The BOW Project

The BOW Project

In July 2013, Ng Mei-Yin, a Malaysian choreographer based in New York, and Cathy Seago, dancer and dance scholar from the UK, conducted a version of their ongoing performance work, the BOW Project, at Rimbun Dahan. The development concluded with a showing on 12 July 2013 at Damansara Performing Arts Centre.

BOW 2013 brought together choreographers/dancers from different dance forms to workshop together to explore starting points and ways in to dance-making, according to their tradition/practice. The aim was to create a number of short works from shared starting points, and to trace the journey in a meaningful and embodied way.

This was a creative and playful opportunity for inquisitive/ imaginative choreographers to develop their art, their perception and their network. Through exposing, sharing and exploring some of the innate mysteries of dance work with other artists and with a wider community we might find a greater depth to our understanding of dance, our own work and of each other.

Lead artists: Mei-Yin Ng (USA/Malaysia) & Cathy Seago (UK)

Malaysian choreographers: Christine Chew, Maniyarasi Gowindasamy, Rithaudin Abdul Kadir

Music performers: The Music Professional Academy.
Project partner: Damansara Performing Arts Center and ASWARA.

This project is supported by grants from the University of Winchester, MEI-BE WHATever, kakiSeni and JKKN (Jabatan Kebudayaan dan Kesenian Negara).

Stephen Shropshire

Stephen Shropshire

American choreographer spent a month in residency at Rimbun Dahan in 2013, developing a new contemporary dance duet with French dancers  Aimee Lagrange and Martin Harriague.

The work-in-progress of the duet, ‘one day without harming you’, was performed at ASWARA on 30 March 2013.

Stephen Shropshire (b. 26 December 1972) is a graduate of the Juilliard School in New York City. As a choreographer he has created works for o.a. Scapino Ballet Rotterdam, Norrdans,The National Dance Company of Wales, The Holland Dance Festival, and the Iceland Dance Company. In 2003, his work ‘The Piper’s Progress’ was awarded the Grand Prize and the Public’s Prize at the 8th international choreographic competition ‘Tandances’ in Luxembourg. His work ‘sugarwater’ was named one of the top ten dance triumphs of 2008 by the London Telegraph. From 2009 to 2012, Shropshire was the artistic director of Noord Nederlandse Dans.

‘one day without harming you’ is a short study for an evening length work to premiere in 2014 as part of the Holland Dance Festival. The work is an intimate portrayal of love and loss that explores narrative dance structure through contemporary abstract form.  Darting between the present and the past, the work struggles to reconstruct fragmented memories in an attempt to come to terms with what it is to love and be loved in return.

One-Day Butoh Workshop by Yukio Waguri

One-Day Butoh Workshop by Yukio Waguri

Yukio-WaguriThis one-day workshop introduces Butoh Fu or Butoh Notation, based on the Hijikata method created by Tatsumi Hijikata, one of the founders of Butoh and is taught by butoh master Yukio Waguri.

Time: 10am – 5pm, with a break for lunch
Date: Wednesday 30 January 2013
Venue: The Dance Studio at Rimbun Dahan
Fees: RM100 per person (limited to 20 participants), open to MyDance Alliance members only and by registration only.

About the Workshop

This workshop investigates the relationship between dance, the body, and possession. It trains the student to explore the importance of walking in Butoh, the physical body as a medium, a person who passes through, what is craziness, the crisis of the mind and the body, and the philosophies of Butoh. From the workshop, the students will investigate the power of transformation as a fundamental element of Butoh, also exploring the different body conditions from heaviness to lightness, from compression to expansion, and the relationship between space and time that is made by the body’s condition.

About Yukio Waguri

Born in Tokyo in 1952, Yukio Waguri was the disciple and main male dancer at Tatsumi Hijikata’s Asbestos-kan during 1972-1978. From this period he kept notes of the words Hijikata spoke while choreographing. These words are called “Butoh-fu”, a unique method for choreography. Waguri has made his own interpretation of these words and continues to use them as a method for his own choreographies and teaching. Over the past 34 years he has taught and choreographed around the world. He is the Artistic Director of the Kohzensha Butoh Company. When choreographing and teaching, his focus is on transforming oneself to become imagery rather than depicting this through movement. His rigid and flexible body, a good sharpness of beautiful model, and delicacy nuance, is able to express his dance delicately. The variety of the dance, mainly based on the change of the subject, shows the possibilities of the future of dance. In addition, to the physical imagery roused through attention to the words of the unique Butoh Fu Hijikata lineage, Waguri also concentrates on collaborations with the artist in other genres.

