Australian Choreographer Invites Collaborators

Australian Choreographer Invites Collaborators
Want to explore the process of creating cross-cultural dance? Australian choreographer Annalouise Paul is looking for collaborators for her residency at Rimbun Dahan in August 2019!
Ingin mengkaji proses mencipta tarian bersilang budaya? Ahli koreografer Annalouise Paul dari Australia memohon para kolaborator menyertai residensinya di Rimbun Dahan, pada bulan Ogos 2019. Turun ke versi BM –>

Annalouise Paul Residency at Rimbun Dahan

Dates: 15-30 August 2019

Australian dancer-choreographer Annalouise Paul is looking for local dancer artists to collaborate on a cross-cultural dance exchange at Rimbun Dahan, Malaysia.

Callout for Collaborators

WHO: Dancers and choreographers who have a traditional or indigenous dance background (in any culture) are invited to apply. If you are interested in contemporary performance, making new work and challenging traditional concepts or have some experience with contemporary dance that is useful, but not essential.

WHAT: Annalouise Paul will teach excerpts from her existing works and guide artists to explore and develop new choreographic material working from their traditional dances and share her creative practice. Together we will hone a process that uses traditional dances, rhythms and concepts in structured improvisations, and if time permits develop a short choreography that can be shared in a studio showing at the end of the residency.

WHY: Sharing dialogue is key to this exchange. Feeding back on how processes can be pushed further and develop processes for making new works. And as a group, discuss contemporary and traditional dance vocabularies, cultural identity, race, languages, migration and diasporic lineages as artist-makers.

THINGS TO KNOW:

  • Conversations in the studio will be in English, but we will try to accommodate those with minimal English, wherever possible.
  • Video, photographic and written documentation by Annalouise is essential, but this will not be shared publicly, and used only for Annalouise’s artistic archives and grant reports.
  • Consent forms will be provided.
  • Artists are custodians of their traditional practices at all times and decide what cultural material is offered in the exploratory process and for group discussion.
  • Musicians are welcome in this choreographic lab.

YOUR COMMITMENT:

  • Collaborators will be invited to spend 4-5 days per week for 2 weeks, between [date] and [date] working as a group with Annalouise in the studio at Rimbun Dahan.
  • Schedules for working days will be arranged in consultation with the collaborators so that a small group can work together consistently over the period to have maximum benefit for everyone involved.
  • Times will be between 10-5pm TBC, and this will be confirmed once the collaborators are confirmed.
  • Once accepted, continuity is compulsory for the entire group. If you cannot commit for the full period please state this at the start with your best dates and times available.

FEE: There is no fee offered, however, a daily stipend will be offered to cover transport and lunch meals.

CONTACT: If you’re interested please arrange a time to speak with Annalouise Paul. Contact her directly on Whatsapp +61 408664199 or email annalouisempaul@gmail.com with your available dates and times and for more information about the project.

MORE ABOUT ANNALOUISE PAUL

Annalouise Paul has been working in the field of intercultural dance in Australia and internationally for over thirty years. More recently she has developed choreographic tools to push dance hybridity. There is no established ‘method’ for creating cross-cultural movement or for practitioners to model from, so there has been slow but constant emergence of process and vocabulary, evolving out of a pool of processes for various works. ‘Hidden Rhythms’ is one process that employs traditional rhythms for shifting the dynamic of dance movement. ‘Dance DNA’ is the most recent method Annalouise has been investigating largely through workshops internationally and in Australia. She has held cross cultural workshops in Singapore, France, India, Melbourne and Sydney supported by World Dance Alliance, Create NSW and Critical Path.

Annalouise’s residency at Rimbun Dahan in 2019 is an Asialink Arts Creative Exchange.

 

Residensi oleh Annalouise Paul di Rimbun Dahan

Tarikh: 15-30 hb Ogos 2019

Annalouise Paul, seorang penari dan koreografer dari Australia, menjemput artis tari tempatan dari Malaysia untuk menyertai proses kolaborasi dalam sebuah projek pertukaran budaya tari bertempat di Rimbun Dahan.

