Alyssa Powell-Ascura

Alyssa Powell-Ascura

Asian Australian multidisciplinary artist Alyssa Powell-Ascura is undertaking the first Delima Residency at Rimbun Dahan, sponsored by the Mahmood Martin Foundation in cooperation with The Mill, Adelaide. During the residency, Alyssa has been researching a new multidiscplinary work for her solo exhibition at The Mill in 2024, as well as immersing herself in living in Southeast Asia.

About the Artist

A self titled “slashie”, Alyssa Powell-Ascura is an emerging multi-hyphenated creative. As an Asian Australian, her background has given her an interesting, layered perspective on the world. Alyssa works across a variety of artistic mediums including: writing, visual and conceptual art, immersive installation, traditional and mixed digital media, and moving images, just to name a few. Her personal belief in the interconnected relationship of humans to nature drives her to pursue advocating better care of ourselves and our Earth. A finalist of the inaugural SA Environment Awards 2023, she was nominated for her environmental advocacy and using her platform as an emerging creative to promote sustainability and inspire young people. Her artistic expression delves into her personal narrative as the grandchild of an Igorot woman, weaving a narrative that explores her ties to Indigenous Philippines, Filipino history, diaspora, and the impact of colonisation.

Through her creative practice, Alyssa generously shares her experiences with audiences, offering a platform that balances vulnerability and empowerment. Her work intricately holds space for an open dialogue, inviting viewers to engage with her journey, intertwining personal history with broader societal narratives. Her creative work has been featured in a variety of local and international publications such as: Local Brown Baby (US), Kindling and Sage magazine (AU), Blank Street Press (AU) and The Philippine Times (AU). She has been published in The Entree.Pinays’ anthology “The Calamansi Story: Filipino Migrants in Australia” (2023).

Alyssa’s first participation in the South Australian Living Artist Festival (SALA) in 2023 led to her work, “Those who do not look back to their origins, can not get to their destination,” being a Top 3 Finalist for the Emerging Artist Award amidst over 10,000 participating artists—an immensely humbling recognition.

Lastly, she is the first recipient of the Delima Residency, sponsored by the Mahmood Martin Foundation in collaboration with South Australian Gallery The Mill. Currently in Malaysia, Alyssa embraces this invaluable cross-cultural experience to pursue innovative artistic research and multidisciplinary exploration. She will have a solo exhibition at The Mill in 2024. If she’s not talking to the local Aunties and writing about food and culture, she can be found by the beach patting puppies who stop by to say hello.

Artist Portfolio/Website: roseandcitrus.com/aly/
Instagram: @apowellascura | @alyssapowell
YouTube: youtube.com/@alyssapowellascura/

About the Residency

In 2023, The Mill is offering one South Australian artist the opportunity to travel to Rimbun Dahan, Malaysia, for a 3-month (residential) residency, October-December 2023, entitled the Delima Residency, in cooperation with Mahmood Martin Foundation. This will be followed by a 3-month (non-residential) studio residency at The Mill, and a solo exhibition outcome presented in The Mill Showcase.

As the recipient of the very first Delima Residency, Alyssa has been using this opportunity to develop new artistic led research, experimentation and no doubt multidisciplinary works that may go on to be exhibited at her solo exhibition at The Mill in 2024. This international residency presents Alyssa with an invaluable chance to immerse herself in Southeast Asia, with the ability to understand and engage with the region on a deeply personal level. This opportunity stands as a pivotal moment in Alyssa’s career as an emerging artist, facilitating her introduction within the South Australian arts community. Moreover, it serves as a catalyst for forging remarkable connections between art, geography and history, marking a significant leap forward in her creative journey.

About the Open Day Screening

On Rimbun Dahan Open Day on 26 November 2023, Alyssa will be screening a presentation of her video work “Ang hindi marunong lumingon sa pinanggalingan ay hindi makakarating sa paroroonan” | “Those who do not look back at their origins, can not get to their destination”.

First presented as part of the South Australian Living Artists Festival 2023 and a Top 3 Finalist for the City Rural Emerging Artist Award, the work focuses on the artist in an act of choreographed fight, in a traditional Philippine attire, highlighting Filipina resistance throughout history. Using arnis or fighting sticks originating from the Philippines, the artist dances with a spoken word poetry in the background.

“Taga saan ka?
Where are you from?
Taga dito ako.
I’m from here.”

