Pare Patcharapa Inchang

Pare Patcharapa Inchang

Thai visual artist Pare Patcharapa Inchang was in residence at Rimbun Dahan for one month in April 2025.

About the Artist

Pare Patcharapa Inchang (b. 1984) is an artist based in Thailand. She began painting in her mid-thirties. Her painting work primarily focuses on themes of emotions through poetics, memories within individuals or communities, and the interaction of social issues and political conditions, reflecting personal experiences.

Pare holds a BA from King Mongkut’s Institute of Technology Ladkrabang. Her works have been exhibited across Thailand. Her photo book Touch Me is published by 89books, Italy (2022). She was a fellow at apexart in New York in 2024.

www.parepatcharapa.com
https://www.instagram.com/parepatcharapa

About the Residency

Whisper from the Ground : Soundscape Between Soil and Sun

Time is the creator of what we are and what we desire to become. We live in the moment, whether because it has not yet happened or because it has already passed.

Music is an art that conveys sensations in another form, is the aesthetic of time without consuming space.

The process of this project started with exploring the area around Rimbun Dahan, examining the traces of living beings. It presents stories of the passage of time that moves through the story of life, labor for whom the completeness of plant species is never ending, in the form of paintings to represent the feeling of being enveloped by movement of colors in raw linen, as well as sound recordings of insects and wind to create a music about space between the creator and the sun, reflecting the state of something that resembles reality.

All painting and music experiments emerge at the atmospheric crux between present and past, conjuring the liveness of place where I was.

Pitchaya Ngamcharoen

Sugar balls from Calling Lost Brother by Pitchaya Ngamcharoen 2015

Pitchaya Ngamcharoen is Thai artist based in Chiang Mai and Bangkok. As an animal spirit, Pitchaya has always been drawn to her own species — non-human. Her artistic process usually involves animals and human participants to create a form of transparent overlap which is then transformed into an art event or object. The outcomes are often shown in interactive installation, sculpture and online sites.

Her last experimental project, “Calling Lost Brothers”, is a project which aims to visualize an animal as an unnoticed and unperceived territory. Conversations between the artist and other species are easily made when we share one thing in common — energy resources.

Pitchaya is interested in the overlapping layers of human living space and that of animals. In the city, a small amount of people realize or care about animate creatures living underneath or above us unless they bother them. In this project, sugar is used to track ants which live in the same building with the artist. The ants’ trails are marked and preserved. The audience is presented with a map showing these ants’ trails and invited to explore the building through the ants’ eyes.

Pitchaya will be in residency at Rimbun Dahan for the months of April and May 2016.

For more information, you can visit her blog and Facebook page.

Kedsuda Loogthong

Kedsuda Loogthong

Kedsuda Loogthong (b. 1983, Songkhla, Thailand) graduated from the Faculty of Fine and Applied Arts at Bangkok University, Thailand in 2006. Loogthong’s early works examine the urbanization of her rural landscape and society and how consumerism has affected the lives of simple country folks. Her recent works explore the visual potential and associated symbolism of a number of mundane objects such as books and ribbons. She has participated in many group exhibitions in Thailand, Singapore, the Philippines, South Korea, Malaysia and Finland. Her works are in the permanent collection of Singapore Art Museum, Singapore.

Kedsuda will be at Rimbun Dahan as a resident artist for the month of July 2015, via a collaboration with Richard Koh Fine Art.