Nadhir Nor

Nadhir Nor

Nadhir Nor (b. 1994) is an illustrator based in Sungai Buloh, Selangor. Graduated from The One Academy, Sunway he aspires to dabble in as many media he can try on from a mural commission for Urbanscapes (2016), to designing journals and sketchbooks for Journalife (2017). He is also interested in all things otherworldly. Mythology, ancient cultures and its relationship with modern society are some of the major subjects explored in his works. He believes that there’s something about finding the otherworldly in the mundane and vice versa, and this makes a story worth told. He strives to share as much magical body of work as he can with the world.

Nadhir is our resident artist for August – September 2018. For his stay at Rimbun Dahan, he will be exploring ways to bridge his works back to traditional media. He wants to try to reconnect with the physicality and textures that traditional work has to offer while also exploring world-building fictional folklores in local cultures.

You can follow more of his work at his tumblr and facebook page.

 

Chuah Shu Ruei

Chuah Shu Ruei

Chuah Shu Ruei is an emerging contemporary artist based in Kuala Lumpur, Malaysia. Having graduated from ASWARA (National Academy of Arts, Heritage and Culture) in 2013, and also having done apprenticeships with Long Thien Shih and Studio TERUSI (a Malaysian artist collective), her educational exposure to traditional Malaysian heritage strongly informs her practice, which is primarily ephemeral community art installation projects. Her practice also includes mixed media collages that play with perceptual change and interaction with time, space, light and shadow, and an actively engaged/included viewer. The categories of installation and collage work often combine into/overlap each other in her practice, as her overall body of work branches into themes of multi-culturalism, inclusivity, assimilation and validation of the collective mindset, to be further explored  during her Rimbun Dahan residency.

Since 2011, her installation works have been exhibited in Kuala Lumpur, Langkawi and Penang, and most recently in 2017 as part of her solo residencies in Reunion Island (France) and Cebu (Philippines). In Malaysia, her object based artworks have been exhibited in group shows at Core Design Gallery, Hin Bus Art Depot, the 8thInternational Art Expo Malaysia, Pelitahati Gallery, the National Visual Art Gallery, Richard Koh Fine Art,  as well as in group exhibitions in Thailand, Singapore, and most recently Turkey. Her artwork is also part of the art collection featured in ‘Rumah Malaysia’(the Malaysian Embassy) in Beijing.

Shu Ruei is our resident artist for six months and will be exhibiting her work at our gallery in January 2019 along with Wong Xiang Yi. You can find out more about her at her facebook page and her website.

Hings Lim

Hings Lim

Hings Lim (b. 1989, Malaysia) studied Fine Art at the Universiti Malaysia Sarawak, Malaysia. He was awarded the Chair of P. Ramlee from Petronas Award in 2012. He is a multidisciplinary artist based in Kuala Lumpur. Working with a wide range of materials including situations, videos, objects and paintings, Hings is interested in intricating art and life by exploring experiences and relations of reality.

Hings will be at Rimbun Dahan as a resident artist from mid July to end of August 2018, via a collaboration with Richard Koh Fine Art. Through this residency program, Hings wishes to integrate the encounters of things and beings in the surrounding of nature and the everyday life around Rimbun Dahan, while exploring their relations.

 

 

Hwa Wei-An

Hwa Wei-An

Wei-An started dancing because he thought it was cool. He enjoyed watching the dancers in music videos that played on loop in the mornings on ntv7, back when he was supposed to be doing his homework. And so he copied moves from the videos he watched, eventually gained some friends and learned some moves from them, and slowly fanned the little spark of “I want to be cool” into “I want to use my life to dance.”

A graduate of the Nanyang Academy of Fine Arts in Singapore, Wei-An’s dance journey has taken him to places like Paris, Shanghai, Hong Kong and around Southeast Asia, performing works by choreographers such as Albert Tiong, Pichet Klunchun, Wu Chien-Wei, Matej Kejzar, Noa Zuk and Ohad Fishof, Ole Khamchanla, Christina Chan, Lee Mun Wai, Gabrielle Nankivell & Luke Smiles, Shahar Binyamini and Sita Ostheimer.

Recently, Wei-An has embarked on the journey of an independent artist, as he seeks to create more and take greater control of his own direction. As he moves forward, he seeks to draw from his interests in the flow state (see the work of Mihaly Csikszentmihalyi), action sports and street dance styles in the development of a personal choreographic methodology. Over the past few months, this has led to the piece entitled Battling Myself and a residency at Dance Nucleus in Singapore during which Wei-An explored the idea of a rhythm section, taken from free-ride mountain-biking.

Wei-An is also the organiser of Paradigm Shift, a contemporary-based dance event held in Singapore that is built as a platform to encourage exchanges between contemporary dancers and dancers of different dance backgrounds.