The work prompt viewers to reflect on attitudes that have influenced the Australian society since the 1980s, shortly after White Australia Policy was abolished. During this time frame, the views of women from The Philippines were predominantly negative, with a strong attachment to the “Mail Order Bride” ideas perpetuated by sensationalised media. First generation Filipinas migrating to Australia were subjected to racist acts, some even resulting in violence, or worse, death. The work is a poignant attempt at decolonisation on a personal level, and viewers are invited to engage in a respectful, open manner. Powell-Ascura bravely asks how one might confront and shift their own biases, and how we can acknowledge the histories of Australia to work towards a better, fruitful present.

Ny&Khun

Ny&Khun

Cambodian contemporary art duo Ny&Khun has been in residence at Rimbun Dahan for two months in 2023, reflecting upon their future directions, and developing a new contemporary dance work, Pilgrim.

About the Artists

Ny&Khun (Ny Lai and Khun Sreynoch) are a Cambodian contemporary art duo. Our main form of expression is dance/theatre, combined with photography and painting. We have operated as a duo for 3 years, emerging from a group called New Cambodian Artists (NCA) that still functions as our umbrella foundation.

Our work SnowWhite/Revisited was selected for the Singapore M1 Fringe Festival 2021. Because of COVID we could only show them a basic video, yet we had great reviews. The video SnowWhite/Revisited also won 2nd prize of the Expert-Jury of the international theater competition from Milan, Italy in 2021.

Early this year, we were invited to be the main artists at the international Angkor Photo Festival 2023, with our photography work series Speaking in Silence. We opened the festival with a short performance, “How do
you think it feels”.

We won the 1st ZKB Acknowledgment prize at the Zurcher Theater Spectacle Switzerland 2023, with our work Sronoh/SnowWhite. This is what the international jury says about our work.

Facebook: https://www.facebook.com/NewCambodianArtists
Vimeo: https://vimeo.com/user79893554
Instagram: https://www.instagram.com/nca_newcambodianartists/

About the Residency

We have been on residency in Rimbun Dahan, spending time to reflect on our recent developments and our future directions as a company. We have also been working on our new piece, Pilgrim. We are so excited to share our work in progress with you this Open Day.

Marionne Contreras

Marionne Contreras

Marionne Contreras from the Philippines undertook a 1-month residency at Rimbun Dahan in November 2023, delving into botanical printing of plants foraged from the garden, in an act of remembering her hometown, retracing her lineage, and necessarily failing to replicate the beauty of nature.

About the Artist

Marionne Contreras (b. 1992) is a visual artist based in Manila, Philippines, with a current emphasis on fiber and fabric based works. Her works are diaristic, often with themes of memory, its persistence, its purity, and its vulnerability to tampering, with constant undertones of womanhood, consistently taking the role of the female as narrator; taking visual inspiration from textures and forms found in nature while maintaining an aesthetic that leans towards the synthetic. 

Highly aware of the universality of the personal, her works often carry intimate personal narratives despite her conscious decision to highlight their ornamental nature – to always stage them as a tableau of beauty given the parameters in which the very idea of “the beautiful” is meant to work. 

She has been actively exhibiting in The Philippines. Her most recent one-person exhibition, Poetry has left me, has just concluded last 10 November 2023 in Vinyl On Vinyl Gallery, Makati City, Philippines.

About the Residency

“I delved into botanical printing as a personal way to reconnect with my hometown. Printing plants from my mother’s garden and the wild flora along the river near my childhood home. Foraging for plants to print has become a personal ritual of reconnection with the sublime that gives all life, negating the self-importance of being human with the power to dominate, and affirming the beauty and sacredness in the futility of our existence among the multitude in the grand order of life. This particular sentiment is characteristic of the concepts that weave through my art practice, where I see nature as the ultimate source of everything that is beautiful, and where my efforts as an artist to capture and replicate that beauty eventually fail, for I am limited – what I produce is an ‘almost’ of the ideal, but that ‘almost’ can be enough. 

