Thynn Lei Nwe

Thynn Lei Nwe

Thynn Lei Nwe (b. 1991) is an artist based in Yangon, Myanmar. She studied for a Diploma in Fine Arts specialized in Painting at the Lasalle College of the Arts, Singapore from 2012 to 2014. She usually works with different mediums including oil paintings and ceramics. Her recent works deal with the concept of creating an environment that do not exist in real life and existing in a part of her own imaginary world.

Artist Statement

I have been asked over and over why I paint hybrids. And to every questioner, I asked, “Have you ever gotten tired of looking at the same person in the mirror every morning? Or have you felt tired when you see other people too?” Because this has happened to me a lot for years and my recent series shows the progression of this feeling, and it’s a part of the solution for myself.

I started from pretending the people, family, friends, neighbours and those random strangers I pass by on the street are ‘hybrids’ in the way I want to see them. I use painting as a medium to create an imaginary world where the people I know, including me, change every day, may be a plant today and a bird the next day. My imaginary people make me want to deal with ‘real’ people again. And it’s fun to see new people living around me every day. For me at the moment, nothing is more joyful than to create something that will never exist in the real life and to live among them.

Chan Aye & Phyu Mon

Chan Aye & Phyu Mon

Chan Aye (b. 1954) is a sculptor, installation artist, painter, and writer from Myanmar. He was self taught before going on to study traditional Myanmar painting between 1986 and 1989. He has developed a unique pictorial language that is inventive and at the same time inherits the iconography of Myanmar cave painting and mural paintings, as found in the temples at Bagan, Sitkaing, and Po Win Taung in North Myanmar, as well as his studied interest in Western art, which the artist has studied in magazine and book reproductions through the years. His art is rooted in physicalizing the various states of life’s existence and spirituality, and engages with the dualities of material and immaterial forms: color, time, and the dimensions of human emotions, of anger, love, hate, and greed, with diverse materials such as paint, wood, marble, glass, sandstone, and paper from Myanmar Shan State, silk, motor equipment, lighting, bronze, and steel. Searching for new ways to merge traditions with the contemporary condition, he continues to create art through periods of political turmoil and change, and in the aftermath of the devastating Cyclone Nargis in 2008. Chan Aye has exhibited in Singapore, Germany, Finland, France, Hong Kong, India, Thailand, China, New York, and London.

Phyu Mon (b. 1960), writer, photographer, performance artist, and painter, grew up in an environment distinguished by strong tradition and rich culture. Since her teens she has written poetry, short stories and also painted. Now, her recent work is writing articles about art in Myanmar Magazine and Journal, as well as other international publications. Her work expanded beyond writing when she was introduced to video and film production through a program at the University of Finland, and also when she accepted a Diploma of Photography from Myanmar Photography Association. She is one of the very few women artists in Myanmar who currently works with digital photography and visual art. She is also the first female performance artist in Myanmar and has participated in several local and international exhibitions and festivals. She currently runs the Blue Wind Art project in Myanmar.

In her art, she presents the contentment and peace even of a hard life, the need for progress but at the same time the need to care for the environment. She is at present witnessing the cultural changes taking place in the urban areas through globalisation but she feels confident that the rural people, the true representatives of Myanmar, will not be overly swayed by western culture. Having struggled to break out of a restrictive and traditionalistic society, she knows how strong the culture’s values are. Her hope, presumed in her art, is that the best of these values will be kept intact for the sake of future generations. Phyu Mon has exhibited her works in Japan, Thailand, Hong Kong, Malaysia, Cambodia, Singapore, Korea, Denmark, Spain, UK, France and the US.

Chan Aye and Phyu Mon will be undergoing a two month residency at Rimbun Dahan. For more information on their work, visit Chan Aye’s website, and Blue Wind Art’s website.

 

 

 

Zaw Win Pe

Zaw Win Pe

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Burmese artist Zaw Win Pe undertook a short residency at Rimbun Dahan from April to June 2010.

“I am inspired by landscape themes, not with the thought of painting particular places, but of expressing elemental moods and emotions. But the paintings never lack the geographical and environmental characteristics of the places I paint. Colour is the key element for me. I believe colour can tell everything about human’s feelings and thoughts.”

