ALICE UNDER CONSTRUCTION
Alice comes from Texas, but lives in Portugal. Sometimes her English is perfect, and sometimes it isn’t. She won a million dollars in a lottery and every day she paints her fingernails red. She might be someone you know, or perhaps you have never heard of her. So does she really exist?
Singaporean choreographer Joavien Ng and Spanish choreographer Paloma Calle are currently undertaking a one-month residency at Rimbun Dahan supported by the Asia-Europe Foundation. During their residency, Joavien and Paloma are collaborating to create a new performance work entitled ‘The Diary of Alice’, intertwining the concepts of fiction and identity.
A 3-hour performance laboratory exploring creative processes associated with the body, objects, space, image and sound will take place on Sunday 14 March, from 12pm to 3pm, at The Annexe Gallery, Central Market Annexe. Artists in all genres are invited to participate, while Paloma and Joavien facilitate a development process involving their new work, ‘The Diary of Alice’.
Each participant should bring a digital camera (a mobile phone with camera is suitable), and an object with special meaning to the participant, either positive or negative. Participants are requested to wear loose comfortable clothes, as some movement will be involved.
A lecture presentation of the artists’ previous works will take place at The Annexe Central Market on Monday 15 March, from 8pm to 10pm, followed by a discussion and Q&A session.
About the Artists
Photo of Joavien Ng by Matthew G. Johnson.
Joavien Ng began her choreographing and performing career in 1997, after graduating from La Salle School of Performing Arts in Singapore. Her works have since been presented by various Singapore and international arts organisations such as Esplanade Theatre (Singapore), Singapore Arts Festival, Kampnagel (Hamburg), Contemporary Dance of Fort Worth (USA), Little Asia Dance Exchange Network (Asia), Alkantara (Portugal), and Singapore Art Museum.
Joavien’s most recent work, Body Swap, in which she collaborated with Germany-based American choreographer Dani Brown, was presented at Kampnagel and Esplanade Theatre in 2009. Other works include LAB at the Esplanade Theatre in 2008 and Body Inquireat Singapore Arts Festival 2008.
Paloma Calle was born in Madrid in 1975. After training and working for more than 10 years as a performer in experimental dance and theatre companies in Spain, Germany and Italy, she began to develop her own projects in performance art, staged performances and video in 2004. Her work is usually based on autobiographical material that she explores and reconstructs from an ironic and artifactual perspective. There is a constant questioning and experimenting with the conventional use of space, resulting in works in different formats conceived for diverse spaces ranging from a theatre to a walk with the audience through the periphery of a city, or a performance in a private house. Paloma also regularly questions the role of the audience in her work, encouraging the audience to enter a state of alertness and activity.
Paloma’s work, presented in a number of centres and festivals in Europe and in Spain, include des-trozos, lovely epi-ladies, parlez moi d’amour, ZOO, simple present, SECRET, territorio: sad y k, DE MANO, 1, 2, 3, 4 partes, EVEREST/príncipes, 100 cosas que hacer la noche en blanco mejor que ver la noche en blanco, concierto y subasta, and hello myself.
This residency is supported by the Asia-Europe Foundation as a follow-up to ASEF’s Point to Pointe dance forum in Portugal last year.