Annalouise Paul

Annalouise Paul

Annalouise Paul is a contemporary-flamenco choreographer and performer from Australia whose works explore identity and transformation through the intersection of contemporary and traditional forms.

Annalouise has been working in the field of intercultural dance in Australia and internationally for over thirty years. More recently she has developed choreographic tools to push dance hybridity. There is no established ‘method’ for creating cross-cultural movement or for practitioners to model from, so there has been slow but constant emergence of process and vocabulary, evolving out of a pool of processes for various works. ‘Hidden Rhythms’ is one process that employs traditional rhythms for shifting the dynamic of dance movement. ‘Dance DNA’ is the most recent method Annalouise has been investigating largely through workshops internationally and in Australia. She has held cross cultural workshops in Singapore, France, India, Melbourne and Sydney supported by World Dance Alliance, Create NSW and Critical Path.

Developing cross-cultural and hybrid processes with local dance artists at Rimbun Dahan, Annalouise will research and create material for new interdisciplinary works, Mother Tongue and Self Portrait exploring the existence of multiple cultural affinities, histories and languages in the single body.

Annalouise is the recipient of the Australian Arts in Asia Award in Dance. Creative Exchange at Rimbun Dahan is supported by Asialink Arts and the NSW Government through Create NSW.

You can view more of her works at her website.

 

Australian Choreographer Invites Collaborators

Australian Choreographer Invites Collaborators
Want to explore the process of creating cross-cultural dance? Australian choreographer Annalouise Paul is looking for collaborators for her residency at Rimbun Dahan in August 2019!
Ingin mengkaji proses mencipta tarian bersilang budaya? Ahli koreografer Annalouise Paul dari Australia memohon para kolaborator menyertai residensinya di Rimbun Dahan, pada bulan Ogos 2019. Turun ke versi BM –>

Annalouise Paul Residency at Rimbun Dahan

Dates: 15-30 August 2019

Australian dancer-choreographer Annalouise Paul is looking for local dancer artists to collaborate on a cross-cultural dance exchange at Rimbun Dahan, Malaysia.

Callout for Collaborators

WHO: Dancers and choreographers who have a traditional or indigenous dance background (in any culture) are invited to apply. If you are interested in contemporary performance, making new work and challenging traditional concepts or have some experience with contemporary dance that is useful, but not essential.

WHAT: Annalouise Paul will teach excerpts from her existing works and guide artists to explore and develop new choreographic material working from their traditional dances and share her creative practice. Together we will hone a process that uses traditional dances, rhythms and concepts in structured improvisations, and if time permits develop a short choreography that can be shared in a studio showing at the end of the residency.

WHY: Sharing dialogue is key to this exchange. Feeding back on how processes can be pushed further and develop processes for making new works. And as a group, discuss contemporary and traditional dance vocabularies, cultural identity, race, languages, migration and diasporic lineages as artist-makers.

THINGS TO KNOW:

  • Conversations in the studio will be in English, but we will try to accommodate those with minimal English, wherever possible.
  • Video, photographic and written documentation by Annalouise is essential, but this will not be shared publicly, and used only for Annalouise’s artistic archives and grant reports.
  • Consent forms will be provided.
  • Artists are custodians of their traditional practices at all times and decide what cultural material is offered in the exploratory process and for group discussion.
  • Musicians are welcome in this choreographic lab.

YOUR COMMITMENT:

  • Collaborators will be invited to spend 4-5 days per week for 2 weeks, between [date] and [date] working as a group with Annalouise in the studio at Rimbun Dahan.
  • Schedules for working days will be arranged in consultation with the collaborators so that a small group can work together consistently over the period to have maximum benefit for everyone involved.
  • Times will be between 10-5pm TBC, and this will be confirmed once the collaborators are confirmed.
  • Once accepted, continuity is compulsory for the entire group. If you cannot commit for the full period please state this at the start with your best dates and times available.

FEE: There is no fee offered, however, a daily stipend will be offered to cover transport and lunch meals.

CONTACT: If you’re interested please arrange a time to speak with Annalouise Paul. Contact her directly on Whatsapp +61 408664199 or email annalouisempaul@gmail.com with your available dates and times and for more information about the project.

