Jel Suarez

Jel Suarez

Jel Suarez (b. 1990) is a visual artist born and based in Manila, Philippines. Her craft is centered on the practice of collage, in which mostly old master works of art and past exhibitions – sourced from old books and catalogues – are intricately cut in an unconscious process. Her fascination with the body of draperies and structures, allows her to form, paint, and sculpt them in her attempt to produce ideas, narratives, dimensions, and landscapes.

The act of manipulating the archives is her way of understanding reproduced images – further distorting its original sense, and fragmenting them into multiple meanings.

Suarez has been exhibiting her works since 2014, with solo exhibitions at Vinyl On Vinyl Gallery, and several group shows under Artinformal Gallery, Underground Gallery, VOV Gallery, Blanc Gallery, etc. She has also participated in art fairs here in Manila, Hong Kong, Taiwan, and Singapore.

Her work can be found on her website.

During the first month of my artist residency, I plan to finish my pieces for an upcoming exhibition this June at Underground Gallery (Manila). The themes and focus of my work have shifted since last year’s proposal project – triggered by the current madness and repercussions of the Philippine government’s war on drugs, I seek to explore and intersect a narrative of its influence on our country’s social fabric. I want to develop new works which will look at how it has possibly structured the society’s landscape and perception of power, social class, and human life.

Rimbun Dahan’s living environment is ideal for cathartic work. I think that the cultural and creative dialogue between me and its resident artists will help strengthen my practice and extend the narrative for this project.

Stephen Eastaugh

Stephen Eastaugh

Stephen Eastaugh is a mixed media visual artist with severe wanderlust as over the past few decades, he has traveled to over ninety countries scattered across all continents. While on the road he has managed to present over one hundred solo exhibitions in a wide range of venues. Studios have been set up on a Russian icebreaker at the North Pole, in a science building one winter in Antarctica, and many places in-between. On three occasions the artist has been awarded the Australian Antarctic Arts Fellowship along with numerous art residencies, awards and grants. Travel is the artist’s muse as over the past thirty years, rarely has Eastaugh stayed longer than four months in any single location. It is interesting to see all his work as strange maps or landscapes where he attempts to both locate and lose himself simultaneously.

His work is primarily landscape derived, either representational, symbolic or connected to experiences and objects picked up while on the road. There is a strong textural element which ranges from damaged paper to thick paint and currently, embroidery is utilized. In mid 2017 Eastaugh will plant himself at Rimbun Dahan in Malaysia to explore new work in a new longitude and latitude.

Eastaugh’s work can be found in the National Gallery of Australia, state galleries across Australia, the Nevada Museum of Art, USA and private collections worldwide. In 2017 the artist will be exhibiting in Melbourne, Sydney and Amsterdam as well as working in temporary studios in Argentina, Norway and elsewhere.

You can find more of his work on his website.

Citra Pratiwi

Citra Pratiwi

Citra Pratiwi (b. 1981 in Pati, Indonesia) works intensely between body, story, movement and  expression — presented in her works in dance and theater. She’s a founder of Migrating Troop Performing Art Network, a hub for artists who want to work in multi and interdisciplinary art to refresh their work and expression. Citra is a graduate of Ethnomusicology from Indonesia Institute of Art Yogyakarta, and was one of the awarded artists for Empowering Women Artists by Kelola Foundation. She is an art-activist, engaging her work to speak about women’s issues, especially women’s issues in Indonesia and she’s also worked as a curator at Padepokan Seni Bagong Kussudiardja, a private cultural centre in Yogyakarta.

During her one month residency at Rimbun Dahan, Citra will be developing her new project named Finding Stillness. It will be a research project exploring body memory, conscious and unconscious body, using Jathilan or Kuda Kepang folk dance as entry material.

I want to research what is stillness in the unconscious and bring this concept into contemporary dance work.