In 1998, Waguri published the CD-ROM of Butoh Kaden, which has been viewed worldwide and has received much interest from butoh dance scholars and practitioners as it unveils the essence of Hijikata’s Butoh notation and choreographic methods, and provides an opportunity to reevaluate Hijikata’s method.

Register for the Workshop

Individuals may join MyDance Alliance on the day of the workshop at the venue. Membership for MyDance Alliance is RM 50 regular, and RM 20 student, for one year, and entitles you to free entrance to Dancebox events, discounts to workshops and performances and other benefits. For more information about membership, see http://www.mydancealliance.org/become-a-member.html

To register, please send your name, age, email address and telephone number to contact@mydancealliance.org or +6017 310 3769.
This workshop is hosted by Soubi Sha and organised by MyDance Alliance.

Want even more from Yukio Waguri?

Check out the 21-hour workshop also taking place in January 2013, organised and hosted by Soubi Sha. More info here.

Work It!

Work It!

Image: Doris Uhlich in 'Rising Swan', photo: Andrea Salzmann.

Work It! was a project bringing together female performing artists from Asia and Europe whose work revolves around the gendered depiction of the body on stage. For 10 days in November 2012, these artists met in Kuala Lumpur to share their artistic practice, create new networks and explore their diverse understandings of feminism.

Participating artists:

  • Cynthia Ling Lee (Taiwan/USA)
  • Rita Natalio (Portugal)
  • Donna Miranda (Philippines)
  • Joavien Ng (Singapore)
  • Cuqui Jerez (Spain)
  • Doris Uhlich (Austria)
  • Naomi Srikandi (Indonesia)
  • Mia Habib (Norway)
  • Geumhyung Jeong (Korea)
  • Un Yamada (Japan)
  • Margarita Tsomou (Greece/Germany)
  • Mislina Mustaffa (Malaysia)

Download: Work_It!_Press_Release
Download: Work_It!_Participant_Bios

Teater Garasi, in a play directed by Naomi Srikandi.Public Performances

2 nights of sharing their work and perspectives

Program A: 8.30pm, Friday 9 Nov
Program B: 8.30pm, Saturday 10 Nov

Venue: The Black Box, MAP @ Publika, Solaris Dutamas

How do you perform a woman onstage? How do you negotiate how a society regulates work, power, sex and truth? What is creativity’s reaction to convention? And how will women thrive in the performing arts in the current global climate?

The Work It! public showing tackled these questions with theatre, dance, music and good old fashioned women’s wit.

Entry by donation at the door
RM 20 regular, RM 15 for students, seniors & MyDance Alliance members.
Q&A session with the artists following the performance.

Cuqui Jerez, 'Croquis Reloaded'. Work It! Open Studio

The focus of the Work It! project is on the week of closed-door studio sessions for the participants at Rimbun Dahan, in which they will be sharing and developing their arts practice with each other. For one afternoon only, join the artists in an open studio session to get a taste of the Work It! project. All practicing artists, in visual or performing arts, and both male and female, are invited to attend.

2-5pm, Wednesday 14 November 2012
The Dance Studio at Rimbun Dahan

Free entry, but attendance is limited, so please register by emailing bhijjas@gmail.com with your name, phone number, and brief bio.

Donna Miranda. Photo: Brendan Goco.

Work It! Panel Discussion

At the conclusion of the 10-day project, the participants of Work It! will present a public panel discussion to discuss the process of the closed-door discussions at Rimbun Dahan and to share their findings.

2-5pm, Saturday 17 November 2012
Annexe Central Market
Free Entry

Work It! was co-produced by Bilqis Hijjas of Rimbun Dahan, Anna Wagner (Germany) and Fumi Yokobori (Japan).

Main Sponsors

tanzconnexionsGoethe_institutCreative-Encounters

Supported by

JFKL  wao

Public performance venue sponsor

map_publika

 

Contemporary Mask Workshop by Agung Gunawan

Contemporary Mask Workshop by Agung Gunawan

workshop_panorama

On Saturday 26 May 2012, MyDance Alliance in collaboration with Nyoba Kan presented a workshop at Rimbun Dahan by visiting Indonesian dancer and choreographer Agung Gunawan.