MORE ABOUT ANNALOUISE PAUL

Annalouise Paul has been working in the field of intercultural dance in Australia and internationally for over thirty years. More recently she has developed choreographic tools to push dance hybridity. There is no established ‘method’ for creating cross-cultural movement or for practitioners to model from, so there has been slow but constant emergence of process and vocabulary, evolving out of a pool of processes for various works. ‘Hidden Rhythms’ is one process that employs traditional rhythms for shifting the dynamic of dance movement. ‘Dance DNA’ is the most recent method Annalouise has been investigating largely through workshops internationally and in Australia. She has held cross cultural workshops in Singapore, France, India, Melbourne and Sydney supported by World Dance Alliance, Create NSW and Critical Path.

Annalouise’s residency at Rimbun Dahan in 2019 is an Asialink Arts Creative Exchange.

 

Residensi oleh Annalouise Paul di Rimbun Dahan

Tarikh: 15-30 hb Ogos 2019

Annalouise Paul, seorang penari dan koreografer dari Australia, menjemput artis tari tempatan dari Malaysia untuk menyertai proses kolaborasi dalam sebuah projek pertukaran budaya tari bertempat di Rimbun Dahan.

Jemputan Kepada Kolaborator

SIAPA: Penari atau koreografer yang mempunyai latarbelakang tari tradisi ataupun tarian Orang Asal (daripada budaya mana-mana pun) dijemput membuat permohonan untuk menyertai projek ini. Kami juga menggalakkan permohonan anda jikalau anda pernah terlibat di dalam persembahan jenis kontemporari, terlibat di dalam proses mencipta karya baru yang mencabar konsep-konsep tradisi, ataupun mempunyai sebarang pengalaman di dalam tarian kontemporari.

APA: Annalouise Paul akan mengajar beberapa petikan daripada karya tarinya, dan akan memberi panduan kepada peserta-peserta untuk meneroka dan mengembangkan bahan koreografi yang baru, dengan menggunakan tarian tradisi mereka. Annalouise juga akan kongsi amalan kreatifnya sendiri. Peserta-peserta bersama-sama dengan Annalouise akan menetapkan sebuah proses yang menggunakan pergerakan, rentak dan konsep-konsep daripada tarian tradisi di dalam improvisasi-improvisasi yang berstruktur. Terpulang kepada masa, peserta-peserta juga akan mencipta sebuah koreografi pendek yang akan dipersembahkan kepada orang ramai semasa sebuah pertunjukan di dalam studio pada hujung residensi.

MENGAPA: Berkongsi melalui dialog merupakan kunci proses pertukaran ini. Proses ini juga melibatkan tindakan maklumbalas bagaimana ia boleh diperluaskan dan digunakan untuk mencipta karya yang baru. Sebagai sebuah kumpulan penggiat-penggiat seni, kami akan membincangkan vokabulari tari, identiti budaya, bangsa, bahasa, migrasi dan penyebaran warisan.

HARAP MAKLUM:

  • Perbincangan di dalam studio akan dijalankan di dalam Bahasa Inggeris, tetapi kami akan cuba menampung sesiapa yang kurang fasih di dalam Bahasa Inggeris.
  • Annalouise sering menggunakan sistem dokumentasi proses itu melalui video dan foto serta penulisan, tetapi bahan-bahan tersebut tidak akan dipamerkan secara terbuka, dan hanya digunakan di dalam arkib seni Annalouise serta laporan dana.
  • Borang persetujuan akan disediakan.
  • Peserta-peserta merupakan penjaga budaya tradisi mereka sendiri semasa proses ini. Mereka bertanggungjawab untuk menetapkan sumber tradisi yang boleh atau tidak boleh digunakan semasa proses penerokaan artistik dan perbincangan secara berkumpulan ini.
  • Pemain muzik juga digalakkan menyertai projek ini.

KOMITMENT ANDA:

  • Peserta-peserta dijemput untuk berada di studio di Rimbun Dahan selama 4-5 hari setiap minggu selama dua minggu, di antara tarikh [ ] dan [ ], bekerja berkumpulan bersama-sama dengan Annalouise.
  • Jadual waktu bagi setiap hari di dalam studio akan diatur setelah perundingan dengan peserta-peserta. Kami inginkan sebuah kumpulan kecil yang boleh bekerja bersama-sama dengan cara yang konsisten semasa jangka masa tersebut, untuk memberi faedah yang maksimum kepada semua yang terlibat.
  • Masa di dalam studio adalah lebih kurang di antara pukul 10 pagi dan 5 petang, tetapi waktu sebenarnya akan ditetapkan nanti, setelah peserta-peserta dipilih.
  • Setelah peserta-peserta yang terpilih mengesahkan penyertaan mereka, kehadiran adalah wajib. Jikalau anda tidak dapat memberi komitment yang sepenuhnya, sila mengemukakan jadual waktu anda semasa proses permohonan.

