Genus Hopea

Genus Hopea

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A genus in the family Dipterocarpaceae.

Hopea auriculata Foxw.
merawan
Rare endemic fr Panti, Johor & G. Tapis, Pahang. Lanceolate few nerved leaf w/ almost invisible tertiary venation, and auriculate fruit, 2 winged, 7×1.5cm. Small trees, smooth bark. 3 planted NW of large clump of nibong palms on stream.

Images from 2022:

Hopea beccariana Burck

merawan batu

Borneo, E Sumatra, Malaya. Throughout peninsula, esp coastal hills of Penang and Dindings. Small populations surviving at Muka Head, Penang. Hard fissured bark and broad, long petioled leaves, to 3m girth. Resembles H latifolia, but H latifolia does not have regularly deep-fissured bark. These trees too young to differentiate. 3 planted on north fence of tennis court, now with many seedlings.

Hopea bilitonensis Ashton
no recorded local name
Banka, Bilitung, once on Perak limestone. Long, narrow, equal-based leaves w/remotely tertiary scalariform nerves. Winged ovate fruits, 1 cm w/short point, sepals narrowly winged at base, 2 longer and 3 shorter than nut. 2 planted E & SE of Rumah Balai.

Images from 2022:

Hopea coriacea Burck

Borneo and east coast of peninsula from s Kelantan to s Pahang. Rare, possibly extinct in peninsula. Large ovate, leathery glabrous leaf w invisible nervules, and the pointed fruits with 2 long wings and 3 papery lobes. 3 planted on N fence to Lg Belimbing uphill from Rumah Balai.

Images from 2022:

Hopea dryobalanoides
mata kuching hitam
Sumatra, Borneo, Malaya (Kedah, Perak, Sel, NS, Pahang). Endangered. Thin elliptic to oblong lanceolate dryobalanoid leaves. Small trees, adventitious aerial roots; tear-like stalactitic exudations of pale damar. Two planted on back fence early 90s, one more 6/07, W of nibong clump in stream valley.

Hopea-dryobalanoides
H dryobalanoides canopy

Images from 2022:

Hopea ferrea  Lanessan
malut, cengal batu
Indochina, Thailand, NW Malaya, this from Langkawi. Near or on rocky hills; now endangered. Shaggy bole, small leafed crown that is red in new leaf. Fr Tunas Harapan 6.2012, in front lawn, north of upper pond.

H ferrea
H ferrea stipule

Images from 2022:

H.ferrea bark
H.ferrea front leaves
H.ferrea back leaves


Hopea ferruginea
Parjis
mata kucing merah, merawan jangkung
Malaya, Sumatra, Riau, Borneo; Melaka, NS, Johor, on low undulating land. Habitat loss now endangered. Buttresses sharp, stilt roots, bark cracked w/clear dammar. In front lawn, N of upper pond.

Hopea-ferruginea

Images from 2022:

Hopea glaucescens
merawan kelabu
Endemic to the peninsula, occuring in Kedah, Perak, Pahang and Johor.  Five trees were planted at RD in the early ’90s where it has flowered but not fruited to our knowledge.

Hopea helferi
lintah bukit
From NW of peninsula into Thailand, Cambodia and Burma. Common in Langkawi, but severely depleted where accessible. Large, oblong, silver backed leaves distinctive. Now critically endangered through its range.

Images from 2022:

Hopea kerangasensis
merawan kerangas
Generally a species of Borneo but discovered in Pahang and Trengganu. Found close to the coast in leached humic yellow soils; now endangered due to habitat conversion.

Images from 2022:

H. karanganensis bark
H. karanganensis back leaf
H. karanganensis front leaf

Hopea mengarawan
merawan penak, pengarawan jangkang
Sumatra, Malaya, Borneo. East coast & south
peninsula. On low, often swampy land. Often stilt-rooted, jangkang. Endangered, habitat loss, small
stipules, reversing curve before falling. Large
leathery, many veined leaves; fruits 2 winged.
1 fr TH 11.09  

Images from 2022:

H. mengarawan bark


Hopea nervosa
merawan jangkang
Borneo & Malaya. Endangered by habitat loss, all states. Smooth barked Hopea up to 2.5m girth. Large oblong leaves w prominent main nerves; large fruits, 2 winged to 10cm; jangkangprominent stilt roots. 1 fr TH 11.09.