Kelvin Atmadibrata

Kelvin Atmadibrata

Kelvin Atmadibrata (b.1988, Jakarta, Indonesia) recruits superpowers awakened by puberty and adolescent fantasy to assemble formidable armies of outlaws. Equipped by shōnen characters and macho ero-kawaii, his antiheroes contest the masculine and erotic in Southeast Asia. He works primarily through performances, often accompanied by and translated into drawings, mixed media collages and objects compiled as installations.

During his residency in Rimbun Dahan, he plans to expand a narrative that is triggered by a Malayan historical figure, Laksamana Cheng Ho. He seeks to learn the Admiral’s influence in today’s society, in particular in regards to his masculine identity and how it has potentially structured the perception of power, race and religion in modern politics. This will also be motivated by cultural findings during his stay in Malaysia, discussions and exchanges with locals as well as his constant interest in virtual RPG elements.

He will be updating his progress in weekly blog-like entries on his website.

Sabine Reindel

Sabine Reindel

Sabine Reindel is a German-born fine art painter, whose work concentrates on cityscapes. During her six-weeks residency at Rimbun Dahan she will continue her series of cityscapes she has started to create while she was practicing law as an attorney in the United Arab Emirates. Thereafter she continued working on cityscapes in San Francisco where she earned her master of fine art at the Academy of Art University, in New York where she studied at the New York Academy and the Artist Students League of New York, and in artist residencies in Thailand, Singapore and France.

My art is about journeys, exploring new places and making them my own. My work concentrates on cityscapes of the United Arab Emirates, where I practiced law for the last eighteen years, San Francisco, where I received my education in art, New York, where I took classes at the New York Academy of Art and the Arts Students League of New York, Thailand, Singapore and France where I had artist residencies over the last two years.

My first calling has not been art. I went to law school in Germany and then worked as an attorney in the Emirates of Dubai and Abu Dhabi. Over the last two decades I moved a lot and I lived in thriving places that changed and still change a lot. With my paintings I try to explore the similarities of these places, but mostly concentrate on the differences. Each place has its unique architecture, which reflects its own unique location on the globe, its special light, its one of a kind flora and fauna. Seeing what make each place so unique makes painting for me so exciting.

Elise Luong

Elise Luong

Elise Luong is an Australian-born artists’ manager who has spent the last ten years working extensively within a diverse number of contemporary art platforms. Bilingual in English and French, her work includes the project management, development and curation of wildly unique exhibition spaces in Brussels, Berlin and Hanoi, showcasing visual arts, performing arts, and new media. A recent co-author of the internationally distributed book Street Art Today, Elise is dedicated to working alongside and within an international network of artists, designers and creative thinkers.

During her residency at Rimbun Dahan she will be continuing her research concerning artist-in-resident programs following on from her recent residency at Bamboo Curtain Studio in Taipei which saw her produce the podcast What’s up with Taiwan?

Using Rimbun Dahan as a starting point for her research in effective residency management, she will explore the surrounds interviewing a range of residency managers, artists and creative activists in order to gauge the attributes and problematics facing creative hubs based in Asia. During her time in Malaysia she will be focusing on a new topic: that of the artists’ experience in residency settings. She will also be developing her own residency project which shall see the light in Hanoi during the course of 2017.

Elise is co-founder of Undecided Productions to see more of her previous event work click HERE.

Richard Orjis

Richard Orjis

Richard Orjis is a multimedia artist based in New Zealand, as well as a PhD student from the Auckland University of Technology. He will be at Rimbun Dahan for a three month residency from February to April thanks to a grant from Asia New Zealand Foundation. To find out more about him and his work, you can visit his website.

My artistic research is driven by an interest in the garden and how I might understand place through these green spaces. I see gardens as exciting and complex intersections of art, nature and culture. They can offer insight into how a culture views the natural world, aesthetics, politics, religion, gender and class.

The proposed project for my time at Rimbun Dahan will be the production of publication containing photographs, text and drawings which be created in response to the green spaces of area. The project will encompass the breadth of the local environment, from the manicured to the accidental, from the civic to the domestic. It takes the premise that a city like Kuala Lumpur could be perceived as a vast garden with a functioning ecology of people, animals, plants and elements.