BAYARAN: Tiada bayaran yang ditawarkan, kecuali penghargaan sebanyak RM35 sehari yang akan diberi untuk membantu menanggung kos pengangkutan dan makanan.

HUBUNGI KAMI: Untuk membuat permohonan untuk menyertai projek ini, sila Whatsapp +61 408664199 atau emel annalouisempaul@gmail.com dengan jadual waktu anda yang boleh lapangkan untuk projek ini. Annalouise akan menetapkan masa untuk berbincang dengan lebih lanjut bersama anda secara individu.

MAKLUMAT MENGENAI ANNALOUISE PAUL

Annalouise Paul mempunyai sejenis siasatan koreografi yang timbul daripada kekurangan metodologi yang wujud untuk mencipta pergerakan silang budaya (cross-cultural). Amalan Annalouise berdasarkan proses yang perlahan tetapi berterusan untuk mencipta vokabulari pergerakan. Prosesnya termasuk ‘Hidden Rhythms’ yang menggunakan irama tradisi untuk mengalihkan dinamik pergerakan tarian, dan ‘Dance DNA’ yang menggunakan pergerakan tradisional dengan pendekatan somatik. Beliau telah membangunkan proses-proses ini di Singapura, Perancis, India, Melbourne dan Sydney, disokong oleh institusi-institusi seperti World Dance Alliance, Create NSW dan Critical Path.

Residensi Annalouise di Rimbun Dahan pada tahun 2019 merupakan sebuah Asialink Arts Creative Exchange.

Sasi Victoire

Sasi Victoire

Sasi Victoire arrived in Australia in 1970, to further her education. Little did she know that this period of her life would develop her personal choices away from safe, familiar paths and direct her to an exciting path through visual art. She discovered a passion for writing and worked to combine visual images with text for human rights issues. She developed her public speaking techniques to skillfully target her interest in women’s empowerment, delivered at workshops, conferences and seminars. As a writer she has contributed to many international and national and local art journals.

She developed with the assistance of the Q150 and a RADF grant, her children’s books, Moving House and Crockee’s Country, which explores and celebrates Cairn’s sense of place. They emerge against the fascinating tropical backdrop of familiar, yet unique spaces she now calls her home. She continues to challenge herself to find new ways to work to seek new opportunities the arts in her community. Although a trained printmaker, she explores a variety of art processes as means to highlight, develop and uncover concepts that she is passionate about. Living in a very peripheral art landscape, her self-generated projects have highlighted Cairns as a vibrant and diverse artistic hub.

To devote more time on her own practice, she took up an artist in residence at Chiang Mai University in 2013 where she has created her exhibition Watermark. As a curator, she is increasingly aware of the value of the collaborative process as a means to strategically broaden and refresh her art practice. Her project Tropics to Tropics to Malaysia last year is to provide benefits to Cairns through soft diplomacy. She recently collaborated with Jute Theatre, Cairns and developed an inter-medial project Alice in the Antipathies that challenged her across disciplines to new areas working with music designer, Tristan Barton, videographer, Glenn Saggers and now is ready for an intercultural production with Masakini Theatre, Malaysia, in March 2019 and thereafter in April to Jute Theatre, Cairns, Queensland, Australia.

Sasi is our Resident Artist for three months supported by Asialink. She plans to connect and develop audiences for the coming performance in Malaysia during her residency. To find out more about her work, please visit her website.

John Mateer

John Mateer

 

 

John Mateer is a poet, writer and curator. He has published books in Australia, the UK, Austria and Portugal, and the prose Semar’s Cave: an Indonesian Journal and The Quiet Slave. His most recent book of poems is Unbelievers, or ‘The Moor’. With the Cocos Malay community, he wrote an account of the settlement of the Cocos-Keeling Islands for a sound installation. During his residency at Hotel Penaga he will research the historical encounters between the Malay peoples and the Asian and European traders; focusing on the peripheral, Asian characters in the 17th century epic The Conquest of Malacca.