Hopea-nervosa
Hopea-nervosa-leaf

Images from 2022:

H. nervosa back leaves
H.nervosa front leaves

Hopea nutans
giam
Trengganu, Pahang, Johor, sometimes in gregarious and rich stands. Timber very hard heavy and durable, hence greatly depleted.

Hopea odorata
chengal pasir
Indo-China, Burma, Siam, Andaman Is. and north Malaya. Rarely far from streams. Identified by pore-like domatia in leaf axils. Flower petals pale yellow, fruits 2 winged; nut ovate conical. Timber: merawan, commercial in Burma & Siam. Planted along entrance road to main house.

Hopea-odorata
Hopea-odorata-2

Images from 2022:

H. odorata bark

Hopea pierrei HANCE
merawan palung (trough, ref sunken rib)
S Indochina, Thailand, Pasoh FR, Ulu GombakFR, now endangered by conversion and logging.  This fr Gombak.  Small ovate-acuminate many nerved leaf with midrib depressed on upper surface. Fr Tunas Harapan 6.2012, in front lawn, E of upper pond.

Hopea-pierrii

Images from 2022:

H. pierrei bark
H. pierrie back leaves
H. pierrie front leaves

Hopea polyalthioides
giam rambai (Ulu Gombak)
Rare endemic, only in well drained forest in one valley in Panti FR Johor; maybe extinct, but this fr Ulu Gombak. Large, long-oblong leaves arranged in distichous sprays and velvety young twigs. Fr Tunas Harapan 6.2012, N of upper pond close to stream crossing.

Hopea-polyalthiodes-2
Hopea-polyalthiodes

Images from 2022:

H. polyalthoides back leaves
H. polyalthoides front leaves

Hopea pubescens
merawan bunga
Endemic to Kelantan and Pahang on flat drained land & low hills. Fissured bark, pubescent twigs and small leaves (sparsely hairy on midrib that is sunk on upper surface). Fruit 2 wings only 2cm long, v. small nut. Planted in ’95 (?) in Jambu plot, S of Ahmad’s red sculpture.

Hopea-pubescens

Images from 2022:

Hopea sangal
mersiput
Thailand, Malaya, Sumatra, Borneo, islands of Sunda shelf. Typically near rivers. In extreme north its place is taken by closely related and very similar H. odorata (cengal pasir). Vulnerable because of lowland habitat. Planted 6/07, S of laterite road to back.

Hopea-sangal

Images from 2022:

H. sangal canopy

Hopea subalata
merawan kancing
Endemic to Kancing FR Selangor. Thin oval ovate, caudate-acuminate subdyrobalanoid leaves and almost wingless fruits.  Small smooth barked Hopea to 1m girth, buttresses stilted, w/ adventitious stilt roots, bole straight but not tall. SE of Bulatan Plong, beside path to Uda Manap.

Hopea sp.
Planted June 2012, from Maxwell Hill, Bukit Larut. S of east studio.

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Genus Dryobalanops

A genus in the family Dipterocarpaceae.

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Dryobalanops aromatica
kapor
Sumatra, Rhiau, Borneo. In Malaya confined to northern east coast, except for small important area near Rawang. Distinguished by aromatic crushed leaf, wood resistant to fungal attack.

Previous images:

Dryobalanops-aromatica

Images from September 2022:

Dryobalanops aromatica bark
Dryobalanops aromatica leaves

Dryobalanops lanceloata

kapur paji

Latin, lanceolatus = shaped like the head of a spear (the leaf blade). Emergent tree to 80m. Endemic in Borneo. Saplings shade tolerant, but given a light gap grow very fast. Norsham 5.13. D. lanceloata on left, specimen on right seems to be D. keithii, with very large leaves and different tree architecture.