“During my one-month stay in Rimbun Dahan, I foraged for plants to print in a place both familiar and somehow strange. I sought to trace the family of my reliable “printers” back at home, experimenting with various botanical printing approaches combined with techniques borrowed from traditional fabric dyeing. The act of tracing lineage, coupled with calculated intervention, mirrors my recent struggle with the legal documentation of my identity, which is explored in a number of textile works I created from the printed fabrics I produced, employing patchwork, quilting, and embroidery techniques 

“To labor on the fabric I will make a final work from, which in itself, demands more labor, a final work that would be  initially seen for its aesthetic value rather than its narrative is a very close parallel to the futility of human endeavor.”

Wild Dot

Wild Dot

Shirin Rafie and Liz Liu from Wild Dot (Singapore) undertook two months of residency at Rimbun Dahan in 2023 (in May and November) investigating the colour palette of plants and unwanted materials in the space.

About the Artists

Wild Dot is a natural art studio from Singapore started by Shirin Rafie and Liz Liu, who hold backgrounds in illustration and ecology respectively. Through their combined interests, they specialize in artmaking with found pigments and fibers abundant in the spaces they work with, and also sharing their findings through designing playful experiences for other people. Their shared intention is to observe how (art)making can be an accessible way for more people to learn about the plants growing around them, and also deconstructing the material of the everyday object, ultimately working towards reducing their own reliance on mass-commercialized making tools and materials.

Prior to Wild Dot, Shirin is a digital illustrator and designer, having worked with clients in Singapore and the U.S. on designing educational board games. Liz is a nature educator, having worked at forest schools and also in the urban farming scene. She is currently a MA Research student at NTU, looking at how traditional craft practices can inform the present.

They have received the Good Design Research grant by National Design Council Singapore for their work exploring upcycled tree pigments, and are currently working on bringing natural colours into a preschool environment with the support of the SG Eco Fund.

Website: wildd.sg
Instagram: wildd.sg

About the Residency

What are the colours and stories that lie within Rimbun Dahan, and how would a natural art studio take shape within the given environment and space? In their two-month residency, Wild Dot seek to investigate the colour palette and making possibilities of the space, following their own curiosities about the plants and the unwanted objects available, and to distill their experience into a compilation of artworks and stories.

Wong Ming Hao

Wong Ming Hao

Malaysian artist Wong Ming Hao is undertaking a 3-month residency at Rimbun Dahan at the end of 2023, experimenting with the possibilities of his paint-skin collages with inspiration from human relationships with nature.

About the Artist

Wong Ming Hao, born in 1988 in Malaysia, is a talented artist whose passion for art led him to pursue a Diploma in Fine Art from Dasein Academy of Art in 2010. His international presence includes participating in renowned art fairs like “Art For All: Art Gala by Art Expo Malaysia” and “Art Moments Jakarta Online” with G13 Gallery. Wong Ming Hao has also showcased his exceptional skills in solo exhibitions such as “Unreal Reality” at HOM Art Trans in 2020. His artworks have been featured in various group exhibitions, including “Between Spaces” and “S.O.P.” at G13 Gallery and “Pure Painting 2” at Maybank.

His diverse talents have been recognized and awarded multiple times, including the Gold Award at the UOB Painting of the Year 2020 and Jury Choice at Bakat Muda Sezaman 2019. Wong Ming Hao also had the honor of being selected for the A-RES residency program at HOM Art Trans in 2018, further solidifying his position as a rising star in the art world. With an impressive portfolio of achievements and experiences, Wong Ming Hao continues to leave an indelible mark on the contemporary art scene. 

https://minghao6323.wixsite.com/wongminghao
https://www.instagram.com/minghao_wong/

About the Residency

Ming Hao is currently extending figurative painting to human relationships with nature. Inspired by colours, textures, insects, and other elements of his surroundings at Rimbun Dahan, he continues to explore the possibilities of the acrylic paint-skin collage. He’s experimenting with form and outcome by overlapping, cutting, weaving, compressing, scrapping, collaging. By constructing and deconstructing, there will be lots of unpredictable results in these works. Some of the works will be exhibited in a coming group exhibition this year. Others are planned to be showcased in a 2024 exhibition, the second solo of his artistic career.

Open Day November 2023

Open Day November 2023

A day of art and artists, in the 14-acre tropical greenery of Rimbun Dahan, 45 minutes from Kuala Lumpur.

On Sunday 26 November 2023, Rimbun Dahan will be open to the public to view works in progress by our current resident artists Wild Dot (Singapore), Marionne Contreras (Philippines), Sigrid Gayangos (Philippines), Wong Ming Hao (Malaysia), Sreynoch Khun & Ny Lai (Cambodia), Annabell Ng (Malaysia) and Alyssa Powell-Ascura (Australia).

