economy, to live cleaner and greener, to help us think of sustenance and sustainability as a way to maintain our freedom (to love, to be, to do).”

Rimbun Dahan is also a proud participant of Gallery Weekend Kuala Lumpur, a festival tour of the rich and innovative arts and culture scene of the city happening 25 – 27 November 2016.

Gallery Weekend Kuala Lumpur 25 to 27 November 2016

Open Call: Year-Long Residency for Malaysian Visual Artists 2017

Open Call: Year-Long Residency for Malaysian Visual Artists 2017

Rimbun Dahan is now accepting applications for a year-long residency from January to December 2017 for visual artists from Malaysia. We have hosted year-long residencies from 1994 up to the end of 2013, and have seen Malaysian artists use their time with us to further their practice and become illustrious names in the local art scene and beyond. We hope to continue this tradition in 2017, alongside our growing Southeast Asian Art Residency program. Read below for more information.

Poster for Rimbun Dahan's call for applications: year-long visual artist residency 2017

We’re looking for artists interested in expanding their art practice, exploring new ideas/themes in their work, producing a new body of work, establishing themselves even further in the field of art, or all of the above. We’re looking for engaged and motivated artists who are looking to commit themselves to investing the time and resources provided by this residency into pushing themselves somewhere they couldn’t otherwise go. The year-long residency will culminate in an exhibition* held at Rimbun Dahan’s underground gallery in November 2017.

* This exhibition could be a solo or could feature work by other artists in residency at Rimbun Dahan

Expectations of the residency

  • The resident artist must stay and work full time on-site in the accommodation and workspace provided and engage with the other resident artists
  • The resident artist must make themselves available for student groups visits, general visitors, and other outreach events (artist talks, showcases, etc) organized by Rimbun Dahan throughout the year
  • The resident artist must produce work for the exhibition and work together with Rimbun Dahan’s administrative and groundskeeping staff in putting together the show

What’s provided by the residency

  • Monthly living and materials allowance of RM1000
  • Private accommodation with access to a kitchen and private bathroom
  • A private studio
  • Access to washing machine, exercise equipment, communal garden, swimming pool, and our library and artist lounge
  • Weekly grocery shopping trips
  • Administrative support

Eligibility criteria

  • Artists must be from and based in Malaysia
  • Artists must be working in a visual medium; writers, curatorial researchers, choreographers, performance artists and artists/creatives not working in a visual medium should look at our other residency opportunities
  • It is preferred for artists to have a tertiary education in art from a certified institution and some exhibition experience
  • Former Rimbun Dahan resident artists are not eligible to apply
  • Applications from former Hotel Penaga resident artists will be reviewed on a case by case basis

If you would like to apply, please send the following:

  • Biodata/CV
  • A selection of images/samples of recent work
  • An artist statement telling us how a year-long residency at Rimbun Dahan will benefit your art practice and why we should consider you as a resident artist

Please send in COMPLETE applications only. All applications are due by SundayOctober 30 2016.

Send electronic applications via email (preferred method) to 

Ms Syar S. Alia, Arts Manager at syar@rimbundahan.org

Send hard copy applications to:

Ms Syar S. Alia, Arts Manager
Rimbun Dahan
c/ Hijjas Kasturi Associates Sdn.,
23rd floor Menara Promet,
Jalan Sultan Ismail,
50250 Kuala Lumpur
Malaysia

Hard copy application material will be returned after selections are made.

Daniel Bear Davis

Daniel Bear Davis

 

 

DANIEL BEAR DAVIS has taught composition, contact improvisation, and Axis Syllabus internationally in Estonia, Finland, Greece, Spain, Germany, Denmark and Mexico. His work prioritizes content over genre, weaving text, dance, video, music and new media without hesitation. He considers all work to be site and context-specific and is interested in mobilizing audience agency through interaction and unconventional use of space. His work has been presented at the Imagining Bodies Symposium in Tallin, Estonia, the San Francisco International Arts Festial, SoWat Now Contemporary Performance Festival, and Looking Left Festival in California, and at the SEEDS Festival and E|MERGE Residency at Earthdance Center, MA. He has performed in theaters, on submarines, desert rocks, construction scaffolding, and art galleries. He’s made pieces about dementia, gender, war, heritage, identity. He cares about image, awe, and beauty. In creating a wide and rich acceptance of what it is to be human in a more-than-human world.