Wei-An is our resident artist from 9 April 2018 to 6 May 2018. You can follow him on his instagram and found out more on his website.

 

 

“Cut!” choreographed by Hwa Wei-An under Frontier Danceland’s platform Dancers’ Locker

 

“Falling Into Flow”

 

“I Don’t Have Any”

 

Paradigm Shift Trailer

 

Ruby Subramaniam

Ruby Subramaniam

Ruby Subramaniam (b. 1989) is a self-taught Malaysian visual artist.

In 2014, she quit her award-winning career in digital marketing to pursue her passion in arts.  Her experience in corporate communications now allows her to utilize digital marketing and social media as a tool to increase community engagement about art. She works actively with diverse communities to run art-related projects and events, including Art Battle Malaysia. This event gives the audience a chance to participate actively, allowing them to exercise their ability to discuss and appreciate art. With her own artworks, she draws inspiration from traditional Malaysian narratives and culture. She is fascinated by the romanticised idea of ephemeral art.

I believe art is a prayer and it has to dissolve. The sooner it decays, the faster it lifts your burden.”

Because of that, she is never loyal to any one medium, and instead, enjoys the creative process of experimenting with unusual and unexpected artistic formats.

For the past two years, Ruby has worked on huge contemporary kolams (traditional Indian coloured rice art on the floor) installation in public spaces for Publika and RapidKL. “As a traditional art form, how do we revive it using the same method that has been used for centuries? How do we bring it alive again?”

In 2017, using skin as her canvas, her project, This Body is Mine was inspired by the Hindu Goddesses to combat street-harassment and the general Malaysian society’s attempt stigmatise women and police their bodies. As a result of the work, the project was uploaded to social media platforms and consequently went viral and reached more than 2 million views across the world. This project was exhibited in several group shows locally, and internationally in “Be Bold for Change”, Adam&Eve DDB, London as well as a case study in ARTS and SOCIETY (IYGU) by Mémoire de l’Avenir, Paris. More recently, it was presented in UNESCO’s World Humanities Conference in Liege, Belgium in 2017.

During the month of March 2018, her new project, ANTIDOTE in Rimbun Dahan, she invited women to be active participants in her projects, by sharing their relationship with their bodies. Without imposing her ideas and concepts onto her “canvas”, for thirty days, Ruby listened to thirty intimate stories by thirty diverse women and interpreted them with body art.

Please check out her website, facebook and instagram to find out more about the artist.

 

 

Nicholas Choong

Nicholas Choong

A go-to conceptual artist for agencies and brands like MRT Gamuda, Uber Malaysia, Tiger Beer, restaurants as well as Accounting & PR Firms in Malaysia – Nicholas Choong is no stranger to the visual arts and design world.

He studied watercolors under a mentor at the age of 13 and when he was 16 he learnt Graphic Design and Photography working as a Production Assistant in the film industry.

By the time he was 19, Nicky (a moniker he goes by sometimes) was already working in the events, music & entertainment industry. The next 17 years of his life was spent working and raising a family before he began painting again in 2011. In 2014 he helped shape (and was the first artist in residence for) the sembilan Art Residency Programme in Seremban. During that time he also mentored under Wei Ling Gallery and has continued to exhibit his work in group and solo shows up till this day.

In 2015 he opened his own studio, Satu Arts and continued to perfect his craft. Nicky also dabbled in installations and collaborative mural projects. In 2016, he began his foray into video production and has since then worked as a director, Art Director and Creative Director in the media and corporate world. In his traditional paintings, Nicholas works in a series based format and is known for his strong ink and line work.

During my residency at Rimbun Dahan I’d like to explore the relationships between the environment (source materials) and mediums available to me (video, photography, paintings) and create a body of work that resonates on all levels to create a story.

Here you can find interviews he’s done/been a part of on BFM (with Jael Estrella and solo), The Star, and Chalk and Raddy. To find out more about Nick’s work, you can check his Website, Facebook, Youtube, or Instagram.

Dessy TAB

Dessy TAB

Dessy Tri Anandani Bambang or Dessy TAB (b. 1984) is an Indonesian animator born in Brest, France. She  started her carreer as animator by participating in animation challenges during her college days at Bandung Institute of Technology. She has won national awards mostly for her short animations and public social advertisements. In 2014, Dessy received an honorable mention award from ASEAN Animation Festival as a representative participant from Indonesia, for her animation Kopas The Thief. She was also selected as one of three animators for “Animation 3”, an animation masterclass, held collaboratively by Goethe Institut Indonesien, Institut Français Indonesie, and SAE Institut Jakarta. Her animated work, Pulang ke Indonesia, was the result of the masterclass and was completed in July 2016.

