theatre

Citra Pratiwi

admin Choreographers Residency, Resident Artist, Southeast Asian Arts Residency , ,
Citra Pratiwi

Citra Pratiwi (b. 1981 in Pati, Indonesia) works intensely between body, story, movement and  expression — presented in her works in dance and theater. She’s a founder of Migrating Troop Performing Art Network, a hub for artists who want to work in multi and interdisciplinary art to refresh their work and expression. Citra is a graduate of Ethnomusicology from Indonesia Institute of Art Yogyakarta, and was one of the awarded artists for Empowering Women Artists by Kelola Foundation. She is an art-activist, engaging her work to speak about women’s issues, especially women’s issues in Indonesia and she’s also worked as a curator at Padepokan Seni Bagong Kussudiardja, a private cultural centre in Yogyakarta.

During her one month residency at Rimbun Dahan, Citra will be developing her new project named Finding Stillness. It will be a research project exploring body memory, conscious and unconscious body, using Jathilan or Kuda Kepang folk dance as entry material.

I want to research what is stillness in the unconscious and bring this concept into contemporary dance work.

Ibed Surgana Yuga

admin Resident Artist, Southeast Asian Arts Residency ,
Ibed Surgana Yuga

Ibed Surgana Yuga was born in a traditional Balinese farming family, 14 August 1983. He has been living in Yogyakarta, Java since 2003 to complete his theatre direction study in the Theatre Department of the Indonesia Arts Institute of Yogyakarta.

In 2012, Ibed initiated the Kalanari Theatre Movement, an institution which conducts cultural movements through theatre works. The objective of Kalanari is to reaffirm the bond between performance and society, and to inspire people to develop their cultures. In Kalanari, Ibed has framed his works through the concept of engaging intimately with space with ‘space’ understood both in a broader social and cultural context and more narrowly as the physical (natural and architectural) space of performance. His theatre works are site-specific so as to give highest value to improvisation.

He’s applied this concept by working with groups such as villagers, labourers, traditional art communities, domestic workers, interdisciplinary artists, etc. Ibed has worked in and around Indonesia, in historical, natural and architectural sites. He has also worked internationally, in Japan, Singapore and Ireland. He’s given meaning to his works as not just a collaborative artistic work, but a cultural dialogue. According to Ibed, theatre is neither for the creation of only performances or artistic works; it has a noble vision and mission to develop society’s cultures by emphasizing values of humanity.

During his short residency at Rimbun Dahan, Ibed wants to create a theatrical work based on ideas of engaging intimately with the natural, architectural and textual (story, history, myth, etc.) aspect of the site. He aims to choose a site in Rimbun Dahan by digging into the many textual aspects of the site, which will then be interpreted to create a site specific performance which is blended with his cultural background. He hopes to collaborate in this endeavour with local artists in any disciplines.

Find out more about Kalanari Theatre Movement, and see photos and videos of Ibed’s work on Flickr and Youtube.

Kanakan Balintagos

Angela Hijjas Resident Artist, Southeast Asian Arts Residency , , , ,
Kanakan Balintagos

Kanakan Balintagos (meaning ‘hunter of truth’), formerly known as Auraeus Solito, is an internationally acclaimed and award-winning Palawán-Filipino filmmaker and playwright. He comes from a lineage of Shaman-Kings from the Palawán tribe of South Palawan. He grew up in the city of Manila and after graduating from the Philippine Science High school studied Theatre at the University of the Philippines, where he received a degree in Theater Arts. One of the leading independent filmmakers in the Philippines, he was recently chosen in Take 100, The Future of Film which presents an emerging generation of the most talented filmmakers around the world. This book, published by Phaidon Press, New York, is a survey featuring 100 exceptional emerging film directors from around the world who have been selected by 10 internationally prominent film festival directors.

His first feature film Ang Pagdadalaga ni Maximo Oliveros (The Blossoming of Maximo Oliveros) won 15 international awards including 3 awards at the Berlinale (The Teddy award, International Jury Prize at the Kinderfest and Special Mention from the Children’s Jury of the Kinderfest). It is also the first Philippine film nominated for Best Foreign film at the Independents’ Spirit Awards in the US and has been shown in more than 50 film festivals around the world.

Tuli (Circumcision), his second feature film won Best Picture and Best Director at the Digital Competition at the 2005 CineManila Film Festival; won the NETPAC Jury Prize at the Berlinale, International Forum for New Cinema and the Best International feature Film at Outfest in Los Angeles. Solito is the first Filipino to make it to the premiere independent film festival in the world, the Sundance Film Festival in Park City, Utah, USA, two years in a row (with The Blossoming of Maximo Oliveros and Tuli). His films have been screened in major festivals around the world including Berlin, Sundance, Montreal, Pusan, Toronto and Rotterdam.

Solito completed a screenplay development program at the Binger Film Lab in Amsterdam.

His film Busong (Palawan Fate) was selected at the prestigious Cannes Directors’ Fortnight in 2011, and it was awarded Best Director, Best Sound Design, and Best Original Music Score at Cinemalaya 2011. His film Busong was also shown at the 2012 National Geographic All Roads Film Festival in Washington, D.C.,where it was awarded Grand Prize, the Merata Mita “Best of Stories” Award.

In 2013 he adopted his tribal-spirit name Kanakan Balintagos after his uncle, who is a shaman in Palawan, dreamt about him. He said in an interview, “In his dream, he saw me in the middle of a sandbar holding a camera that turned into a blowgun. I became a kanakan … a hunter. Suddenly, great waves appeared from both sides of the sandbar, but I remained unharmed, untouched.”

In 2014 his film Esprit de Corps, based on the play he wrote when he was seventeen, won three awards at the Cinema One Originals Film Festival, including Best Director.

In 2015 he was awarded 1st Prize in the prestigious Palanca Awards, Filipino Division, Dulang Ganap Ang Haba (Full Length Play in Filipino), for his literary work “Mga Buhay na Apoy” and in 2016 won the Gawad Buhay ( Philippines’ Stage Awards) for Best Original Script for the same play.

For more information on Kanakan and his work, visit his website.