A weekend of short contemporary dance works performed in the gardens at Rimbun Dahan, open for free to the general public.
18-19 March 2017
Produced by Joelle Jacinto and Leng Poh Gee for MyDance Alliance.
Photos featured on this page by Nazir Azhari, Tony Tan, Mohd Nor Azmil Abdul Rahman and Huneid Tyeb. Many thanks to the photographers.
Location: Brick fence / Reflective pond
Choreographed and performed by JS Wong
Music composed by Thong Yoong How
I march forward or backward, in or out and here or there.
He Simply Disappears
Location: Front porch of Penang House
Choreographed by Nurulakmal Abdul Wahid
Performed by Nurhanis binti Yahya and Jazali bin Mohamad of UPSI
“It’s hard being left behind… It’s hard to be the one that stays…” – Audrey Niffenegger
Location: Rumah Uda Manap
Choreographed and performed by Chantal Primero and Nicole Primero of Airdance Philippines
“Achieving the end of the exercise was never the point of the exercise to begin with, was it.” -Adam Savage
Location: Playhouse and the path where it leads
Choreographed by Kathyn Tan Chai Chen
Performed by Kathyn Tan, Eden Lim, Lee Ren Xin, Leo Yap, Lim Hwang King.
The unseen energy that causes movement. They spin and stop and start again, as if without permission. The wind is like a child that wants to play.
Special thanks to Now Theatre, Mr & Mrs Choo
Location: Sakinah sculpture / Bulatan Plong
Choreographed by Chai Vivan and Fione Chia
Performed by Chai Vivan, Fione Chia and Kyson Teo of Kwang Tung Dance Company
We are currently living in a world where the Artificial is becoming Natural, and Nature is becoming more and more Artificial. There are times where our eyes are unable to identify true and false. There are things that stand in between the real and the fake. Does that matter anymore?
Location: In the forest beside the dance studio
Choreographed by Rathimalar Govindarajoo
Performed by Rathimalar Govindarajoo and Wei Jun, with Amirul Said, Yap Chiw Yi, Gwen Ng, Wong Yi Juan and Karthini Chandran of UMa Dance Company
Rebab – inspired by the Main Putri and the Makyong. The concept dwells around the word “Gerhana” as the churning of the ocean where immortality is obtained, and Gods dance where the Moon is eaten by the snake, and a dragon is split to two as Rahu and Kethu…
Female. Solo Dance Series
Location: Underground Gallery
Director / Choreographer: Loke Soh Kim
Photography Director: Kim Teoh
Soundscape Designer: Goh Lee Kwang
Dancers: Rachel Chew, Hoi Cheng Sim , Lee Ren Xin, Loke Soh Kim, Wong Man Chui
To capture the beauty and the feminine qualities of dancers, choreographer Loke Soh Kim decided to make a video series for five different dancers. Restrictions of video shooting have been set between the choreographer and the photography director to minimize the interruption to the pure dance improvisation that based on environmental stimulus; long-take in the film making, no pre-context communication with the dancers, and no disturbance from the camera. Female. Solo Dance Series is a dance video that depicted the interaction of sites, dancers, photographer and soundscape designer. The series consisted of five female solo dance with different ages and backgrounds, who wish to share their stories.
Supported by: PCP Publications, Little Planet Lab, Sekeping Kong Heng, Damansara Performing Arts Centre, Oriental Art & Cultural Association, and EPSON Malaysia.
Location: Main plaza driveway
Choreographed by Fairul Zahid
Performed by Syafiq Kamarul, Zaidyansjah, Nur Syafiqah Najwa and Fatin Nadhirah
Location: Red sculpture under the trees
Collaboration by Tan Bee Hung, Mamad Samsuddin and Al Bernard Garcia, alumni of the Southeast Asian Choreolab.
Search. Fit. Build. Settle. Trap.
Location: Reflective pond
Choreographed and performed by Rithaudin Abdul Kadir
Based on the traditional Pangalay dance of the Suluk (Tausug) from Sabah, this piece is reconstructed with a contemporary vocabulary to accommodate the site. By experimenting and exploring the use of the Gong and the Turung, it is a journey of self-discovery. The use of the gong symbolises the wealth and of late, the burden of the Suluk people.
Location: 60 Turns Lawn
Choreographed by Kyo Hong
Performed by Kate Soon and Jazz Ter
As time flew away, as the leaf scattered away so do our pathways.
When They Ate The Apple
Location: 60 Turns Lawn
Choreographed by Yunus Ismail
Performed by Maria Devonne Escobia
For the good that they were promised, they chose to disobey.
Location: 60 Turns Lawn
Choreographed by Fauzi Amirudin
Performed by Denise Tan, I-Lyn Tan, Joelle Jacinto, Joyce Chan, Lee Jia Xi, Regina Toyad, Ving Yee of Balletbase
We negotiate between tradition and the modern; we try to find a balance between the two, until they are harmonious – “like clockwork”. Yet there is also an effort to stop time, and we try to make that universal pause before coming into a hopeful, uncertain, inevitable future.