 

 

Following my previous projects related to European colonial encounters in Asia, foremost Southern Barbarians and Unbelievers, or ‘The Moor’, I have become interested in investigating the canonical texts of those encounters to see what understanding the explorers had of the local cultures. Often they disguised their knowledge and their
surprising sympathies. I have mostly looked to Portuguese accounts, the most famous of which are Fernão Mendes Pinto’s prose Peregrinaçam and the earlier epic poem, Os Lusiadas, by Luis vas de Camões. The latter is not only the subject of poems in Southern Barbarians, but also of The Bones of the Epic, my project with the Lisbon puppet-master Delfim Miranda and
art-noise ensemble A Favola da Madusa.

Now, after researching the slave-trade in South-east Asia as it influenced the forebears of the Cocos Malays who lived first in Malacca in the early 19th Century, I would like to write a long poem based on the Asian figures who appear in the periphery of a now largely forgotten Portuguese epic, Francisco de Sá de Meneses’ The Conquest of Malacca. These include the ‘kings’ of Sumatra, Malacca and Korea, and other characters from Cathay and Siam.

Due to my recent engagement with translation and sound production, even though the long poems will be written as in English, I aim to have it translated into both Malay and Portuguese, and produced, ultimately, either as a performance or multi-media work. I have started discussions about this with translators and others in Portugal, Singapore and Malaysia.

John was a resident artist in Hotel Penaga from December 2016 to end January 2017, supported by Asialink.

Awards:

  • Shortlisted for the Inaugural Prime Minister’s Award for Poetry, and for the Victorian and New South Wales Premier’s prizes for poetry. 2012
  • Centenary Medal for my “contribution to Australian culture and society”. 2003
  • Victorian Premier’s Prize for Poetry. 2001

Caitlin Mackenzie & Gabriel Comerford

Caitlin Mackenzie & Gabriel Comerford

Queensland-based dancer-choreographers Caitlin Mackenzie and Gabriel Comerford spent an Asialink residency at Rimbun Dahan in 2013, developing the duet work Uncommon Ground.

Gabriel and Caitlin studied together at Queensland University of Technology, where they were featured as a duo by various choreographers including Csaba Buday, Vanessa Mafe and Alice Hine. Since university they have established a professional partnership and work together on several platforms. They are founding members of emerging dance collective MakeShift, and were selected to perform in Backstage at the Ballet Russes at the National Gallery of Australia, performing an excerpt of an adaptation of The Ballet Russes’ Petrushka. They have choreographed for QL2’s Chaos project and have performed in Toowoomba, in the Ausdance Queensland Bell Tower II Series, the Brisbane Festival, and at the Judith Wright Centre for Contemporary Arts.

 

Uncommon Ground is a cross-cultural, interdisciplinary work that depicts a story of two identities coming together in one place, transitioning through friction, destruction, compromise and progression, concluding with something that extends beyond the sum of its parts. This concept speaks to an internal and external landscape; a personal struggle to discover and understand oneself and the realities of living in a diverse and ever-changing society.

Uncomfortable within your own skin.
Uncertain of the land beneath your feet.
A place to call home.
Indigenous to where.

 

Uncommon Ground was performed on Wednesday 4 December 2013 at the Fonteyn Studio Theatre in Petaling Jaya. A site-specific version was presented at the Melaka Art + Performance Festival. The performance included live music by Malaysian musician Gideon Alubakhan Chen.

This is an Asialink Arts Residency Project supported by Arts Queensland and the Australia-Malaysia Institute.

Julie Ryder

JulieRyderArtist’s statement:

Julie Ryder is a textile designer and artist who lives and works in Canberra. Initially trained in science, Ryder graduated from the Melbourne College of Textiles in 1990, and completed a Master of Arts (Visual Arts) degree at ANU, School of Art in 2004. In 2005, Julie was awarded the inaugural ANAT Synapse New Media Artist in Residence at the Australian National Botanic Gardens in Canberra. She has been the recipient of many awards and grants, most notably the Gold Medal at the 1997 International Textile Design Competition in Taegu, Korea, the 2004 CAPO Singapore Airlines Award, a 2006 Australia Council VAB New Work Grant, and several grants from artsACT. She has undertaken several artist residencies, including Hill End, Iceland and Bundanon and is a 2013 Asialink Visual Arts Resident at Rimbun Dahan.

During her 3-month stay at Rimbun Dahan Julie will be completing work for an upcoming solo exhibition later this year, and will be starting new work using the plants growing here as dye sources for both paper and textiles. She will also explore traditional textile and fibre techniques to inform future work.