Free entry. Registration required for garden tour only (see below).

Schedule

9:00am-11:00am: Guided tour of our 14-acre native Southeast Asian arboretum and garden at Rimbun Dahan by Angela Hijjas. Meet at the front gate. Slots are limited, and registrations are required for the garden tour. Please register here: https://forms.gle/dQuNBHd7gNeXJffL9

11:00am-2:00pm: Visual artists’ studios and screening room open to the public. Please visit the studios and have a chat with the artists. Some works are available for sale.

2:00-3:00pm: Studios and screening room closed for lunch break. You are welcome to bring your own picnic to enjoy in the garden; please clean up your own trash.

3:00-6:00pm: Visual artists’ studios and screening room open to the public.

3:00-4:15pm: Writing Workshop by Sigrid Marianne Gayangos (Philippines). Read more about Sigrid and the writing workshop here…

4:30-5:30pm: Dance Studio sharing by Sreynoch Khun and Ny Lai (Cambodia).

Travelling Directions

Use Waze to drive to Rimbun Dahan: https://waze.com/ul/hw284q6meb

Use Google Maps to drive to Rimbun Dahan: https://maps.app.goo.gl/ft5fV9YpGsvciCtU8

Landmarks: Our front gate is opposite Warung Selera Ria and also next to the start of Lorong Belimbing. Do not enter Lorong Belimbing, please enter the front gate from the main road.

Tips for Visitors

  • We have parking inside the compound, along the driveway. Just drive in the front gate and park as indicated along the drive.
  • Bring your own mosquito repellent!
  • We are sorry, Rimbun Dahan is not a wheelchair accessible venue.
  • Wear practical shoes if you are planning to walk around the garden.
  • Bring an umbrella in case of rain.
  • No refreshments or water provided. Feel free to bring your own picnic, and enjoy it in the gardens; please clean up all your trash.
  • No pets, no swimming — thank you for your cooperation.

If you have any questions, please email arts@rimbundahan.org or WhatsApp Bilqis at +6017-3103769.

About the Artists

Annabell Ng, a Malaysian-born artist, developed a strong bond with her father over their shared interest in plants, sparking her fascination with edible plants from a young age. Despite her passion for creative arts and music, she fell in love with the piano at 5 and dedicated herself to mastering it, earning a bachelor’s degree in classical music. However, her journey took an unexpected turn when she enrolled in the Fine Arts course at the Malaysia Institute of Art. There, she found inspiration leading her to develop a unique symbolic language in her art using natural materials. With an undergraduate degree in Fine Arts from the University of Wales Institute Cardiff, Annabell now focuses her art on addressing pressing environmental issues, raising awareness worldwide about the environment’s preservation.

Sigrid Marianne Gayangos was born and raised in Zamboanga City, Philippines. She is the author of Laut: Stories (UP Press), a National Book Award finalist, and Lola Maria’s Candles (Aklat Alamid), a forthcoming bilingual children’s book. In 2021, she was the recipient of the NCCA’s Writers Prize for Fiction, which enabled her to complete a second collection of short stories in Chavacano. She is currently working on self-translating her Chavacano collection, El Vida Encantao (The Enchanted Life), to English. In 2023, she was awarded first prize in the Gawad Bienvenido Lumbera National Literary Contest for her poetry collection in Chavacano, Descarga. She teaches at the Department of Humanities in the University of the Philippines Mindanao.

Wong Ming Hao, born in 1988 in Malaysia, pursued a Diploma in Fine Art from Dasein Academy of Art in 2010. His international presence includes “Art For All: Art Gala by Art Expo Malaysia” and “Art Moments Jakarta Online” with G13 Gallery. His solo exhibitions “Unreal Reality” appeared at HOM Art Trans in 2020, and his artworks have been featured in group exhibitions including “Between Spaces” and “S.O.P.” at G13 Gallery and “Pure Painting 2” at Maybank. He won the Gold Award at the UOB Painting of the Year 2020 and Jury Choice at Bakat Muda Sezaman 2019, and was selected for the A-RES residency program at HOM Art Trans in 2018, further solidifying his position as a rising star in the art world.