Jemputan Kepada Kolaborator

SIAPA: Penari atau koreografer yang mempunyai latarbelakang tari tradisi ataupun tarian Orang Asal (daripada budaya mana-mana pun) dijemput membuat permohonan untuk menyertai projek ini. Kami juga menggalakkan permohonan anda jikalau anda pernah terlibat di dalam persembahan jenis kontemporari, terlibat di dalam proses mencipta karya baru yang mencabar konsep-konsep tradisi, ataupun mempunyai sebarang pengalaman di dalam tarian kontemporari.

APA: Annalouise Paul akan mengajar beberapa petikan daripada karya tarinya, dan akan memberi panduan kepada peserta-peserta untuk meneroka dan mengembangkan bahan koreografi yang baru, dengan menggunakan tarian tradisi mereka. Annalouise juga akan kongsi amalan kreatifnya sendiri. Peserta-peserta bersama-sama dengan Annalouise akan menetapkan sebuah proses yang menggunakan pergerakan, rentak dan konsep-konsep daripada tarian tradisi di dalam improvisasi-improvisasi yang berstruktur. Terpulang kepada masa, peserta-peserta juga akan mencipta sebuah koreografi pendek yang akan dipersembahkan kepada orang ramai semasa sebuah pertunjukan di dalam studio pada hujung residensi.

MENGAPA: Berkongsi melalui dialog merupakan kunci proses pertukaran ini. Proses ini juga melibatkan tindakan maklumbalas bagaimana ia boleh diperluaskan dan digunakan untuk mencipta karya yang baru. Sebagai sebuah kumpulan penggiat-penggiat seni, kami akan membincangkan vokabulari tari, identiti budaya, bangsa, bahasa, migrasi dan penyebaran warisan.

HARAP MAKLUM:

  • Perbincangan di dalam studio akan dijalankan di dalam Bahasa Inggeris, tetapi kami akan cuba menampung sesiapa yang kurang fasih di dalam Bahasa Inggeris.
  • Annalouise sering menggunakan sistem dokumentasi proses itu melalui video dan foto serta penulisan, tetapi bahan-bahan tersebut tidak akan dipamerkan secara terbuka, dan hanya digunakan di dalam arkib seni Annalouise serta laporan dana.
  • Borang persetujuan akan disediakan.
  • Peserta-peserta merupakan penjaga budaya tradisi mereka sendiri semasa proses ini. Mereka bertanggungjawab untuk menetapkan sumber tradisi yang boleh atau tidak boleh digunakan semasa proses penerokaan artistik dan perbincangan secara berkumpulan ini.
  • Pemain muzik juga digalakkan menyertai projek ini.

KOMITMENT ANDA:

  • Peserta-peserta dijemput untuk berada di studio di Rimbun Dahan selama 4-5 hari setiap minggu selama dua minggu, di antara tarikh [ ] dan [ ], bekerja berkumpulan bersama-sama dengan Annalouise.
  • Jadual waktu bagi setiap hari di dalam studio akan diatur setelah perundingan dengan peserta-peserta. Kami inginkan sebuah kumpulan kecil yang boleh bekerja bersama-sama dengan cara yang konsisten semasa jangka masa tersebut, untuk memberi faedah yang maksimum kepada semua yang terlibat.
  • Masa di dalam studio adalah lebih kurang di antara pukul 10 pagi dan 5 petang, tetapi waktu sebenarnya akan ditetapkan nanti, setelah peserta-peserta dipilih.
  • Setelah peserta-peserta yang terpilih mengesahkan penyertaan mereka, kehadiran adalah wajib. Jikalau anda tidak dapat memberi komitment yang sepenuhnya, sila mengemukakan jadual waktu anda semasa proses permohonan.

BAYARAN: Tiada bayaran yang ditawarkan, kecuali penghargaan sebanyak RM35 sehari yang akan diberi untuk membantu menanggung kos pengangkutan dan makanan.

HUBUNGI KAMI: Untuk membuat permohonan untuk menyertai projek ini, sila Whatsapp +61 408664199 atau emel annalouisempaul@gmail.com dengan jadual waktu anda yang boleh lapangkan untuk projek ini. Annalouise akan menetapkan masa untuk berbincang dengan lebih lanjut bersama anda secara individu.