Daniel has been blessed with opportunities to perform with Nita Little, Nancy Stark Smith, Live Art Installations, Felix Ruckert, Kira Kirsch, Erika Tsimbrovsky, Scott Wells, Krista DeNio and many other inspiring body/minds.

(Time)(Place)(Body): a site-specific dance workshop

Join us for a week long excavation of image and movement in time, place and body. We will engage various approaches to body-based performance in relation to site and context. We will compose, de-compose, and re-compose an ever shifting relation to self, other, and environment.

This interdisciplinary performance workshop will combine movement training based in Axis-Syllabus, contact improvisation, butoh and other somatic awareness approaches with compositional tools from Viewpoints, Moment Work, and Performance Collage to create original choreographed and improvised performances in relation to site. The beautiful artist residency center, Rimbun Dahan, offers countless natural and cultivated environments to frame, support, complicate, and shape our work.

The workshop will end with an informal public showing of solo and group material we would have created over the course of the week.

All levels are welcomed – contact dancers, contemporary dancers, performance artists or dancers interested in site-specific, interdisciplinary or installation work.

******************

DATES: 19 January to 24 January 2016
TIMES: 10 am to 6 pm daily (witth a day off on the 22nd)
VENUE: Rimbun Dahan, Kuang, Malaysia

FEES
Malaysian* participants (with accommodation): RM550
Malaysian* participants (without accommodation): RM450
Non-Malaysian participants (includes accommodation): RM850

SPECIAL OFFER FOR MYDANCE MEMBERS
The first five MyDance members who register get an RM100 discount!

* “Malaysian” refers to Malaysian citizens based in Malaysia.

To register, send an email to david.lim@mydancealliance.org.

 

(Time)(Place)(Body): a site-specific dance workshop is organized by David Lim and supported by MyDance Alliance and Rimbun Dahan.

Check the Facebook event page for updated info…

Dancing in Place 2016

Dancing in Place 2016

A fun and informal excursion for the whole family, Dancing in Place features 12 short dance works performed outdoors in the lush tropical garden at Rimbun Dahan.

3-6:30pm
Saturday & Sunday
16-17 January 2016 [same program on both days]
FREE ENTRY

Featuring works by:

  • Alla Azura Abal Abas
  • Lim Hooi Meng
  • Rithaudin Abdul Kadir
  • Lee Ren Xin
  • Rathimalar Govindarajoo
  • Ming Low, for Balletbase
  • Syed Haziq Afiq
  • Nadhirah Razid

And special international guests:

  • Daniel ‘Bear’ Davis (USA)
  • Li Yong Wei & Seow Yi Qing (Singapore)
  • Jed Amihan and Airdance (Philippines)
  • Ong Pholchir and Spine Party Movement (Thailand)

The event will continue, rain or shine! Please bring your own picnic, as well as shoes that can get wet/muddy, umbrellas, and mosquito repellent. Refreshments will be provided.

Sorry, Rimbun Dahan is not a wheelchair-accessible venue.

For map and directions to Rimbun Dahan, see http://rimbundahan.org/?page_id=32

Facebook event: https://www.facebook.com/events/708357295930507/

Southeast Asian Choreolab 2016

Southeast Asian Choreolab 2016

choreolab_lift

Emerging contemporary dance choreographers from Southeast Asia are invited to apply for this international choreographic laboratory, facilitated by Japanese choreographer Akiko Kitamura, at Rimbun Dahan, from 28 May to 5 June 2016.

Download the Call for Applications. [PDF 518kb]

Download the Application Form.  [Word doc 37kb]

 

Applications are due by the end of Monday 15 February 2016.

Project Format

14 chosen choreographers will live, work and explore together in the arts community of Rimbun Dahan for 9 days, with guidance from our international facilitator, Japanese choreographer Akiko Kitamura.

The program will consist of 7 work days with 2 days of study-tour. Work days will take place in the dance studio at Rimbun Dahan and will consist of sessions exploring choreographic methods, analysis and movement techniques led by Akiko Kitamura and the participants themselves.

Other activities include artists talks by invited guest artists, live performance viewing, and informal socialising and discussions.

The first study tour day will explore the main arts institutions in and around Kuala Lumpur. The second study tour day will give your bodies and minds a break, with a trip to the coastal town of Kuala Selangor, its nature park, monkey-feeding at a historic site, seafood dinner and a river trip to see fireflies.