Wild Dot is a natural art studio from Singapore started by Shirin Rafie and Liz Liu, who hold backgrounds in illustration and ecology respectively. Through their combined interests, they specialize in artmaking with found pigments and fibers abundant in the spaces they work with, and also sharing their findings through designing playful experiences for other people. Their shared intention is to observe how (art)making can be an accessible way for more people to learn about the plants growing around them, and also deconstructing the material of the everyday object, ultimately working towards reducing their own reliance on mass-commercialized making tools and materials.

Marionne Contreras (b. 1992) is a visual artist based in Manila, Philippines, with a current emphasis on fiber and fabric based works. Her works are diaristic, often with themes of memory, its persistence, its purity, and its vulnerability to tampering, with constant undertones of womanhood, consistently taking the role of the female as narrator; taking visual inspiration from textures and forms found in nature while maintaining an aesthetic that leans towards the synthetic. She has been actively exhibiting in The Philippines. Her most recent one-person exhibition, Poetry has left me, just concluded in Vinyl On Vinyl Gallery, Makati City, Philippines.

Ny&Khun (Ny Lai and Khun Sreynoch) is a Cambodian contemporary art duo whose main form of expression is dance/theatre, combined with photography and painting. They have operated as a duo for 3 years, emerging from a group called New Cambodian Artists (NCA). Their work SnowWhite/Revisited was selected for the Singapore M1 Fringe Festival 2021, and won 2nd prize from the expert jury of the international theater competition from Milan, Italy, in 2021. Early this year, Ny&Khun were invited to be the main artists at the international Angkor Photo Festival 2023, with their photography work series Speaking in Silence. The duo recently won the 1st ZKB Acknowledgment prize at the Zurcher Theater Spectacle Switzerland 2023, with their work Sronoh/SnowWhite.

Alyssa Powell-Ascura is an emerging multi-hyphenated creative. An Asian Australian, Alyssa works across a variety of artistic mediums including writing, visual and conceptual art, immersive installation, traditional and mixed digital media, and moving images. A finalist of the inaugural SA Environment Awards 2023, she was nominated for her environmental advocacy and using her platform as an emerging creative to promote sustainability and inspire young people. Her artistic expression delves into her personal narrative as the grandchild of an Igorot woman, weaving a narrative that explores her ties to Indigenous Philippines, Filipino history, diaspora, and the impact of colonisation.

About Rimbun Dahan

Rimbun Dahan is the home of Malaysian architect Hijjas Kasturi and his wife Angela. Set on fourteen acres outside Kuala Lumpur, Malaysia, the compound of Rimbun Dahan is a centre for developing traditional and contemporary art forms. It features buildings designed by Hijjas Kasturi, as well as two early 20th century traditional Malay houses from Perak and Penang, in an indigenous Southeast Asian garden environment which has recently been awarded arboretum status. Rimbun Dahan is private property, and is only open to the public on Open Days.

Sigrid Marianne Gayangos

Sigrid Marianne Gayangos

Author Sigrid Marianne Gayangos from the Philippines is spending her 2-month residency at Rimbun Dahan in late 2023 translating her short stories from Chavacano, and drafting a collection of personal essays.

About the Artist

Sigrid Marianne Gayangos was born and raised in Zamboanga City, Philippines. She is the author of Laut: Stories (UP Press), a National Book Award finalist, and Lola Maria’s Candles (Aklat Alamid), a forthcoming bilingual children’s book. In 2021, she was the recipient of the NCCA’s Writers Prize for Fiction, which enabled her to complete a second collection of short stories in Chavacano. She is currently working on self-translating her Chavacano collection, El Vida Encantao (The Enchanted Life), to English. In 2023, she was awarded first prize in the Gawad Bienvenido Lumbera National Literary Contest for her poetry collection in Chavacano, Descarga. She teaches at the Department of Humanities in the University of the Philippines Mindanao.

Buy Laut: Stories by Sigrid Marianne Gayangos from UP Press

About the Residency

“I alternate between translating my second short story collection (from Chavacano to English) and drafting sections from what is shaping up to be my third book, which is a collection of personal essays. Inspired by “The House on Mango Street” by Sandra Cisneros, I aim to tell a story that is simultaneously very specific—as a Filipino with at least 7 cultural and linguistic influences growing up, and having had to move from one home to another in Zamboanga as dictated by personal circumstances and political upheavals in the city—and universal, for at its core the project is about a child going through difficult transformations as she maneuvers her way into the broader world.”