For three hours, Agung led a group of 15 dancers through various elements of his artistic practice. He started with a rough and ready taster of tarian topeng klono, a mask dance from the royal court of Jogjakarta. He then encouraged the participants to get to know their own masks, in a series of exercises involving looking at the mask, feeling the mask on the face, free movement and moving while focusing upon the mask.

The workshop culminated in a group improvisation with all the masked participants exploring their own and each other’s developing characters, before a final wild return to the tarian topeng klono. As a finale, Agung performed the tarian topeng klono wearing his mask, to the delight of the group whose appreciation had deepened through their brief encounter with the art form.

For more images of the workshop, see the album on Rimbun Dahan’s Facebook page:
https://www.facebook.com/media/set/?set=a.373531749362522.83693.109567465758953&type=1

About Agung Gunawan

Agung Gunawan was born in 1971 in Klaten, Central Java. After graduation from the High School of Arts in Yogyakarta, he continued studies of Yogyakarta classical dance in Surya Kencana and at the Kraton (Palace) where he continues to perform. He studied Sumatranese, Betawian and Kalimantan dance with Bagong Kusudiharjo and contemporary dance with M. Miroto. He is presently Assistant Choreographer of the Miroto Dance Company and has toured with them in Holland, Belgium, Germany Africa and of course Indonesia. He has performed with other groups in USA, Romania, Italy, South Korea, Australia and Japan. He is actively involved in contemporary music and has also choreographed for movies. Agung is director of Manisrenggo Culture Festival and he is also conceptual director of The Arts Island Festival which tours through Java and Bali.

Lina Limosani

Lina Limosani

lina

Australian dancer and choreographer Lina Limosani undertook an Asialink residency at Rimbun Dahan in 2008, during which time she developed and presented the full-length contemporary dance work A Delicate Situation. Lina returned in 2012 for a short redevelopment of the work, with Australian dancer Carol Wellman-Kelly.

About the Artist

Lina Limosani graduated from the Victorian College of the Arts in 1999 and became a member of the Australian Dance Theatre (ADT) from 2000-2005. In 2003 she was awarded the Emerging Artist award by the Adelaide Critics Circle for her works in ADT’s in-house choreographic seasons of Ignition. In 2004 Lina was nominated for a Green Room Award for her performance in The Age of Unbeauty at the Melbourne Festival. She also featured in Anton’s dance film When You’re Alone, which was a finalist in the 2004 Reel Dance International Dance on Screen Awards.

After leaving ADT Lina worked with artists including Narelle Benjamin, Lucy Guerin and Gideon Obarzanek. She has since maintained a performance career both in Australia and New Zealand, and gone on to create her own works independently. Lina’s works are known for their fast, aggressive movement style, as well as their humour, and use of speech and theatre.

Below: Suhaili Micheline rehearsing for the redevelopment of ‘A Delicate Situation’ in the studio at Rimbun Dahan.

Residency in 2012

Australian choreographer Lina Limosani has returned to Rimbun Dahan on a short redevelopment of the work A Delicate Situation, which she created at Rimbun Dahan in 2008.

Accompanied by Australian dancer Carol Wellman-Kelly, and reconnecting with Malaysian dance Suhaili Micheline Ahmad Kamil who was involved in the original work, Lina reformed A Delicate Situation to confront different cultural approaches to death, dying and the afterlife.

The original work investigated Malaysian superstition through the story of the pontianak, a female vampire ghost believed to have died at childbirth. The redeveloped version is also set in Malaysia, but is the story of a Western woman’s struggle to come to terms with death surrounded by a culture saturated in legend, myth and superstition.

“What I found compelling [with the pontianak] is the seemingly universal necessity for humans to personify death,” says Lina. “This tendency became central to A Delicate Situation and it was through the character of Death that I invite the viewer to be deeply drawn into the work. Death, its personification in the lore surrounding it, and the fear that accompanies it remain fundamental in A Delicate Situation.”

The finished work will premier in the inSPACE program at the Adelaide Festival Centre in August 2012. Lina Limosani and Carol Wellman-Kelly’s residencies at Rimbun Dahan in May 2012 are supported by Arts SA.

govt-sa-arts-sa

Below: Lina Limosani, Carol Wellman-Kelly and Suhaili Micheline learning the classical Malay dance tari inai from Malaysian dancer Hasmizan Abdul Hamid from ASWARA.

Residency in 2008

Lina was resident at Rimbun Dahan from September to December 2008, with the support of a performing arts grant from Asialink. During her stay, she created a new contemporary dance work for performance in December 2008. She collaborated with physical theatre artist Al Seed and costume designer Eve Lambert who were resident at Rimbun Dahan for short periods.