The exact program may evolve during the choreolab, to remain flexible, organic and response to the specific profiles of the participants.

Project Aims

To support and enable emerging Southeast Asian contemporary dance choreographers to

  1. Adopt new choreographic tools and physical, thematic and conceptual approaches to enrich their artistic practice;
  2. Develop regional networks among their peers and with regional dance institutions, for knowledge sharing, future artistic collaboration and touring;
  3. Experience works of art, cultures, places and histories beyond their home, to increase international understanding and to help contextualize their artistic practice.

We hope you will have a positive and enjoyable experience at the SEA Choreolab, which will reenergize you and help you reaffirm your commitment to your artistic practice. We would like the choreolab and the networks you establish here to be an ongoing resource to which you may return for inspiration, refreshment, respite and a sense of continual community.

Who we’re looking for

  • Emerging contemporary dance choreographers, aged 35 or under, or who began creating contemporary work within the last five years. Artists who create performance art or physical theatre works are also eligible.
  • You should have established a professional or semi-professional practice, and have created at least 3 short works or 1 full-length work.
  • Citizen of and resident in an ASEAN country (Indonesia, Malaysia, the Philippines, Singapore, Thailand, Brunei, Burma/Myanmar, Cambodia, Laos, Vietnam) or Papua New Guinea or East Timor.
  • Able to communicate functionally in English.
  • Excited to increase your knowledge base, share your practice and establish networks with your international peers.

What the project will provide

  • Twin-share accommodation at Rimbun Dahan.
  • Entry to all the project activities, including classes, study trips, facilitated sessions, and performances.
  • 3 meals per day during the project.
  • Transfer to/from airport or bus terminal (subject to conditions).

What you need to provide

  • Return airfare to Kuala Lumpur (the city is well-connected by low-cost airlines).
  • Travel insurance (and visa for Myanmar, East Timor & PNG only)
  • One session during the project (maximum 1 hour) in which you will lead the other participants through a choreographic method, thematic exploration, dance technique or artistic question. This session will be discussed and developed with the choreolab organisers.

To apply

Download the Application Form from here and return it to contact@mydancealliance.org

by the end of Monday 15 February 2016.

For questions or more information

Contact Bilqis Hijjas, MyDance Alliance, Malaysia
contact@mydancealliance.org, +6017 310 3769.

Akiko Kitamura profile imageAbout Akiko Kitamura, facilitator

Akiko Kitamura was born in 1970 in Tokyo. She learned ballet dance and street dance in her youth, studied dance theory at Waseda University and began to build a professional career as a choreographer in show business while still in her teens. She choreographed many pieces for commercial films, fashion shows and plays. In 1994, she founded her own company Leni-Basso. In 1995-1996, she stayed in Germany for a year as a resident artist.

In 2001 she was invited to the Bates Dance Festival and created Finks, one of her best known works, performed more than 60 times worldwide. Ghostly Round (2005), choreographed for In Transit organised by Haus der Kulturen der Welt (Berlin), is another of her signature works which has toured internationally. Akiko Kitamura has made many works for international companies, commissions and collaborations such as for American Dance Festival, Group Motion Dance Company in Philadelphia, ACE Dance and Music of Birmingham, and avant-garde rock group Art Zoyd in France.

Akiko started to learn pencak silat in 2004 according to a strong interest in the body techniques of South East Asia, and in 2010 she came to Indonesia to research dance, music and martial arts more deeply. In 2011, she started to collaborate with Indonesian artists including choreographer/dancer Martinus Miroto, Yudi Ahmad Tajudin (Teater Garasi), dancer Rianto, musicians Kill the DJ (Jogja Hip Hop Foundation), Slamet Gundono, and Endah Laras, and a team of Japanese artists to create the To Belong Series, such as To Belong-cyclonicdream- (2013) and To Belong/Suwung (2014). The work explores how two cultures meet, and connects the old world to the contemporary using video, music and dance. It also aims to discover the new generation of the Asian Body: the repository of the traditional and the contemporary worlds.