Previous images:

IMG_2376

Images from September 2022:

Dryobalanops lanceolata bark
Dryobalanops lanceolata front leaves
Dryobalanops lanceolata back leaves

Dryobalanops oblongifolia Dyer
keladan
Malaya, e Sumatra, w & centr Borneo, seasonally flooded forest, but absent in deep peat. Used to build boats. Vulnerable due to habitat loss. Large canopy trees, bark closely studded w/small lenticels, heavy wingless fruits. Seed c 2.5 cm enclosed at base by 5-lobed calyx tube.2 new speciments June 2008, pictured below right.

Dryobalanops-oblongifolia
Dryobalanops-oblongifolia_small

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Genus Dipterocarpus

Genus Dipterocarpus

A genus in the family Dipterocarpaceae.

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Information about these species has been sourced from the following:

Foresters’ Manual of Dipterocarps, by C. F. Symington, Malayan Forest Records No. 16, revised in 2004 and published by the Malaysian Nature Society.

Tree Flora of Sabah and Sarawak, Vol. Five, edited by E. Soepadmo. L.G. Saw and R.C.K. Chung; published by the Gvt. of Malaysia


Dipterocarpus alatus

Dipterocarpus alatus was naturally distributed in central and southern Vietnam, Cambodia, Laos, the Philipines, and Myanmar; recently it has been found on Pulau Payar, Kedah.  It is recorded as a Vulnerable species in Peninsula Malaysia.  Its resin is used medicinally.

Images from 2022:

Dipterocarpus baudii
keruing bulu

Indo China, Burma, Thailand, Malaya, Sumatra. In every state, but rare, used to be comparatively abundant in Sungai Buloh. Rapid early growth, girth of 3′ in 20 years. Prefers low lying but well drained forest. 2 located E of northern end of stream valley, one on back fence in line with back of Uda Manap.

Images from August 2022:

D.baudii bark
D.baudii back leaves
D. baldii front leaves

Dipterocarpus caudiferus Merr.
keruing putih

Latin, cauda = tail, ferre = to bear (the narrow acumen of leaf apex). Immense emergent tree to 65m, columnar bole and buttresses to 3.5m. Endemic Borneo, not in S & SW. Norsham 5.13.  

D.caudiferus
D.caudiferus leaves

Dipterocarpus chartaceus
keruing kertas
From Thailand to Johor, but rare, generally in low coastal locations. Crisp papery dead leaf. Twigs are terminated by buds protected by sheathing stipules that fall to reveal a young folded leaf and another expanding bud beneath.

D.chartaceus stipule

Images from August 2022:

D.chartaceus bark 1
D.chartaceus bark 2
D. chartaceus front leaf
D. chartaceus back leaf

Dipterocarpus cornutus
keruing gombang
Malaya & Borneo.
Rare over large areas, but common in parts of Perak, Ulu Selangor, K. Pilah, w. Pahang and w. Johor. Conspicuous crown of large light coloured leaves. Twigs and buds covered with velvety tomentum. Leaves oblong, 20 x 12 cm, with c. 20 prs nerves, ridges between.

Dipterocarpus-cornutus
D.cornutus dried leaves

Images from August 2022:

D.cornutus bark
D.cornutus leaves

Dipterocarpus costulatus
keruing kipas
All states Malaya, Sumatra, N. Borneo. On low lying flood prone land, & on hills. Endangered. Leathery, glabrous, ridged leaf acute at the base. Grey bole, bark studded with lenticles, stipules to 16 cm, tomentose, pastel pink. Planted 6/07.

Dipterocarpus-costulatus

Images from August 2022:

D.costulatus bark
D.costulatus front leaves
D.costulatus back leaves

Dipterocarpus crinitus Dyer
keruing mempalas
Malaya, Sumatra, Borneo; these from Labis FR, Johor. Prefers low drained land, now vulnerable, small population at Pasoh. Small harshly hairy oval leaf. Stipules up to 5 x 2.5 cm, boat shaped, smooth or w/deciduous hairs, pink when fresh. Viable fruits rare, excessively insect predated. 2 in front on N side, under Durians.

Images from August 2022:

D.crinitus back leaves
D.crinitus front leaves
D.crinitus bark
D.crinitus stipule sheath

Dipterocarpus dyeri
Keruing etoi

A large species with coarse twigs and large many nerved leaves with slender petioles.  In the peninsula it is restricted to Perlis and northern Kedah where is was tapped for oil, and is now Critically Endangered in the wild.