MAKLUMAT MENGENAI ANNALOUISE PAUL

Annalouise Paul mempunyai sejenis siasatan koreografi yang timbul daripada kekurangan metodologi yang wujud untuk mencipta pergerakan silang budaya (cross-cultural). Amalan Annalouise berdasarkan proses yang perlahan tetapi berterusan untuk mencipta vokabulari pergerakan. Prosesnya termasuk ‘Hidden Rhythms’ yang menggunakan irama tradisi untuk mengalihkan dinamik pergerakan tarian, dan ‘Dance DNA’ yang menggunakan pergerakan tradisional dengan pendekatan somatik. Beliau telah membangunkan proses-proses ini di Singapura, Perancis, India, Melbourne dan Sydney, disokong oleh institusi-institusi seperti World Dance Alliance, Create NSW dan Critical Path.

Residensi Annalouise di Rimbun Dahan pada tahun 2019 merupakan sebuah Asialink Arts Creative Exchange.

Natalie Labriola

Natalie Labriola

Natalie Labriola is a multidisciplinary artist based out of Los Angeles who will be joining us in May as our Open Residency Artist. An MFA Bard Graduate from Milton Avery Graduate School of the Arts, Natalie’s work is rooted in sculpture but includes drawing, painting, video and clothing.

My work is a material investigation into the nexus between science and magic, between medicine and art. The limits of the physical body and the universal desire for its transcendence — both in mundane and esoteric ways — serve as inspiration for my varied works. The sense of alienation produced by living in a capitalist society gives rise to my desire to imagine new modes of claiming subjectivity, and at the same time, a desire to imagine a deeper sense of collectivity.

From the psychic, vibrational frequencies in the environment to the contemplation of what it means to be healthy not just individually, but as a societal collective, Natalie’s work explore these little bridges between our body, our mind and how we affect and care about one another.

 

Find out more about Natalie’s work at www.natalielabriola.biz and also www.talisclothing.com.

 

Charis Loke

Charis Loke

Charis Loke (b.1991) is a Malaysian illustrator and educator from Penang that will be joining us for April and May. Drawing upon literature and visual culture, she makes pictures that evoke wonder and curiosity, depicting fictional worlds and current issues with a deft combination of traditional and digital media. She is interested in the relationships between word and image as well as how images communicate, enhance, and subvert narratives.

As an illustrator working in imaginative realism, I have long been aware of the lack of Southeast Asian representation in mainstream science fiction and fantasy, despite the richness of the region’s history and myth. And yet: given that so much imagery in SF&F is based on Western symbols and iconography, how can one make genre art without relying on those tropes? How might we use influences from other cultures in an engaged, respectful manner? How does one deal with the danger of falling into an Orientalist mode of seeing, of exoticising foreign, unfamiliar things?

Beginning from October 2018, Charis has grappled with those questions in the form of a project named Kejora: sketches, stories, and characters from where the stars meet the sea and wandering roots run deep. It is fantasy inspired by the confluence of cultures in contemporary Southeast Asia and informed by current issues. Exploring themes like the resonance and dissonance of characters with their communities and what it means to feel at home, Charis will continue to further develop some of those sketches and vignettes into fully realised paintings during her two-month stay here in Rimbun Dahan.

You can find more of her work on her website here.

 

Dipika Mukherjee

Dipika Mukherjee

Dipika Mukherjee (Malaysia) is an author and sociolinguist. Her work, focusing on the politics of modern Asian societies and diaspora, is internationally renown. In the past years, she has given a keynote at the Asia Pacific Writers and Translators Conference (Bali, 2017), juried at the Neustadt International Literary Festival (USA, 2018), spoken at the Hearth Festival (Wales, 2018) and the Singapore Writers Festival (Singapore, 2017); she has also given public talks at the University of Stockholm (Sweden, 2018) and the International Institute of Asian Studies (Netherlands, 2017).

I have a very personal stake in telling Malaysian stories, especially those that promote social justice. I believe that the growing intolerance of our world today (in Malaysia, India, and the US) requires voices to advocate for tolerance with stories that span our imperfect, violent world and not merely shine a light on a particular region or nation or race.

Ode to Broken Things, Dipika’s Man Asia Literary Prize-longlisted debut novel, is set against the religious and ethnic conflicts simmering in politics and explores notions of nationalism and citizenship in Malaysia.

During her residency here at Rimbun Dahan, Dipika will be conducting a workshop called A Picture; A Thousand Words. Reviewing ekphrasis (the art of writing about images), this workshop will look at how art has inspired writers in the past by focusing on writing inspired by paintings and imagery. Then participants will review a number of Malaysian visual art on display at the Rimbun Dahan gallery to write poems and short prose. All writing levels welcome.