She has exhibited in many solo and group exhibitions, both nationally and internationally, and is represented in the collections of the NGA; NGV; Powerhouse Museum; AGSA; BRAG; Textile Museum, Tilberg, Netherlands; Tamworth City Gallery, CSIRO, and many other public and private collections worldwide.

See Julie’s blog of experiences at Rimbun Dahan on her website: www.julieryder.com.au

act_govtAsialink

Lina Limosani

Lina Limosani

lina

Australian dancer and choreographer Lina Limosani undertook an Asialink residency at Rimbun Dahan in 2008, during which time she developed and presented the full-length contemporary dance work A Delicate Situation. Lina returned in 2012 for a short redevelopment of the work, with Australian dancer Carol Wellman-Kelly.

About the Artist

Lina Limosani graduated from the Victorian College of the Arts in 1999 and became a member of the Australian Dance Theatre (ADT) from 2000-2005. In 2003 she was awarded the Emerging Artist award by the Adelaide Critics Circle for her works in ADT’s in-house choreographic seasons of Ignition. In 2004 Lina was nominated for a Green Room Award for her performance in The Age of Unbeauty at the Melbourne Festival. She also featured in Anton’s dance film When You’re Alone, which was a finalist in the 2004 Reel Dance International Dance on Screen Awards.

After leaving ADT Lina worked with artists including Narelle Benjamin, Lucy Guerin and Gideon Obarzanek. She has since maintained a performance career both in Australia and New Zealand, and gone on to create her own works independently. Lina’s works are known for their fast, aggressive movement style, as well as their humour, and use of speech and theatre.

Below: Suhaili Micheline rehearsing for the redevelopment of ‘A Delicate Situation’ in the studio at Rimbun Dahan.

Residency in 2012

Australian choreographer Lina Limosani has returned to Rimbun Dahan on a short redevelopment of the work A Delicate Situation, which she created at Rimbun Dahan in 2008.

Accompanied by Australian dancer Carol Wellman-Kelly, and reconnecting with Malaysian dance Suhaili Micheline Ahmad Kamil who was involved in the original work, Lina reformed A Delicate Situation to confront different cultural approaches to death, dying and the afterlife.

The original work investigated Malaysian superstition through the story of the pontianak, a female vampire ghost believed to have died at childbirth. The redeveloped version is also set in Malaysia, but is the story of a Western woman’s struggle to come to terms with death surrounded by a culture saturated in legend, myth and superstition.

“What I found compelling [with the pontianak] is the seemingly universal necessity for humans to personify death,” says Lina. “This tendency became central to A Delicate Situation and it was through the character of Death that I invite the viewer to be deeply drawn into the work. Death, its personification in the lore surrounding it, and the fear that accompanies it remain fundamental in A Delicate Situation.”

The finished work will premier in the inSPACE program at the Adelaide Festival Centre in August 2012. Lina Limosani and Carol Wellman-Kelly’s residencies at Rimbun Dahan in May 2012 are supported by Arts SA.

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Below: Lina Limosani, Carol Wellman-Kelly and Suhaili Micheline learning the classical Malay dance tari inai from Malaysian dancer Hasmizan Abdul Hamid from ASWARA.

Residency in 2008

Lina was resident at Rimbun Dahan from September to December 2008, with the support of a performing arts grant from Asialink. During her stay, she created a new contemporary dance work for performance in December 2008. She collaborated with physical theatre artist Al Seed and costume designer Eve Lambert who were resident at Rimbun Dahan for short periods.

Lina Limosani worked with four accomplished local dancers — Elaine Pedley, Suhaili Ahmad Kamil, Low Shee Hoe and Rathimalar Govindarajoo — to create A Delicate Situation, a full-length performance with a strong visual and emotional impact, which was performed at Kuala Lumpur Performing Arts Centre in December 2008.

Rebecca Stevens

Rebecca Stevens

Bec_portrait

Bec Stevens undertook a three month residency at Rimbun Dahan in 2012, in association with Asialink. Bec is a Hobart-based visual artist whose work is underpinned by studies in Architecture and Horticulture. She graduated from the University of Tasmania’s: School of Art in 2003 and School of Architecture and Design in 1999.

Her practice is site-responsive and inter-disciplinary, using a range of mediums as tools to respond to the social and historical nuances of constructed environments. More specifically she is interested in, and responds to public spaces that are left-over, in-between states or unplanned, often resulting in works that reflect on processes of development or entropy.