Open Day Activity

On Sunday 26 November 2023, as part of Rimbun Dahan Open Day, Sigrid will give a short talk on her background as a writer. Coming from a long line of fisherfolks who traveled from one island to another in search of better fishing grounds and having lived through several instances of uprooting herself, the idea of home is central to her work. Sigrid will be reading an excerpt from her work-in-progress while in residency, the prelude to her collection of essays entitled “All The Places We Called Home”.

In the following writing workshop, participants will be given a ‘Where I Come From’ template for a poetry prompt. This activity is meant to help participants reflect on the elements that have influenced and defined their identity. Participants are encouraged to use this template as a starting point but are free to adapt and modify it to best express their own experiences and stories. Volunteer readers can then share and read their works. Please bring your own preferred writing materials; basic writing materials will also be provided at the session.

Total duration: 1 hour

Southeast Asian Arts Residency – Terms & Conditions

Dear resident artists, we look forward to welcoming you to our home and our community at Rimbun Dahan!

Before you confirm your acceptance of this residency, please ensure you are comfortable with the following terms and conditions.

During the period of your residency, Rimbun Dahan will provide:

  • Private fan-cooled accommodation, including water and electricity, with a bathroom and kitchen. [In some cases, the kitchen may be shared with 1 other resident artist.] The kitchen is fully equipped with crockery (plates, bowls), cutlery (knives, forks, spoons, chopsticks), utensils (knives, spatulas, graters, cutting boards, can openers, etc.) and equipment, including fridge, stove, rice cooker and toaster.
  • For visual artists, a private fan-cooled studio, including sink, with water and electricity. For performing artists, the use of the Dance Studio. For writers, unless you specifically require a separate studio, we will provide you with a large writing desk in your accommodation.
  • A living allowance of MYR1,000 per month, for the two months of your residency. The allowance will be paid in MYR cash upon your arrival at Rimbun Dahan at the beginning of each month.
  • Access to on-site facilities including clothes washing machine, swimming pool, Taman Sari vegetable garden, tennis court, library, and shared office space (WiFi equipped).
  • Guidelines for living at Rimbun Dahan before your arrival, and orientation upon arrival to our site, facilities and operations.
  • Cleaning of your accommodation every 2 weeks. All other cleaning is up to you.
  • Transport to a local supermarket once a week, if required.
  • Occasional optional social mixers and excursions to local cultural events with other resident artists.
  • Occasional optional guided introductions to the heritage buildings, indigenous garden/arboretum, permanent collection of artworks, and the heritage textile collection. Please ask for these if you are interested, or if you have specific curiosities.

For artists coming from beyond Peninsula Malaysia, you are responsible for booking and paying for your flights to Malaysia. Rimbun Dahan will provide the following travel stipend for your second month of residency. This will be paid to you in MYR cash, upon your arrival at Rimbun Dahan for your second month. No travel stipend is provided for your first month of residency. The travel stipend amount is as follows, depending on your country of residence:

  • MYR600 for Brunei, Cambodia, Myanmar, Philippines or Indonesia (other than Jakarta).
  • MYR500 for Thailand.
  • MYR400 for Jakarta.
  • MYR300 for East Malaysia.

Rimbun Dahan does NOT provide:

  • Meals or groceries. You can choose to eat at nearby restaurants, or buy your own groceries and cook in your own kitchen.
  • Art materials or funding for art materials or artistic collaborators. We will provide trips to nearby art material stores.
  • Transfers between KL International Airport and Rimbun Dahan. This costs MYR85 per trip, so please budget this.
  • Any other local transport costs.
  • Travel visas, and any costs for procuring and maintaining travel visas, including short trips out of Malaysia to neighbouring countries.
  • Airconditioning or WiFi in accommodation or studio spaces.