 

Ruth Marbun

Ruth Marbun

Ruth Marbun (b.1985) is a visual artist based in Jakarta that works much with the depiction of deconstructed figures as a form of her profound interest towards human behavior in connection to the inner self and society as paralleled issue. She embraces details and subtleness from the patterns in life such as imperfection, contradiction, resistance, and honor it as part of growth and process.

Her mini-solo exhibition with Clear Gallery Japan at Art Jakarta in 2018 questioned how family is portrait as sacred value with picture perfect quality in the heritage of her Indonesian root and the contradictory that it causes, creating a void and distance with the natural being of human and relationships that truthfully come with flaws and mistakes.

“One is A Million” is a mixed media installation that she presented at #Perempuan exhibition in Melbourne on December 2018 as part of a group exhibition featuring emerging contemporary artists from Indonesia. The work is an open proposal to add perspective in the construction of value towards women in modern society, to give credits not only to the quantified achievements but also in the daily act and resistance that are more inclusive for women, who are dealing with different circumstances in life.

Ruth has also been exhibiting in Kyoto, Jogjakarta, Osaka, and recently Sydney at Darren Knight Gallery with Indo Artlink and John Cruthers featuring her recent works in textile medium, where she has been extending possibilities from the limitation as a familiar medium off her fashion background to a new approach and narration in the current art practice.

During her residency at Rimbun Dahan, Ruth will be focusing in documenting her experience of working and living closely with nature, something in contrast to her upbringing as a city inhabitant. She will be recording the process through visual journal and also creative writings, which embodies intuitive observation and attentive interaction towards the environment during the one-month period stay, engaging in a reversed rhythm from her regular practice that relies on momentum and practicality. The course of adaptation is often taken for granted for being wired automatically into the operational system as human, despite its importance as an essential survival virtue that advances us from other species. Ruth considers the state of newness and to look elsewhere is a far-reaching of understanding the element of absence inwards, that will create new possibilities off the mundanity as a result from updating to an extensive context.

Ruth will be our Southeast Asian Arts Residency artist for a month in February. You can check out her Instagram here.

 

Ajim Juxta (Raja Azeem Idzham)

Ajim Juxta (Raja Azeem Idzham)

Ajim Juxta is a pseudonym and a stage name for Raja Azeem Idzham (b. 1983) as a frontman for his band. He came from a family that has a strong art and music background and was enrolled in Architecture school only to find that it is lacking as a channel for him to be artistic. He had delved into various form of arts before focusing on fine arts and exhibiting widely since 2011. Ajim has also won various awards and received residencies since his journey as a full time artist. He was the recipient of Khazanah Nasional and ACME Studio Art Residency Sep- Dis 2017 and Beneficiary for Emerging Artist Incubation Funding 2018 under CENDANA.

As for my practice as a visual artist; music, science fiction and Architecture remain as  interests in developing my ideas and the way they grow organically and they are at times a respond to my surroundings. From drawing, painting and making installations I have find ways to express the ideas of the future in a dystopic manner hence it became the visual language and the tone that define my work.

You can check out more of his works at his Instagram.

Syarifah Nadhirah

Syarifah Nadhirah

Syarifah Nadhirah (b.1993) is a Malaysian based artist, who is constantly unearthing means to present her work in ways that people can relate to. Her interest in Art has spurred since childhood and her background in Architecture only inspired her to delve even more into the comfort of painting and the quest to explore herself as a visual storyteller. Oftentimes she finds herself going against the grain whenever seduced by the world of practice as she was always tinkering with creative projects such as holding workshops at Urbanscapes 2017, Yayasan Sime Darby Arts Festival 2018 and Bank Negara’s Women in the Arts Bazaar while drafting floor plans. There is always a challenge to break free from the structural disposition and manufactured schemes that she was used to, hence dabbling with experimental ideations only made sense when she practiced Architecture, which also gave birth to her co-founded creative company called Paperweight Studio.