Images from 2022:

Dipterocarpus elongatus
keruing latek
Malaya, NE Sumatra, N Borneo. Usually in low lying forest, near swamps or on flood prone land, critically endangered by land conversion. Large many nerved leaves, & large wingless fruits. 3 planted NW of upper pond, indistinguishable from D cornutus planted later. 1 D. elongatus well established W of service driveway near original red store.

Images from August 2022:

D. elongatus bark
D. elongatus front leaves
D.elongatus back leaves

Dipterocarpus eurhyncus Miq.
keruing baran
Sumatra, Borneo, S Philippines, Malaya in east coast south of KT, was common Arong FR Johor, now critically endangered. Small ridged leaf. From Tunas Harapan 6.2012.

Dipterocarpus-eurynchus

Images from 2022:

D. eurhyncus bark
D. eurhyncus front leaves
D.eurychus back leaves

Dipterocarpus gracilis
keruing kesat
Chittagong, Andamans, Vietnam, Malaya, Java, Sumatra, Philippines. Endangered. Grey bole w/reddish patches where scales have fallen; finely lenticillated bark. Leaves 15 x 8 cm, 14 -18 nerved. Planted 6/07.

D-gracilis-stipule

Images from August 2022:

D.gracilis bark
D. gracilis leaves
D.gracilis stipule sheath

Dipterocarpus grandiflorus
keruing belimbing
From Andamans to Philippines; widespread in Malaya. Name from calyx tube like belimbing. Bole light yellow, scaly, with smooth lenticellate portions. Stipules v. large before falling, 18 x 5 cm, purple pink when fresh. Fruits among the largest of the genus. Young leaves of saplings dark purple. Planted 6/07, S of path to Uda Manap near Bulatan Plong.

Images from 2022:

Dipterocarpus humeratus Slooten
keruing kerukup

Latin humeris = shoulder; the articulated petiole. Sumatra & Borneo. In mixed Dipterocarp foests on well drained clay soils. Emergent tree to 50m with 2m buttresses. Norsham 5.13. 3 located E of upper end of stream valley.  

Dipterocarpus kerrii King
keruing gondol
Andaman Islands, Burma, Thailand, Malaya, east Sumatra, Philippines. Widely distibuted, tends to be gregarious, but absent from large areas particularly on the east coast. Rather small shiny, few nerved long petioed leaves, stipules silky on inside. Large globose fruits. Norsham 5.13;  5 planted north of chicken coop.

Images from August 2022:

D.kerrii bark
D.kerrii front leaves
D. kerrii back leaves

Dipterocarpus kunstleri
keruing gombang merah
Malaya, Sumatra, Borneo, Philippines. Lowlands, now endangered. Twigs w/broad stipular collars, large glabrous leaves. Young boles marked w/horizontal furrows, older yellowish bark studded w/diffuse, medium lenticels. Linear stipules. Leaves broad ovate or elliptic, 22 x 15 cm, 15 nerved, petioles 5-7 cm, black, glabrous. Planted 6/07.

Estimated height in 08/2022: 23 m

Dipterocarpus oblongifolius Bl.
keruing neram
Borneo, Malaya, along rivers above tidal zone, strictly riparian. Rare in west, but in Bubu FR Perak. Secure in Taman Negara, but threatened elsewhere. Thick fissured bark, sub-ovate velvety leaves. Fr Tunas Harapan 6.2012, located NNW of upper pond.

Dipterocarpus-oblongifolius

Images from August 2022:

D.oblongifolius bark
D. oblongifolius front leaves
D. oblongifolius back leaves

Dipterocarpus rigidus

Keruing cogan

Dipterocarpus rigidus is found in the Malay Peninsula, the Riau and Lingga archipelagos, Borneo and the Anamba Islands.  It is known askeruing cogan.  It occurs only in the east of the peninsula, on coastal hills of Terengganu, Pahang and Johor.  It is now endangered by logging and land conversion.