Our expectations for resident artists:

  • Resident artists will use the residency to engage in the development of their artistic practice. The resident is NOT required to fulfil the artistic proposal as submitted in the application, although this is preferred.
  • Rimbun Dahan should be your primary home and full-time work place for the duration of your residency. This includes sleeping here at night, and being here on weekends. Occasional trips into the city are fine.
    • Malaysian artists should not be carrying on full-time or substantial part-time work (i.e. more than 2 days per week) in the city. Please discuss this with the residency manager if you plan to be away regularly.
    • Southeast Asian artists are encouraged to travel within Malaysia during their stay, but such trips should not be longer than a few days and should be discussed with the residency manager.
  • Resident artists are expected to participate in 1 scheduled Open Day during their residency. Open Days invite the public to visit the studios of the artists to meet the artists and experience the art works being developed. On Open Days, the artist is expected to be on site and available to share in discussions about their art with visitors. The format can be discussed with the residency manager, and depends on the genre of the artists: for example, performing artists may offer a workshop or studio performance, writers may give readings. An Open Day is NOT guaranteed, however. Other than Open Day, the residency does not offer any kind of exhibition or performance production. 
  • Visual artists are expected to leave 1 artwork that has been made at Rimbun Dahan for our Permanent Collection. Selection can be decided by the artist, or the artist may invite the residency manager to discuss the selection of the work. If you are planning to make only one single work during the course of your residency, then you should discuss this requirement in advance with the residency manager.
  • You are welcome to use your residency to create work for future exhibitions, performances, publications, etc outside Rimbun Dahan. Resident artists are expected to acknowledge the Rimbun Dahan Residency as a source of support when work created here features significantly in the first instance in any exhibition, performance, publication or other dissemination to the public. Please request the Rimbun Dahan logo to include in any collateral. Thank you!

An Important Note About Malaysian Immigration, for Non-Malaysians

Non-Malaysian resident artists are responsible for their own immigration/visa status. We do not provide work visas for resident artists. ASEAN passport holders are usually given a Short Term Social Pass (this is a tourist pass, not a work visa) by Malaysian Immigration automatically on entry, which usually lasts only 30 days. Myanmar passport-holders may be required to apply for a tourist visa.

Your two months of residency at Rimbun Dahan are separated by at least 1 month, in which you are expected to return home, or travel to another country. So far, Malaysian Immigration has granted a second 30 days of stay for our ASEAN guests under these terms without difficulty. However, please be aware that Malaysian Immigration is unpredictable, and may refuse entry for the second 30 days without reason. They may also decide to allow you entrance, but give you less than 30 days to stay in Malaysia.

Other than issuing a letter of support for you to show to Immigration when you arrive, we have no capacity to affect their decision. If Immigration refuses to allow entry for the second month of your residency, we will support the remainder of your residency as much as we can. For example, by shifting your residency to another date, enabling you to carry out an Open Day remotely, or storing your personal luggage and art materials until you can collect them or arrange their transfer. Please understand that this very seldom happens, but it is always a risk.

Cancellations, and Other Issues

The full term of a Southeast Asian Arts Residency in 2026 is 2 months (60 days).

If you choose to cancel your residency at Rimbun Dahan before you arrive for your first month, please let us know as soon as possible, so we can use our resources to support other artists.

If you choose to cancel your second month of residency, you may do so. However, your residency will be counted as incomplete, you will not be involved in an Open Day, and you will not be included in our archive of former resident artists.

If personal circumstances disrupt the plans for your residency — for example, due to illness or misfortune to yourself or your family, or unforeseen opportunities arising — we will try to accommodate your changes as much as possible. If we can, we will shift your residency to dates that are possible for you. However, please be aware that our resources are limited and our accommodation schedule is busy; we may not be able to offer you many alternatives.

Acceptance of Terms

These terms will be laid out in a Letter of Offer, which we will send to you once we have fixed the dates of your residency next year. Your signature on the Letter of Offer will indicate your acceptance of these terms.

If you have any questions or concerns about the terms & conditions of this residency, please do not hesitate to discuss this with the residency manager by email at arts@rimbundahan.org, before you sign the Letter of Offer.

Ignis Familiaris — A Solo Exhibition by Amar Shahid

Ignis Familiaris — A Solo Exhibition by Amar Shahid

𝗔𝗺𝗮𝗿 𝗦𝗵𝗮𝗵𝗶𝗱, resident artist at Rimbun Dahan in 2023, presents his solo exhibition of photorealist paintings, 𝙄𝙜𝙣𝙞𝙨 𝙁𝙖𝙢𝙞𝙡𝙞𝙖𝙧𝙞𝙨, in the Underground Gallery at Rimbun Dahan from 15 October to 5 November 2023.