Grass Circle, a concrete edged circle of grass permitted to grow for one year at Te Tuhi Centre for the Arts addressed the perception of suburb and notions of control.

The Apron, a temporary art project “exploring the history of meadows and wildflowers and how they can change the way we think about urban green spaces.” Commissioned by Tauranga Art Gallery for the Bay of Plenty Garden and Art Festival.

Walking In Trees, a two-storey scaffolding bridge and staircase erected between a pair of historic Moreton Bay Figs in Albert Park examined notions of perception.

Haffendi Anuar

Haffendi Anuar

Haffendi Anuar (b. 1985, Malaysia) is an artist based in Kuala Lumpur. He works with a variety of media and disciplines such as drawing, painting, sculpture and photography. He did his International Baccalaureate certificate in fine art at the International School of Kuala Lumpur, his foundation at the Rhode Island School of Design in Providence and his BA honors at Central Saint Martins College of Art and Design in London. In between his studies, he worked as a model maker at T.R Hamzah and Yeang in KL, studied Mandarin in China, worked in an art gallery in London and Kuala Lumpur and assisted artists in studios in London (Hew Locke and Nicolas Deshayes). He has exhibited locally and abroad.

Haffendi is a multidisciplinary artist. Mining history of art, digital technology, nature and local contexts, he creates object-based works that recycle found images, objects and artistic styles from digital and local sources. He was previously at Rimbun Dahan for a one-month residency in 2015, via a collaboration with Richard Koh Fine Art. This time he will be doing a four month residency alongside fellow artist Veronika Neukirch.

Veronika Neukirch

Veronika Neukirch

Veronika Neukirch is a German artist born in 1986 in Duesseldorf. She completed her Art & Design Foundation in 2010 and graduated with a BA (Honours) Fine Art from Central Saint Martins in 2013. She has been based in Kuala Lumpur since 2014 and has been exhibiting across Malaysia as well as abroad.

As an object-based artist concerned with developing new roles for pre-designed objects, Veronika creates compositions that strive to represent and utilise the pluralistic nature of contemporary art and contemporary life. The combining and finding of a new balance between various selected and handmade components run through her entire practice, consisting predominantly of sculpture, assemblage, collage, installation. The tension between artificial, functional, and ready-made elements and the organic shapes of intuitive material experimentation offers wide haptic diversity.

The rich local flora and fauna will be the starting point of her collaborative residency with local artist Haffendi Anuar. Veronika will be in residency at Rimbun Dahan for four months starting in February.

Sterile Jungle (2014) – published in Make8elieve #8, Horror Plants, USA/Switzerland

Granny Smith’s Table (2015)  and Apples & Pineapples (2015) – exhibited at:

  • 2015: ‘RIPEN AT HOME’ (solo), Minut Init, Petaling Jaya, Malaysia
  • 2016: ‘Extending Ideas’ (group show kindly supported by Goethe Institute Malaysia), Feeka, Kuala Lumpur & Museum Negeri Pulau Pinang, USM, Penang, Malaysia

 

 

Carol Brown

Carol Brown

I am an inter-disciplinary choreographer working in sustained collaborations with artists and experts from other fields. My research-led practice attends to the creative potentials in working between the cracks; between histories, temporalities and disciplines. Nourished by creative collaborations that explore diverse spaces, places and body memories, my choreographies take multiple forms, as dance installations, inter-media events, site specific performance and theatre dance, and have been presented internationally.

My current research, which I will pursue at Rimbun Dahan involves choreographic writing that negotiates the page, the stage and the ‘outside’. This will lead to a book I am developing on how performance remains rather than disappears through the transmission of body archives and the staging of performance cycles connected to the rhythms and ecologies of place.

I visited Rimbun Dahan in 2015 as part of an Asia New Zealand Performing Arts Tour and am very pleased to be returning with my partner Russell Scoones (musician / sound designer) and children, Rafe and Cass. This visit is part of a period of research leave from the University of Auckland, Creative Arts Industries Faculty where I am an Associate Professor in Dance Studies.

Find out more about Carol’s work at her website.