Images from August 2022:

D. rigidus
D.rigidus front leaves
D.rigidus back leaves

Dipterocarpus sarawakensis Sloot
keruing layang
Sarawak, Brunei, south Borneo, & near Kemaman River, Terengganu. On low leached sandy soils. Extinct in Malaya? Small obovate obtuse leaf, wavy margin towards apex, short petiole, dense coarse indumentum. Fr Tunas Harapan 6.2012. One located in open path to W of Bulatan Plong, the latter from TH in front near grove of Shorea sumatrana.

Previous images:

Images from 2022:

Dipterocarpus sublamellatus Foxw.
keruing kerut
Sumatra, N Borneo, Malaya. Most abundant on undulating land s of Temerloh, scattered on west coast. Small ridged leaves, sub-lamellate fruits. Fr Tunas Harapan 6.2012. Also 3 trees north of Dance studio, originally identified as D. dyeri, fruited in 2014, and seem to be D. sublamellatus.

Dipterocarpus-sublamellatus-2

Images from August 2022:

D. sublamellatus bark

Dipterocarpus tempehes

Keruing asam

Dipterocarpus tempehes is endemic to Borneo where it is known as keruing asam in Sabah, and keruing tempayan in Sarawak.  A low emergent tree to about 40m tall, with buttresses up to 2m.  It is classified as Vulnerable, and possibly endangered by forest conversion.

Images from 2022:

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Bridie Gillman

left: Souvenir: Tropical Fruits of Malaysia 2015, oil on canvas. right: In Thailand I got a girl in every club 2015, oil on canvas board.

Bridie Gillman’s practice is grounded in her experiences of living in Indonesia when she was younger and further experience of being ‘in-between’ places and cultures since. Her work explores ways in which experiences of awkwardness and the ‘unknown’ can be translated through found materials, installation and photography.

Gillman is an emerging artist based in Brisbane, Australia and completed her Bachelor of Fine Art with Honours at Queensland College of Art in 2013. Since graduating she has conducted a residency in Indonesia and exhibited nationally and internationally.

She was in residency at Hotel Penaga from August to October 2015, where she researched the transient space of hotels, tourism and souvenirs in our increasingly globalised and transnational world. Her residency culminated in an exhibition titled Round Island Tour, held at Run Amok Gallery in Georgetown. For more information on her work, visit her website.

left:  Souvenir: Tropical Fruits of Malaysia 2015, oil on canvas. right: In Thailand I got a girl in every club 2015, oil on canvas board.
left: Souvenir: Tropical Fruits of Malaysia 2015, oil on canvas. right: In Thailand I got a girl in every club 2015, oil on canvas board.

Left: Sprite at night 2015, Batik painting. Right: Local Lingo 2015, Set of 6 digitally printed postcards, edition of 100
Left: Sprite at night 2015, Batik painting. Right: Local Lingo 2015, Set of 6 digitally printed postcards, edition of 100.

Southeast Asian Choreolab 2015

Southeast Asian Choreolab 2015
14690552-STANDARD

From 30 May to 7 June 2015, Rimbun Dahan hosted the Southeast Asian Choreolab 2015, a meeting of 15 emerging contemporary dance choreographers from Southeast Asia.

This was the second edition of the Southeast Asian Choreolab, which brings together emerging contemporary dance choreographers from Southeast asia. The participants in 2015 are from Laos, Cambodia, Thailand, Vietnam, Malaysia, Singapore, Indonesia and the Philippines. They worked under facilitator Arco Renz, a German choreographer based in Brussels.

Each of the participants had the opportunity to run their own group session during the Choreolab, sharing their particular movement style or choreographic method. Arco led the group in integrating this material into choreographic and analytical exercises. ‘Zeitguest’ speakers about topics not related to dance also addressed the group, providing impetus information about ‘real world’ topics: regional security, economics and marine biogeography.

The group went on a field trip to Kuala Selangor, a tour of Klang Valley arts institutions Temple of Fine Arts, ASWARA, DPAC and klpac, and watched performances by Dua Space, Pierre Rigal Compagnie and Wild Rice.