𝙄𝙜𝙣𝙞𝙨 𝙁𝙖𝙢𝙞𝙡𝙞𝙖𝙧𝙞𝙨 is the central event in a proposed trilogy of exhibitions by Amar Shahid. What started as an exploration in photographic materiality is now evolving into the dismantling of the picture plane, towards photo-abstraction. The selection of images are bordering on disfiguration and the eventual abandonment of pure representation. The abstractions are intentional and highly calculated, however, rather than conforming to the free-form expression of the postmodernist – though the image may be vague, in definition it is still very much a photorealist approach. This coincides with the artist’s personal negotiation on the permissibility of image reproduction according to his faith.

This intermediate step is a preparation for a journey into ultimate abstraction, soon to be ventured by the artist. In this exhibition, Amar also emphasises the powerful potential of symbolism, in the form of ‘familiars’ superimposed upon the images. 𝙄𝙜𝙣𝙞𝙨 𝙁𝙖𝙢𝙞𝙡𝙞𝙖𝙧𝙞𝙨 was conceived entirely during Amar’s 6-month residency at Rimbun Dahan from May to October 2023, which has proved to be fruitful and fertile, paving the way for the conclusion of the trilogy of shows in the near future.

Download the catalogue about the exhibition here: PDF 3MB

For any inquiries regarding reservations, purchases or media, please contact the project manager, Danial Fuad, at +6011 2700 0963.


Visiting Hours

Open to the public on Saturdays & Sundays, no appointment required
10am-5pm
Sunday 15 October – Sunday 12 November

Visits on weekdays by appointment only
To make an appointment, please email anjangakuan@gmail.com

Getting to the Gallery

Underground Gallery
Rimbun Dahan
Km. 27 Jalan Kuang
Selangor, 48050

Use Waze to drive to Rimbun Dahan: https://waze.com/ul/hw284q6meb
Use Google Maps to drive to Rimbun Dahan: https://maps.app.goo.gl/ft5fV9YpGsvciCtU8

Landmarks: Our front gate is opposite Warung Selera Ria and also next to the start of Lorong Belimbing. Do not enter Lorong Belimbing, please enter the front gate from the main road.

Parking is available on site; please enter the front gate and park on the side of the driveway.

About the Artist

𝗔𝗺𝗮𝗿 𝗦𝗵𝗮𝗵𝗶𝗱 is a Southeast Asia-based practicing artist, with a specialty in linguistics and multi-disciplinary arts. His current work focuses on the intricacies of socio-linguist history with regards to the Southeast Asian social and cultural sphere. Working both in conventional and experimental media, he aims to reflect on the conflicts of cultures and their ecosystems based on his personal anecdotes on the vernacular and conservative educational background of his Malaysian hometown. This clash in values and doctrines shape his works and writings towards a uniquely Southeast Asian narrative.

Annabell Ng

Annabell Ng

Annabell Ng undertook a three-month residency at Rimbun Dahan in 2023, continuing to explore her practice focused on mark-making reminiscent of minute fragments, as well as developing her concepts of mycelium cultivation.

About the Artist

Annabell Ng, a Malaysian-born artist, developed a strong bond with her father over their shared interest in plants, sparking her fascination with edible plants from a young age. Despite her passion for creative arts and music, she fell in love with the piano at 5 and dedicated herself to mastering it, earning a bachelor’s degree in classical music. However, her journey took an unexpected turn when she enrolled in the Fine Arts course at the Malaysia Institute of Art. There, she found inspiration leading her to develop a unique symbolic language in her art using natural materials. With an undergraduate degree in Fine Arts from the University of Wales Institute Cardiff, Annabell now focuses her art on addressing pressing environmental issues, raising awareness worldwide about the environment’s preservation.

Website : www.annabellng.com
IG : @a_n_n_a_b_e_l_l_n_g

About the Residency

Throughout the residency, my primary objective is to relocate my ongoing artwork to this new studio, allowing me to advance and refine it through fresh encounters with perspectives and reflections in this novel environment. The mark-making methods I’ll employ will encompass a diverse array of forms, reminiscent of minute fragments extracted from various information systems. My approach involves a methodical re-exploration of these fragments, strategically layering them to establish a harmonious rhythm, which will eventually find integration into my paintings, sculptures. Beyond this, I intend to embark on an experimentation journey, further evolving my ongoing mycelium concepts focused on mycofiltration.