Born in 1960 in Le Gaing, Mague Division, Central Myanmar
1981 – 1984 State School of Fine Art

Myanmar exhibitions:

zaw_studio1994 Wintry Winter Group Exhibition, Judson Hall, Yangon
1996 Five Fingers Art Exhibition, New Treasure Gallery, Yangon
1998 Page 98 Group Exhibition, Lokanat Gallery, Yangon
1998 Libra Art Exhibition, Lokanat Gallery, Yangon
1998 All Myanmar Art and Sculpture Exhibition, Yangon
1999 Aesthetic Journey Art Exhibition, Yangon
2000 Nudes by Contemporary Myanmar Artists, Yangon
2000 Artistic Touch Exhibition, Lokanat Gallery, Yangon
2000 “Zaw Win Pe’s Palette Knife Paintings”, Yangon
2001 Stroke in Tempo Exhibition, Yangon
2002 5th Annual Group Show, Myanmar Gallery of Contemporary Art, Yangon
2002 “Exotic Eye” – Solo, Myanmar Gallery of Contemporary Art, Yangon
2003 Page 2003 Exhibition, Lokanat Gallery, Yangon
2004 4th Artistic Touch Group Exhibition, Lokanat Gallery, Yangon
2004 Myanmar Contemporary Art Awards Exhibition of Finalists, Yangon
2008 Myanmar Contemporary Art Awards Exhibition of Finalists, Yangon

Overseas exhibitions:

2004 Myanmar Contemporary Art Award Exhibition of finalists, HK
2004 Two man exhibition with Ba Khine, Singapore
2005 “Searching the Colour with Knife Strokes”, Solo exhibition, Chiang Mai, Thailand
2005 Three man exhibition “Burma Stars”, Hong Kong
2006 “Quiet Wind” Exhibition of five Myanmar artists, San Francisco
2007 “Burma Phoenix” Group show of Myanmar artists, New York
2007 Contemporary Art from Myanmar. Group show of Myanmar artists, Washington, USA
2007 Art from Myanmar. Group show of Myanmar artists, Princeton and New York
2008 “Serenity” Solo Exhibition, Ernst & Young Solution LLp, Singapore
2010 “Christies-30 Artfriends Exhibition, Christies International Art Auction House

Awards and collections

2004 Winner of the Myanmar Contemporary Art Awards
2008 Second prize winner in the Myanmar Contemporary Art Awards 2008
2008 Painting acquired by the Singapore National Art Museum

Other Art Experience

2010 Painting was selected as 30 Artfriends Book.

Khin Zaw Latt

Khin Zaw Latt

Burmese visual artist Khin Zaw Latt was resident at Rimbun Dahan in May 2008. Following his residency, he returned home where he was awarded the first prize at the Myanmar Contemporary Art Award 2008 competition, a prestigious achievement which has greatly increased the selling price of his work in Myanmar.

Khin Zaw Latt then travelled to Laputta, in the Burmese south, an area devastated by Cyclone Nargis at the beginning of May. Armed with a donation from Rimbun Dahan, he provided the inhabitants of Laputta with aid in the form of clothes, food and help building houses, as well as books and school materials for children.

 

Moe Satt

Moe Satt

Moe Satt, a performance artist from Yangon trained in zoology and community development, was in residence at Rimbun Dahan for three months, from February to April 2008.

Bio

Moe Satt (b 1983) lives and works in Yangon, Myanmar (Burma). In 2005 he graduated from East Yangon University with a Bachelor of Sciences (Zoology). Since then, he has participated in over 25 performance events and four solo shows as well as digital art exhibitions.

In his art works, Moe Satt tries to reflect the order and disorder surrounding people and the neverending justification in terms of human internal validity. He started out as a performance artist showing his work in the galleries and on the pavements of Yangon. In April 2007 he attended a certificate program in Community Development and Civic Empowerment at Chiang Mai University, Thailand. He exhibited his first solo art work abroad at Chiang Mai University in June 2007. He has participated in international performance art festivals including Performance Site Myanmar 05, 8th Open International Performance Art Festival in Beijing, China and 9th Asiatopia International Performance Art Festival in Chiang Mai, Thailand.