On the final day of the Choreolab, the participants of the Southeast Asian Choreolab 2015 shared snippets of their studio exercises during the event with a small audience.

The Southeast Asian Choreolab 2015 is supported by Goethe-Institut Malaysia, and hosted by Rimbun Dahan. It is a joint project between MyDance Alliance and World Dance Alliance Asia-Pacific.

See more images from the 2015 SEA Choreolab here.

About the Participants

The participants of the 2015 SEA Choreolab were:

  • “Ong” Nitipat Pholchai (Thailand)
  • Sonoko Prow (Thailand)
  • Faillul Adam (Malaysia)
  • Tan Bee Hung (Malaysia)
  • Japhet Mari M. Cabling (Philippines)
  • Lygie Carillo (Philippines)
  • Al Bernard Garcia (Philippines)
  • Siko Setyananto (Indonesia)
  • Darlane Litaay (Indonesia)
  • Fadilla Oziana (Indonesia)
  • Chy Ratana (Cambodia)
  • “Kaka” Ounla Phaoudom (Laos)
  • “Buddha” Thanh Nguyen Duy (Vietnam)
  • Eng Kai Er (Singapore)
  • Foo Yun Ying (Singapore)

About the Facilitator

aRco_Chalon_DSC_4991_Crop_0-bg-300x317Arco Renz productions with Kobalt Works reveal an intense physicality and explore the emotional force of abstraction.

In his creations, he consistently broadens the principles of Abstract Dramaturgy to light, sound and multimedia interfaces; and his choreographies go beyond pure, formal dance, displaying “a graceful expressionism that can be situated somewhere between the German expressionist films of the 1920s and traditional Eastern dance and theatre forms.”

During 2014 and 2015, Kobalt Works|Arco Renz is engaged in collaborative performance projects of very different nature in Indonesia (KRIS IS), Vietnam (Hanoi Stardust), the Philippines (COKE), and Singapore (ALPHA).

Among over 20 evening length choreographies, other major Kobalt Works’ productions include .states. (2001), Mirth (2002), heroïne (2004), Bullitt (2006), i!2 (2008), PA (2009), 1001 (2010), CRACK (2011), solid.states (2012), or Discografie (2013).

In addition, Arco Renz has regularly created commissioned works for the Brussels Opera House, the Festival d’Art Lyrique d’Aix en Provence, the Brussels Philharmonic Orchestra, the Norvegian National Company of Contemporary Dance, among others. In the field of opera he has extensively worked with Robert Wilson, Luc Bondy and on several occasions with Anne Teresa de Keersmaeker.

A central focus within Arco’s specific choreographic idiom is the comparative study of various Asian and European performance traditions. He has developed Monsoon, a series of transcultural and multidisciplinary research and
exchange programs with editions in Asia, Europe and coming up in 2015 in Australia. Arco Renz studied dance, theatre, and literature in Berlin and Paris and was one of the first generation of graduates of P.A.R.T.S., the dance school founded by Anne Teresa De Keermaekers in Brussels.

Omar Musa

Omar Musa

Omar bin Musa (b. 1984) is an award-winning author, poet and rapper from Queanbeyan, New South Wales, Australia. He won the Australian Poetry Slam in 2008 and the Indian Ocean Poetry Slam in 2009. He has released two solo hip hop records (The Massive EP and World Goes to Pieces), two self-published books (The Clocks and Parang) and a self-titled album with international hip hop group MoneyKat. His debut novel Here Come The Dogs was published in 2014. Here Come the Dogs received praise from novelists Irvine Welsh and Christos Tsiolkas, was long-listed for the Miles Franklin Award and Musa was named one of the Sydney Morning Herald’s Young Novelists of the Year in 2015.

Omar is the son of Australian arts journalist Helen Musa and Malaysian poet Musa bin Masran. He studied at the Australian National University and the University of California, Santa Cruz.

Omar has combined hip hop music and poetry throughout his career. He was runner up in the 2008 Australian Poetry Slam, before winning in 2009 at the Sydney Opera House. He went on to win the Indian Ocean Poetry Slam in 2010. In 2010 he also did support for Gil Scott-Heron in Munich, Germany. In 2011 he was a guest panellist on ABC’s Q&A. In 2013 he received a standing ovation at TEDxSydney at the Sydney Opera House.

