Mirage catcher, graduate of Geneva School of Art and Design/Haute Ecole d’Art et de Design (HEAD) in 2012, Flor Alba draws and paints according to her aesthetic inclinations and contemplative imagination. Zig-zag wanderings. Surveying the contradictions of beauty, she feels the surface of humans, then dissects them. She works with oil paints, water colours, embroidery, pencil, and greasy chalk.
Neo-fauvistic chromatic surgery. Engulfed in pure and violent colors, forms sometimes blend into a cluster of graphic ornaments and unexpected scenography. Yet beings remain in the foreground, stripped of their earthly envelopes, letting go of the memories of past gestures: fragments of ancestral stories. The culture of ethnic rituals is the heart of her creative quest. She seeks to own pieces of life, objects and rites of no fixed origins, reinterpreting her own story in that mirror. She questions others, expanding civilizations, what is foreign to us and seems strange to us, as a way to question her own origins.
Flor’s artistic references are:
- Matisse for his colours and repetitions
- Gauguin for his freedom in colour
- Lynette Yadom-Boakye for her portaits
- Satsuki Shibuya for her abstract lightness
- Marta Riniker-Radich for her acid colours in her original compositions
- Karine Rougier for her stunning scenes