Over twenty experienced dancers assembled in the dance studio at Rimbun Dahan on 1 May to celebrate International Dance Day with four workshops: Cunningham technique conducted by Yuka Tanaka, ballet performance skills by Kim Long, Shobana Jeyasingh repertoire by Radhimala, and Horton technique by Joey Chua.
From 9.30am to 5pm, the dancers sweated it out in the studio, trying a host of techniques that are rarely taught or practiced in Malaysia. They broke for lunch and a cooling-down session with dance videos in the underground gallery before returning to the studio.
Dance Day was free for all Balletbase dancers, and RM 50 for the day for all other participants.
ABOUT THE WORKSHOPS
Cunningham Technique, taught by Yuka Tanaka, 9.30-11am
Choreographer and dancer Merce Cunningham has been a driving force in modern dance for over 50 years. His choreography introduced the idea that music and dance can be independent of each other. He also introduced the use of chance in developing choreographic phrases. Cunningham technique emphasises a strong sense of spine and the ability to quickly change direction.
Yuka Tanaka received her Bachelors (Hons) in contemporary dance from Laban in London, with an emphasis on Cunningham and Graham technique. In London, she worked with choreographer Lea Anderson and performed at the Soho Theatre. She has recently performed in Malaysia with Balletbase.
Ballet performance skills, taught by Kim Long, 11.15am-12.45pm
Kim Long was trained in Australia and directed Kim’s School of Ballet in Ulu Klang for many years. She is much loved and respected by her previous students for her patience, personal attention and eye for developing the whole dancer. Kim Long will give a ballet class emphasising style and presentation, and the techniques of projecting to an audience. Kim is now a competitive golfer while teaching casual ballet classes at the International School of Kuala Lumpur.
Repertory class, taught by Rathimalar, 1.45-3.15pm
While Rathimalar is best known to Malaysians as a star dancer with Ramli Ibrahim’s Sutra Dance Theatre, she also worked for five years as a professional dancer for the Shobana Jeyasingh Dance Company. In her own work, she combines the Indian traditional styles of Bharata Natyam and Odissi with contemporary dance. She is currently making a duet work with Suhaili Ahmad Kamil for performance this July.
Horton Technique, taught by Joey Chua, 3.30-5pm
Horton technique was developed by American dance, choreographer and teacher Louis Horton in the 1940s and 50s, and is most visible today in the works of the Alvin Ailey American Dance Theatre. Horton technique is based on anatomically-conscious corrective exercises and emphasises the use of flat backs and lateral stretches. It encourages the development of strong flexible dancers.
Joey Chua is a Singaporean choreographer who will be resident at Rimbun Dahan from April to July 2008. She will be creating a solo work to be performed as a work in progress in Kuala Lumpur in July. Joey studied dance at the University of Adelaide in Australia, and followed this with a Master in Arts (Research) at Queensland University of Technology. She has been involved in implementing dance curriculums in secondary schools in Singapore. Joey has recently participated in the 10th Seoul International Dance Festival 2007 and the FNB Dance Festival in Durban, South Africa.