He has been a guest at numerous international writers festivals, including Jaipur Literary Festival in India and the Ubud Readers and Writers Festival in Indonesia, as well as touring extensively in Asia, Europe and Australia. He has collaborated with numerous musicians and hip hop artists, including Akala, Soweto Kinch, Impossible Odds, The Last Kinection, Hau Latukefu from Koolism, Candice Monique, The Tongue, Lotek, Koolta and Geoff Stanfield.

He did a split residency in Hotel Penaga and Rimbun Dahan from June to August 2015.

Snake Tales

Snake Tales

Rimbun Dahan can be paradise for snakes… or the last thing a snake ever sees. This month, one lucky python was hauled out of the hen house and taken away to a new home, but things didn’t turn out so well for a cobra which strayed near the main house.

Chendor Resort Building Update

Chendor Resort Building Update

The construction of the new resort hotel at Sungai Chendor is underway, with staff quarters and one guest chalet already finished, and another guest chalet and landscaping walls currently being built.

Like the existing Hotel Penaga in George Town, Penang, the new resort at Sungai Chendor, set on the beach north of Cherating, Pahang, will support the cultural program at Rimbun Dahan. The contemporary resort buildings are of course being designed by our resident architect, Hijjas Kasturi, in sympathy with the existing flora and fauna on site.

Bricolage: Rimbun Dahan Residency Exhibition 2015

Bricolage: Rimbun Dahan Residency Exhibition 2015

Bricolage March 2015 Website Header

Rimbun Dahan presents Bricolage, a selection of works by our current resident artists from various countries in South East Asia and Asia Pacific. The exhibition combines works of varying mediums as well as varying viewpoints, showcasing the differentiated results of the artists’ time spent working and living in Rimbun Dahan.

The artists featured are: Malaysian sculptor Anniketyni Madian, Australian artist Jennifer Tyers, Indonesian poet Khairani Barokka, Vietnamese painter and sculptor Tran Dan, and Thai painter Yuwatee Jehko.

Opening Hours:

Weekends 10am – 6pm, Monday to Friday by appointment
15 – 22 March 2015

Address:

Km 27 (entrance before Lorong Belimbing), Jalan Kuang 48050 Kuang, Selangor

Entry: Free

Guided Tour

At 9am on Sunday 22nd March 2015, there will also be a guided tour of the Rimbun Dahan gardens and traditional houses by Angela Hijjas.

For further inquiries about the exhibition or the artists you can contact Syar, Arts Manager, at syar@rimbundahan.org.

For more information on the artists visit:

www.anniketynimadian.com

www.jennifertyers.com

www.khairanibarokka.com

www.danvietartstudio.blogspot.com

www.works.io/yuwatee-jehko

Yuwatee Jehko

Yuwatee Jehko

Yuwatee Jehko - Clouds (2014)

Cloud, 2014. Acrylic on linen, 120 x 85cm

Yuwatee Jehko (b. 1984) is a Thai painter and educator based in Chiang Mai, Thailand.

She derives inspiration from process, believing that the paint palette is an integral part of each painting, because without this tool and experimental space, the work would not exist. Yuwatee finds in the paint palette purity, a struggle between the colours, the residue, choices, mistakes, and ultimately, the journey of the resulting painting hidden in a blob of paint. Her works often depict every day objects, which she hopes will evoke memories, both good and bad, within the viewer and remind them both of who they are today and who they will be tomorrow.

Yuwatee studied at the College of Fine Arts in Bangkok before getting both her Bachelors and Masters of Fine Art in Chiang Mai University. During that time, she was a part of an artist apprentice-training programme at the Fabric Workshop and Museum in Philadelphia in 2011. Yuwatee has also taught basic drawing in multimedia technology and animation in Mae Fah Luang University in Chiang Mai.

In 2009, she mounted her first solo exhibit, “Mindscape” at Galerie N in Bangkok. Her most recent exhibit titled “Paints Palette” was held in 2014 at The Meeting Room Art Café in Chiang Mai.

Find more of her work on her website.