Lina Limosani worked with four accomplished local dancers — Elaine Pedley, Suhaili Ahmad Kamil, Low Shee Hoe and Rathimalar Govindarajoo — to create A Delicate Situation, a full-length performance with a strong visual and emotional impact, which was performed at Kuala Lumpur Performing Arts Centre in December 2008.

T.H.E. Dance Company

T.H.E. Dance Company from Singapore enjoyed a short residency at Rimbun Dahan in January 2012, rehearsing new works for premieres. During their residency, artistic director Kuik Swee Boon and T.H.E. Dancers conducted a workshop in the Dance Department at ASWARA, and generously included Malaysian dancers in their daily company class. Malaysian tai chee master Tangkok Lee was invited to teach occasional company class during the company’s residency.

Riki von Falken

Riki von Falken

Echo II

EchoII

From 9 to 10 December 2011, German choreographer Riki von Falken and the Dance Programme at Rimbun Dahan presented a new dance work performed by eight Malaysian dancers.

riki_portrait_th“The language of my body echoes a special experience: working with the students at the ASWARA, the national arts academy in Kuala Lumpur, in 2010. For me, there is a connection between the energy of the martial art Silat and my abstract form in dance. I use the particular expressions of the dancers for a meeting of cultures in these two different forms.” — Riki von Falken, dancer & choreographer from Germany

Riki arrived at Rimbun Dahan in mid-October 1011, having already led an audition for her work at Rimbun Dahan and ASWARA earlier in August. The eight Malaysian dancers whom she chose worked intensively with her in the process of creating this work. Echo II followed Riki’s creation of the original Echo work with four dancers in New Zealand earlier in 2011.

Performed by Bilqis Hijjas, Dayang Norinah, Khairi Mokthar, Naim Syahrazad, Ng Xin Ying, Nur Ekmal bin Yusof, Pengiran Khairul Qayyum & Rabiatul Adawiah.

8.30pm Friday & Saturday, 9 & 10 December 2011
3pm Sunday, 11 December 2011
Experimental Theatre, ASWARA, 464 Jln Tun Ismail, Kuala Lumpur
Every performance followed by Q&A with the choreographer and performers

Produced by Rimbun Dahan. Sponsored by the Goethe-Institut Kuala Lumpur.

EchoII_flyerfront

Dancing to Connect

Dancing to Connect

‘Dancing to Connect’ is a five-day dance workshop program that Battery Dance Company, New York, has been introducing all around the world as a mean to provide teenagers with the tools for getting in touch with the dancer within and choreographing their own performances. It aims to engage international youth in creativity and team building through the American art form of modern dance. DtC was launched in Europe in 2006, Asia in 2008 and Africa in 2009.

At the end of September 2011, five teams of teachers combining members of Battery Dance Company and dance students fom Malaysia’s national arts academy ASWARA ran Dancing to Connect workshops in Malaysia. One of these teams was centered at Rimbun Dahan, and was attended by students from Harvest School in Sentul and Sekolah Menengah Kebangsaan Tuanku Abdul Rahman in Batu Arang.

The students from Harvest School stayed in accommodation at Rimbun Dahan, accompanied by Jade Ong from Lotuspond Outreach. Led by Bafana Matea of Battery Dance Company, and Murni Omar from ASWARA, the students rehearsed for six hours every day to prepare for their final showcase performance which took place at Mong Kiara International School.

Support for Battery Dance Company and for meals for the Dancing to Connect participants was provided by the American Embassy, Kuala Lumpur.

Opening of APIDC 2011

Opening of APIDC 2011

nana_lg

Rimbun Dahan hosted the participants of the Asia-Pacific International Dance Conference 2011 for a welcome dinner in the Underground Gallery on 21 September 2011.

Dancers from the KESUMA Ensemble from University of Malaya provided a post-dinner show in the Dance Studio at Rimbun Dahan for the assembled guests, displaying the grace and diversity of classical and folk Malay dances to live musical accompaniment. The evening closed with an impromptu joget party, with audience members joining in!

The Asia-Pacific International Dance Conference brought more than 200 local and international dance academics together to discuss the theme of hybridity in dance, and how it is transmitted, performed, researched and written. The conference was organised by the Cultural Centre, University of Malaya, and Jabatan Kebudayaan & Kesenian Negara, and was held at the Royale Bintang Hotel from 22 to 25 September.

All photos by Syaffiq Hambali.