Wei-An started dancing because he thought it was cool. He enjoyed watching the dancers in music videos that played on loop in the mornings on ntv7, back when he was supposed to be doing his homework. And so he copied moves from the videos he watched, eventually gained some friends and learned some moves from them, and slowly fanned the little spark of “I want to be cool” into “I want to use my life to dance.”
A graduate of the Nanyang Academy of Fine Arts in Singapore, Wei-An’s dance journey has taken him to places like Paris, Shanghai, Hong Kong and around Southeast Asia, performing works by choreographers such as Albert Tiong, Pichet Klunchun, Wu Chien-Wei, Matej Kejzar, Noa Zuk and Ohad Fishof, Ole Khamchanla, Christina Chan, Lee Mun Wai, Gabrielle Nankivell & Luke Smiles, Shahar Binyamini and Sita Ostheimer.
Recently, Wei-An has embarked on the journey of an independent artist, as he seeks to create more and take greater control of his own direction. As he moves forward, he seeks to draw from his interests in the flow state (see the work of Mihaly Csikszentmihalyi), action sports and street dance styles in the development of a personal choreographic methodology. Over the past few months, this has led to the piece entitled Battling Myself and a residency at Dance Nucleus in Singapore during which Wei-An explored the idea of a rhythm section, taken from free-ride mountain-biking.
Wei-An is also the organiser of Paradigm Shift, a contemporary-based dance event held in Singapore that is built as a platform to encourage exchanges between contemporary dancers and dancers of different dance backgrounds.
“Cut!” choreographed by Hwa Wei-An under Frontier Danceland’s platform Dancers’ Locker
“Falling Into Flow”
“I Don’t Have Any”
Paradigm Shift Trailer