In 2015, Akiko was an Asian Cultural Council Fellow and a Saison Foundation Fellow. Since 2001 Akiko Kitamura has taught at Shinshu University, Nagano, as associate professor of the Faculty of Arts.

http://www.akikokitamura.com/
http://www.akikokitamura.com/tobelong/english/


The Southeast Asian Choreolab 2016 is a joint project by

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Supported by

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SEA Choreolab 2015

SEA Choreolab 2015
14690552-STANDARD

From 30 May to 7 June 2015, Rimbun Dahan hosted the Southeast Asian Choreolab 2015, a meeting of 15 emerging contemporary dance choreographers from Southeast Asia.

This was the second edition of the Southeast Asian Choreolab, which brings together emerging contemporary dance choreographers from Southeast asia. The participants in 2015 are from Laos, Cambodia, Thailand, Vietnam, Malaysia, Singapore, Indonesia and the Philippines. They worked under facilitator Arco Renz, a German choreographer based in Brussels.

Each of the participants had the opportunity to run their own group session during the Choreolab, sharing their particular movement style or choreographic method. Arco led the group in integrating this material into choreographic and analytical exercises. ‘Zeitguest’ speakers about topics not related to dance also addressed the group, providing impetus information about ‘real world’ topics: regional security, economics and marine biogeography.

The group went on a field trip to Kuala Selangor, a tour of Klang Valley arts institutions Temple of Fine Arts, ASWARA, DPAC and klpac, and watched performances by Dua Space, Pierre Rigal Compagnie and Wild Rice.

On the final day of the Choreolab, the participants of the Southeast Asian Choreolab 2015 shared snippets of their studio exercises during the event with a small audience.

The Southeast Asian Choreolab 2015 is supported by Goethe-Institut Malaysia, and hosted by Rimbun Dahan. It is a joint project between MyDance Alliance and World Dance Alliance Asia-Pacific.

See more images from the 2015 SEA Choreolab here.

About the Participants

The participants of the 2015 SEA Choreolab were:

  • “Ong” Nitipat Pholchai (Thailand)
  • Sonoko Prow (Thailand)
  • Faillul Adam (Malaysia)
  • Tan Bee Hung (Malaysia)
  • Japhet Mari M. Cabling (Philippines)
  • Lygie Carillo (Philippines)
  • Al Bernard Garcia (Philippines)
  • Siko Setyananto (Indonesia)
  • Darlane Litaay (Indonesia)
  • Fadilla Oziana (Indonesia)
  • Chy Ratana (Cambodia)
  • “Kaka” Ounla Phaoudom (Laos)
  • “Buddha” Thanh Nguyen Duy (Vietnam)
  • Eng Kai Er (Singapore)
  • Foo Yun Ying (Singapore)

About the Facilitator

aRco_Chalon_DSC_4991_Crop_0-bg-300x317Arco Renz productions with Kobalt Works reveal an intense physicality and explore the emotional force of abstraction.

In his creations, he consistently broadens the principles of Abstract Dramaturgy to light, sound and multimedia interfaces; and his choreographies go beyond pure, formal dance, displaying “a graceful expressionism that can be situated somewhere between the German expressionist films of the 1920s and traditional Eastern dance and theatre forms.”

During 2014 and 2015, Kobalt Works|Arco Renz is engaged in collaborative performance projects of very different nature in Indonesia (KRIS IS), Vietnam (Hanoi Stardust), the Philippines (COKE), and Singapore (ALPHA).

Among over 20 evening length choreographies, other major Kobalt Works’ productions include .states. (2001), Mirth (2002), heroïne (2004), Bullitt (2006), i!2 (2008), PA (2009), 1001 (2010), CRACK (2011), solid.states (2012), or Discografie (2013).

In addition, Arco Renz has regularly created commissioned works for the Brussels Opera House, the Festival d’Art Lyrique d’Aix en Provence, the Brussels Philharmonic Orchestra, the Norvegian National Company of Contemporary Dance, among others. In the field of opera he has extensively worked with Robert Wilson, Luc Bondy and on several occasions with Anne Teresa de Keersmaeker.

A central focus within Arco’s specific choreographic idiom is the comparative study of various Asian and European performance traditions. He has developed Monsoon, a series of transcultural and multidisciplinary research and
exchange programs with editions in Asia, Europe and coming up in 2015 in Australia. Arco Renz studied dance, theatre, and literature in Berlin and Paris and was one of the first generation of graduates of P.A.R.T.S., the dance school founded by Anne Teresa De Keermaekers in Brussels.