She mainly uses watercolor and ink in her creations, particularly influenced by elements of water and human relationship with nature. Though, in a residency setting at Rimbun Dahan, she looks forward to an extended time alone to immerse herself in focusing on exploring another old form of art which is lino cut printmaking, a manifestation of labour of love and executing a purposeful thought process rather than the final product. Having perpetually lured by the lush green surrounding her neighbourhood, it is not uncommon for her to reflect that in most of her work. But, the need to recount these green forests became more prevalent to her as the ever-changing urban planning takes over vast lands throughout the years. She is mostly, or rather entirely interested in the current ripples of the perilous state that the Orang Asli (Indigenous People) here in Malaysia has to adhere to, of whom are susceptible to deceit and neglect, even from those who run the country. She hopes to engage in a series of dialogues with them and form a reiteration of appreciation for their unwithered spirit and love for their land.

Syarifah Nadhirah will be with us as a Southeast Asian Arts Residency artist for three months starting from February 2019. You can check out her Instagram here and her Behance profile here.

Johanne Lykke

Johanne Lykke

Johanne Lykke is a Danish visual artist living and working in Copenhagen, Denmark. Johanne is with us in February as an Open Residency artist.

“I work with a feminist approach towards abstract painting exploring the idea of the feminine, its materiality and the meeting between feminine and masculine art traditions. Through monumental spray paintings and watercolours I investigate a soft, transparent materiality in painting on paper. With a minimalist use of the spray paint, I challenge its wellknown grafitti aesthetics. In watercolours, I work with immediate, fluidity which, through its scale, aim to question the medium’s associations to its amateur, lower status in the art world as well as a “ladies’ medium”.

As an artist-in-residence at Rimbun Dahan, I wish to expand my western perspective by exploring the Malaysian color traditions and batik techniques. I will be researching connections to the idea of the feminine in South-East Asian visual cultures and hope to find new inspiration during my stay as well as creating a dialogue between eastern and westerns perspective on femininity in art.”

You can check out the artist’s instagram here.

Dương Mạnh Hùng

Dương Mạnh Hùng

Dương Mạnh Hùng (b.1991) is a self-taught translator, writer, and independent visual culture researcher based in Ho Chi Minh City (Saigon), Vietnam. Dương has always been fascinated by the discourse of modernities and nationalism in Southeast Asia and how it influences modern arts and literature stemming from the region. His current interests include, but are not limited to: comparative dialogue between Southeast Asian modern arts and literature; translation as a mode of existing and understanding for visual production; Hispanic & Iberian linguistics; and historical and sociopolitical networks between Vietnam and the regions of Southeast Asia and Latin America. Dương is also one of the co-founders of Cultural Community Discourse (CCD), an initiative based in Ho Chi Minh City (Saigon) that aims to connect local and regional researchers to the Vietnamese public via talks, workshops, and other educational platforms.

During his one-month residency at Rimbun Dahan, Dương wants to explore the concept of ‘landscape’ as depicted in 19th-20th century Malaysian literature and painting and how ‘nationalistic’ natural landscape becomes a mixing space for different forms of modernity in the peninsular.

Clara Chow

Clara Chow

Clara Chow (Singapore) is the author of two short-story collections: Dream Storeys (2016) and Modern Myths (2018). The former was born out of interviews with Singapore architects about their imaginary buildings, while the latter reworks Greek myths in Singaporean settings.

Her work has also been published in the likes of Columbia Journal, Asia Literary Review, Cha, Litro and Quarterly Literary Review Singapore (QLRS). In 2018, she was awarded Prairie Schooner‘s Jane Geske Award for her story “Siren (Redux) by Haley Tien-Warrior – 25th Anniversary Oral History/DJ Cliffhanger Remix – MUST LISTEN! THE FEELS…Awesome…”.

A former journalist and arts correspondent, she has taught creative writing at Nanyang Technological University and English literature at the Singapore University of Social Studies. She co-founded the online literary and art journal WeAreAWebsite.com in 2015. 

Clara is a writer in our Southeast Asian Arts Residency program of 2018. At Rimbun Dahan, she is working on a joss-paper novel, meant to be burnt after reading. The work will explore taboos associated with book-burning, funeral rituals and Asian superstition.

Links to stories online:

“Bare Bones”

http://columbiajournal.org/fiction-by-clara-chow-bare-bones/

Excerpt from “The Wheel”

https://www.asiancha.com/content/view/3385/692/

Excerpt from “Siren (Redux)…”

https://muse.jhu.edu/article/686564/pdf