Bec frequently uses plant material within works, and during her time at Rimbun Dahan she intends to respond directly to the garden of indigenous Southeast Asian species. She is interested in the garden as an island of biodiversity in the context of the surrounding area of Kuala Lumpur, particularly in light of the rare and endangered species it holds; and in the social customs and specific relationships to botanic species. Alongside this she is interested in the rates of change, growth and decay in the region, in terms of the inherent maintenance required for living in a place that sits in close proximity to the equator, and she intends to use this as impetus for developing work.

Bec Stevens recent projects and exhibitions include: ‘STOP. REST. PLAY.’ (2011) commissioned as an activity of the CWA CBD Branch; ‘Lookout’ at the Tasmanian Museum and Art Gallery (2010) and ‘Canopy’ (2008) commissioned for the Royal Tasmanian Botanical Gardens. She has received funding from Arts Tasmania for numerous projects and in 2009 was the recipient of a New Work Grant through the Australia Council for the Arts. In 2010 she completed a Studio Residency at Contemporary Art Spaces Tasmania and she is currently the recipient of the Curatorial Mentorship through Contemporary Art Spaces Tasmania. She is an active member of the CWA CBD Branch, see www.cwa-cbdbranch.com.

Rob McHaffie

Rob McHaffie

Pave Paradise and Put Up A Pavilion. 2011, oil on board, 31 x 23cm. Contributed to the fundraising event Art for Nature 2011.

Australian artist Rob McHaffie undertook a 3-month Asialink residency at Rimbun Dahan in 2011.

“Each day at Rimbun Dahan I am making a drawing that responds to a verse in the Tao te Ching, Lao Tsu’s book of wisdom. The Tao could be said to be the way of nature and is a guide for people to live in harmony with the universe. Drawing inspiration form Malaysia’s fantastic but depleting wildlife and the spirituality of people living here I hope to find some interesting imagery and stories that will illuminate where we are heading and the possibility of living sustainable peaceful lives.”

rob_in_studio2

Biography

Rob McHaffie is a Melbourne based artist, having graduated from Victorian College of the Arts drawing department in 2002.The images in McHaffie’s paintings are often derived from shapes formed from roughly assembled and seemingly mismatched objects. Rather than paint from life, McHaffie chooses what could be described as the poor man’s life model, sculpting characters from modeling compound and adding scraps of fabric, discarded clothes and bric-a-brac to create imagined portraits and tableaus. This method contributes to an unusual mixture of pathos and amusement in the paintings. The scenes depicted might simply be laughable, if it were not for the fact that the artist has captured within each scene (and echoed within each title) certain life truths.

Rob’s daily practice consists of diary and journal work, and collecting found and personal imagery to form the basis of his drawing, painting and sculpture. Rob participated in exhibitions and residencies in Australia, New Zealand, France, and the USA and is represented by Darren Knight Gallery in Sydney, and Brett McDowell Gallery in Dunedin.

Daniel Jaber

Daniel Jaber

danieljaberAustralian choreographer Daniel Jaber undertook an Asialink residency at Rimbun Dahan in 2010, with Australian dancers Jessie Mckinlay and Madeline Edwards. He created two works during the residency: WG-Spiel, with Jessie and Madeline, and Poetic Structure, with Malaysian dancers Lau Beh Chin, Hii Ing Fung, Stephanie Lim and Darius Lim Chee Wei. The works were presented at Fonteyn Studio Theatre in Petaling Jaya, from 19-20 November 2010.

wg-spiel

WG-Spiel (50 minutes)

WG Spiel delves into the lives and living habits of 3 housemates coexisting in close living quarters. Set to a vibrant and energetic electronic soundtrack, the work charges forth through images of domestic duties, working life, claustrophobia and relationships.

Performed by: Daniel Jaber, Jessie Mckinlay and Madeline Edwards.

poeticPoetic Structure (20 minutes)

Poetic structure redefines traditional choreography in the context of a modern world. Cyberspace, chartrooms and MSN form the communicative dialogues of the performers as they engage in wickedly abstract choreography created by CSS and HTML coding formulas. Commenting on communication, technology and digital engulfment in the 21st century – Poetic Structure is a sophisticatedly structured short dance work created by Daniel Jaber and featuring four outstanding Malaysian dancers.

Performed by: Beh Chin, Hii Ing Fung, Stephanie Lim and Darius Lim Chee Wei.

This program was made possible through an Asialink – performing arts residency and funded by The Government of South Australia through Arts SA, The Australia – Malaysia Institute, Carclew Youth Arts and Rimbun Dahan.