I am actually feeling insecure about being away from home but I know I can’t be and I don’t want to stay at home for the rest of my life. So I am planning to make an animation about the insecurity of leaving home, in a place far away from home. I’ve been wanting to make an animation that combines my doll-making skill. Amigurumi is a kind of crocheted doll; aside from being an animator, I am an amigurumi designer and have written a book about them. While I didn’t make any amigurumi for my previous animated works, I’ve made a fabric puppet to use for stop motion animation during my residency in Rimbun Dahan. I still don’t know whether it will work or not, or whether I will go back to paper and ink or digital animation. As I was making the preparation for the project, I realized that making animation in a new place will be very challenging especially from the technical aspect, but when there is a challenge, then there will be a solution. I am looking forward to see what kind of animation I will make in Rimbun Dahan.

To find out more about her, you can check out her website or her Instagram.

Dhiyanah Hassan

Dhiyanah Hassan

Dhiyanah Hassan (b. 1989) is a full-time artist and writer whose works seek to map out the terrains between memory and healing. She explores how art, poetry, and storytelling are used to reclaim a sense of selfhood in the aftermath of trauma.

“Language forms our worlds. In the event of conflict or trauma, these worlds are held under siege by things beyond ordinary grammar. We kick so as not to sink. We build coping mechanisms to keep us afloat. We find other ways to speak, to scream, to not remain silent. We keep telling our stories.”

from 2016 Artist’s Statement

Dhiyanah spent a decade in between countries before returning to Malaysia with a Bachelor of Arts (Fine Art) from RMIT, Australia. While working on her studio project, she freelances as an illustrator and editor. Her writing has appeared in BACCARAT Malaysia, Star2, and Burning House Press. She performed at Georgetown Literary Festival 2016 and has created the cover art for two books so far – Wolf at the Door by J. Damask (Gerakbudaya, 2016) and All the Bodies We’ve Embraced by Sheena Baharudin (Perfect Binding, 2017).

For her stay at Rimbun Dahan, Dhiyanah will be extending on her investigation of the body’s relationship to water – how the sensation of swimming, floating, or moving underwater relates back to the act of remembering (or forgetting). Her project, ‘Swimming Pool,’ is a memoir-building process that combines visual art with writing, and will hopefully culminate into an art book in the future.

Find out more about Dhiyanah’s work on her website and Instagram.

Jel Suarez

Jel Suarez

Jel Suarez (b. 1990) is a visual artist born and based in Manila, Philippines. Her craft is centered on the practice of collage, in which mostly old master works of art and past exhibitions – sourced from old books and catalogues – are intricately cut in an unconscious process. Her fascination with the body of draperies and structures, allows her to form, paint, and sculpt them in her attempt to produce ideas, narratives, dimensions, and landscapes.

The act of manipulating the archives is her way of understanding reproduced images – further distorting its original sense, and fragmenting them into multiple meanings.

Suarez has been exhibiting her works since 2014, with solo exhibitions at Vinyl On Vinyl Gallery, and several group shows under Artinformal Gallery, Underground Gallery, VOV Gallery, Blanc Gallery, etc. She has also participated in art fairs here in Manila, Hong Kong, Taiwan, and Singapore.

Her work can be found on her website.

During the first month of my artist residency, I plan to finish my pieces for an upcoming exhibition this June at Underground Gallery (Manila). The themes and focus of my work have shifted since last year’s proposal project – triggered by the current madness and repercussions of the Philippine government’s war on drugs, I seek to explore and intersect a narrative of its influence on our country’s social fabric. I want to develop new works which will look at how it has possibly structured the society’s landscape and perception of power, social class, and human life.

Rimbun Dahan’s living environment is ideal for cathartic work. I think that the cultural and creative dialogue between me and its resident artists will help strengthen my practice and extend the narrative for this project.

Citra Pratiwi

Citra Pratiwi

Citra Pratiwi (b. 1981 in Pati, Indonesia) works intensely between body, story, movement and  expression — presented in her works in dance and theater. She’s a founder of Migrating Troop Performing Art Network, a hub for artists who want to work in multi and interdisciplinary art to refresh their work and expression. Citra is a graduate of Ethnomusicology from Indonesia Institute of Art Yogyakarta, and was one of the awarded artists for Empowering Women Artists by Kelola Foundation. She is an art-activist, engaging her work to speak about women’s issues, especially women’s issues in Indonesia and she’s also worked as a curator at Padepokan Seni Bagong Kussudiardja, a private cultural centre in Yogyakarta.

During her one month residency at Rimbun Dahan, Citra will be developing her new project named Finding Stillness. It will be a research project exploring body memory, conscious and unconscious body, using Jathilan or Kuda Kepang folk dance as entry material.

I want to research what is stillness in the unconscious and bring this concept into contemporary dance work.